#1 of 3 #1 documentary movie of Week 10, 2016
2016 · Documentary
$436.5K worldwide · 95% of the chart's total
No US & Canada figure reported
Documentary box office · Week 10 · Feb 28–Mar 5, 2016
Documentary Box Office, Week 10 of 2016: Documentary Releases of Feb 28–Mar 5
Trapped (2016) is the highest-grossing documentary movie released in week 10 of 2016 (Feb 28–Mar 5), with $436.5K worldwide, ahead of They Will Have to Kill Us First (2016) at $15.5K and El camino más largo (2016) at $7K. 3 documentary films released that week report a worldwide gross, $459K in all, 2% of it from the US & Canada.
- week 10 releases with a gross
- 3
- combined worldwide
- $459K
- Trapped (2016), the #1
- $436.5K
- earned in the US & Canada
- 2%
#1 of 3 Top 3
What Were the Biggest Documentary Hits of Week 10 of 2016?
Trapped (2016) leads with $436.5K, 95% of the total. The top 3 together took $459K, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Documentary Release of Week 10 of 2016, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 10 of 2016 (Feb 28–Mar 5).
- 1 Mar 4, 2016 US and Canada: – Rest of the world: – Worldwide: $436.5K
- 2 Mar 4, 2016 US and Canada: $7.5K Rest of the world: $7.9K Worldwide: $15.5K
- 3 Mar 1, 2016 US and Canada: – Rest of the world: – Worldwide: $7K
Weeks around it
How Does Week 10 Compare With the Weeks Around It?
Week 10 releases took $459K. The biggest of these 9 weeks is week 4 (Jan 17–23) with $2M, led by Doing Good (2016).
- Week 4 Wk 4 Jan 17–23 Doing Good (2016) $2M Doing Good (2016)
- Week 5 Wk 5 Jan 24–30 Eat That Question: Frank Zappa in His Own Words (2016) $566.7K Eat That Question: Frank Zappa in His Own Words (2016)
- Week 6 Wk 6 Jan 31–Feb 6 Ghost Ship (2016) $837.6K Ghost Ship (2016)
- Week 7 Wk 7 Feb 7–13 Mavis! (2016) $52.3K Mavis! (2016)
- Week 8 Wk 8 Feb 14–20 McLaren (2016) $800.6K McLaren (2016)
- Week 9 Wk 9 Feb 21–27 King Georges (2016) $66.8K King Georges (2016)
- Week 10 Wk 10 Feb 28–Mar 5 Trapped (2016) $459K Trapped (2016)
- Week 11 Wk 11 Mar 6–12 City of Gold (2016) $722.5K City of Gold (2016)
- Week 12 Wk 12 Mar 13–19 Trabantem do posledního dechu (2016) $79.1K Trabantem do posledního dechu (2016)
Earlier years
How Does Week 10 of 2016 Compare With Earlier Years?
Of these 10 years, Week 10, 2013 earned the most: $26.9M from 4 films, led by The Other Side of the Ice (2013). Week 10, 2016 took $459K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 10, 2007 Mar 4–10 1 film | 1 | $58.8K | – | Maxed Out: Hard Times, Easy Credit and the Era of Predatory Lenders (2007) $58.8K |
| Week 10, 2008 Mar 2–8 3 films · +537% | 3 | $374.7K | +537% | We Want Roses Too (2008) $184.8K |
| Week 10, 2009 Mar 1–7 2 films · −97% | 2 | $12.4K | −97% | Am I Black Enough for You (2009) $7.4K |
| Week 10, 2010 Feb 28–Mar 6 No films | 0 | – | – | – |
| Week 10, 2011 Feb 27–Mar 5 No films | 0 | – | – | – |
| Week 10, 2012 Mar 4–10 2 films | 2 | $2.7M | – | Jiro Dreams of Sushi (2012) $2.7M |
| Week 10, 2013 Mar 3–9 4 films · +894% | 4 | $26.9M | +894% | The Other Side of the Ice (2013) $25.1M |
| Week 10, 2014 Mar 2–8 5 films · −95% | 5 | $1.4M | −95% | Particle Fever (2014) $869.8K |
| Week 10, 2015 Mar 1–7 3 films · −65% | 3 | $498.8K | −65% | Merchants of Doubt (2015) $308.2K |
| Week 10, 2016 Feb 28–Mar 5 3 films · −8% | 3 | $459K | −8% | Trapped (2016) $436.5K |
Archive
Documentary Box Office in 2016, Week by Week
53 weeks of 2016 with reported grosses; the biggest is week 18 (Apr 24–30) with $29.2M, led by A Beautiful Planet (2016).
- Week 1 $940.9K
- Week 2 $51.7K
- Week 3 $1.7M
- Week 4 $2M
- Week 5 $566.7K
- Week 6 $837.6K
- Week 7 $52.3K
- Week 8 $800.6K
- Week 9 $66.8K
- Week 10 $459K
- Week 11 $722.5K
- Week 12 $79.1K
- Week 13 $63.2K
- Week 14 $2.3M
- Week 15 $109.2K
- Week 16 $1.7M
- Week 17 $921.8K
- Week 18 $29.2M
- Week 19 $432.7K
- Week 20 $1.8M
- Week 21 $1.7M
- Week 22 $118.5K
- Week 23 $210.6K
- Week 24 $5.5M
- Week 25 $925.6K
- Week 26 $48.4K
- Week 27 $1.9M
- Week 28 $493.8K
- Week 29 $14.1M
- Week 30 $40.2K
- Week 31 $1.1M
- Week 32 $41.2K
- Week 33 $18.5K
- Week 34 $777.9K
- Week 35 $27.4K
- Week 36 $591.1K
- Week 37 $2.5M
- Week 38 $16.5M
- Week 39 $429.4K
- Week 40 $755.6K
- Week 41 $641.4K
- Week 42 $25.3M
- Week 43 $1.9M
- Week 44 $2.5M
- Week 45 $4.5M
- Week 46 $373.2K
- Week 47 $456.9K
- Week 48 $11.5M
- Week 49 $51.8K
- Week 50 $8.7M
- Week 51 $1.1M
- Week 52 $94.5K
- Week 53 $114.8K
FAQ
Documentary Box Office Week 10 of 2016: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing documentary movie in week 10 of 2016 (Feb 28–Mar 5)?
Trapped (2016) leads with $436.5K worldwide. Next come They Will Have to Kill Us First (2016) at $15.5K and El camino más largo (2016) at $7K.
How much did documentary movies released in week 10 of 2016 (Feb 28–Mar 5) earn?
3 documentary films released in week 10 of 2016 (Feb 28–Mar 5) report a worldwide gross, $459K in all, or $153K per film on average.
How many documentary movies released in week 10 of 2016 (Feb 28–Mar 5) made $1 billion?
None. The biggest, Trapped (2016), earned $436.5K.
How is the week 10, 2016 documentary box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 10 of 2016 (Feb 28–Mar 5). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 10, 2016 documentary box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.