#1 of 8 2016 · Biography, Drama
$578.8K worldwide · 77% of the chart's total
Harry & Snowman (2016) is the highest-grossing documentary movie released in week 40 of 2016 (Sep 25–Oct 1), with $578.8K worldwide, ahead of Do Not Resist (2016) at $72.8K and Danny Says (2016) at $44.2K. 8 documentary films released that week report a worldwide gross, $755.6K in all, 95% of it from the US & Canada. By language, English leads with $728.6K across 7 documentary releases.
#1 of 8 2016 · Biography, Drama
$578.8K worldwide · 77% of the chart's total
Harry & Snowman (2016) leads with $578.8K, 77% of the total. The top 5 together took $741.9K, 98% of what all 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 40 of 2016 (Sep 25–Oct 1).
Sep 30, 2016 US and Canada: $561.5K Rest of the world: $17.4K Worldwide: $578.8K
Sep 30, 2016 US and Canada: $72.8K Rest of the world: Worldwide: $72.8K
Sep 30, 2016 US and Canada: $44.2K Rest of the world: Worldwide: $44.2K
Sep 29, 2016 US and Canada: $27K Rest of the world: Worldwide: $27K
Sep 30, 2016 US and Canada: $11.3K Rest of the world: Worldwide: $11.3K
Sep 29, 2016 US and Canada: – Rest of the world: – Worldwide: $2K
Sep 30, 2016 US and Canada: – Rest of the world: – Worldwide: $397 Of the top 8, Do Not Resist (2016) earned the biggest share at home (100% in the US & Canada), while Harry & Snowman (2016) made 3% of its gross abroad. Across all 8 films, $716.7K (95%) came from the US & Canada. 3 films of the top 8 report no US & Canada figure.
Week 40 releases took $755.6K. The biggest of these 9 weeks is week 42 (Oct 9–15) with $25.3M, led by Kevin Hart: What Now? (2016).
Of these 10 years, Week 40, 2008 earned the most: $29M from 4 films, led by Old Partner (2008). Week 40, 2016 took $755.6K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 40, 2007 Sep 30–Oct 6 6 films | 6 | $761.6K | – | For the Bible Tells Me So (2007) $312.8K |
| Week 40, 2008 Sep 28–Oct 4 4 films · +3712% | 4 | $29M | +3712% | Old Partner (2008) $15.3M |
| Week 40, 2009 Sep 27–Oct 3 7 films · −85% | 7 | $4.5M | −85% | Turtle: The Incredible Journey (2009) $2.9M |
| Week 40, 2010 Sep 26–Oct 2 2 films · −90% | 2 | $471.1K | −90% | Bicicleta, cullera, poma (2010) $348.9K |
| Week 40, 2011 Sep 25–Oct 1 8 films · −10% | 8 | $423.2K | −10% | Benda Bilili! (2011) $127.4K |
| Week 40, 2012 Sep 30–Oct 6 6 films · +83% | 6 | $772.5K | +83% | Flight of the Butterflies (2012) $486.5K |
| Week 40, 2013 Sep 29–Oct 5 6 films · +3% | 6 | $793.3K | +3% | Linsanity (2013) $333K |
| Week 40, 2014 Sep 28–Oct 4 5 films · +206% | 5 | $2.4M | +206% | Roger Waters: The Wall (2014) $2.2M |
| Week 40, 2015 Sep 27–Oct 3 5 films · +95% | 5 | $4.7M | +95% | He Named Me Malala (2015) $3.4M |
| Week 40, 2016 Sep 25–Oct 1 8 films · −84% | 8 | $755.6K | −84% | Harry & Snowman (2016) $578.8K |
English-language documentary films took $728.6K across 7 films, 96% of the total, ahead of German-language documentary films ($27K).
53 weeks of 2016 with reported grosses; the biggest is week 18 (Apr 24–30) with $29.2M, led by A Beautiful Planet (2016).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
Harry & Snowman (2016) leads with $578.8K worldwide, $561.5K of it in the US & Canada. Next come Do Not Resist (2016) at $72.8K and Danny Says (2016) at $44.2K.
8 documentary films released in week 40 of 2016 (Sep 25–Oct 1) report a worldwide gross, $755.6K in all, or $94.4K per film on average.
None. The biggest, Harry & Snowman (2016), earned $578.8K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 40 of 2016 (Sep 25–Oct 1). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.