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Documentary box office · Week 23 · May 29–Jun 4, 2016

Documentary Box Office, Week 23 of 2016: Documentary Releases of May 29–Jun 4

The Witness (2016) is the highest-grossing documentary movie released in week 23 of 2016 (May 29–Jun 4), with $159.3K worldwide, ahead of Time to Choose (2016) at $29.2K and Art Bastard (2016) at $19.6K. 4 documentary films released that week report a worldwide gross, $210.6K in all, 100% of it from the US & Canada.

week 23 releases with a gross
4
combined worldwide
$210.6K
The Witness (2016), the #1
$159.3K
earned in the US & Canada
100%
The Witness (2016) movie poster #1 of 4
#1 documentary movie of Week 23, 2016

The Witness (2016)

2016 · Biography, Mystery

$159.3K worldwide · 76% of the chart's total

$159.3K US & Canada · 100% elsewhere · 0%
Top 4

What Were the Biggest Documentary Hits of Week 23 of 2016?

The Witness (2016) leads with $159.3K, 76% of the total. The top 4 together took $210.6K, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. The Witness (2016) movie poster Number 1
    $159.3K The Witness (2016)
    $159.3K US & Canada · 100% elsewhere · 0%
  2. Time to Choose (2016) movie poster Number 2
    $29.2K Time to Choose (2016)
    $29.2K US & Canada · 100% elsewhere · 0%
  3. Art Bastard (2016) movie poster Number 3
    $19.6K Art Bastard (2016)
    $19.6K US & Canada · 100% elsewhere · 0%
  4. Tiny: The Life of Erin Blackwell (2016) movie poster Number 4
    $2.5K Tiny: The Life of Erin Blackwell (2016)
    $2.5K US & Canada · 100% elsewhere · 0%

US & Canada (domestic) Rest of the world

The chart

Every Documentary Release of Week 23 of 2016, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 23 of 2016 (May 29–Jun 4).

  1. 1 The Witness (2016) movie poster
    The Witness (2016) Jun 3, 2016 · Korean · Biography, Mystery, Crime $159.3K worldwide
    Jun 3, 2016 US and Canada: $159.3K Rest of the world: Worldwide: $159.3K
  2. 2 Time to Choose (2016) movie poster
    Time to Choose (2016) Jun 3, 2016 · English · Documentary $29.2K worldwide
    Jun 3, 2016 US and Canada: $29.2K Rest of the world: Worldwide: $29.2K
  3. 3 Art Bastard (2016) movie poster
    Art Bastard (2016) Jun 3, 2016 · English · Biography, History, Comedy $19.6K worldwide
    Jun 3, 2016 US and Canada: $19.6K Rest of the world: Worldwide: $19.6K
  4. 4 Tiny: The Life of Erin Blackwell (2016) movie poster
    Tiny: The Life of Erin Blackwell (2016) May 29, 2016 · English · Documentary $2.5K worldwide
    May 29, 2016 US and Canada: $2.5K Rest of the world: Worldwide: $2.5K
US & Canada vs the world

Where Did the Money Come From in Week 23 of 2016?

Of the top 4, The Witness (2016) earned the biggest share at home (100% in the US & Canada), while Tiny: The Life of Erin Blackwell (2016) made 0% of its gross abroad. Across all 4 films, $210.6K (100%) came from the US & Canada.

  1. 1 The Witness (2016) $159.3K
    $159.3K US & Canada · 100% elsewhere · 0%
  2. 2 Time to Choose (2016) $29.2K
    $29.2K US & Canada · 100% elsewhere · 0%
  3. 3 Art Bastard (2016) $19.6K
    $19.6K US & Canada · 100% elsewhere · 0%
  4. 4 Tiny: The Life of Erin Blackwell (2016) $2.5K
    $2.5K US & Canada · 100% elsewhere · 0%
Earlier years

How Does Week 23 of 2016 Compare With Earlier Years?

Of these 10 years, Week 23, 2014 earned the most: $4.9M from 5 films, led by Colombia: Wild Magic (2014). Week 23, 2016 took $210.6K.

Week Films Worldwide Change Biggest film
Week 23, 2007 Jun 3–9 No films 0 – – –
Week 23, 2008 Jun 1–7 No films 0 – – –
Week 23, 2009 May 31–Jun 6 2 films 2 $564.5K – Unmistaken Child (2009) $369.7K
Week 23, 2010 May 30–Jun 5 5 films · −48% 5 $293.9K −48% Noy (2010) $214.4K
Week 23, 2011 May 29–Jun 4 3 films · −6% 3 $275.9K −6% The Last Mountain (2011) $123K
Week 23, 2012 Jun 3–9 2 films · −85% 2 $40.8K −85% Paul Williams Still Alive (2012) $38.7K
Week 23, 2013 Jun 2–8 4 films · +1174% 4 $519.2K +1174% Dirty Wars (2013) $416.9K
Week 23, 2014 Jun 1–7 5 films · +845% 5 $4.9M +845% Colombia: Wild Magic (2014) $4.5M
Week 23, 2015 May 31–Jun 6 1 film · −99% 1 $41.9K −99% The Nightmare (2015) $41.9K
Week 23, 2016 May 29–Jun 4 4 films · +403% 4 $210.6K +403% The Witness (2016) $159.3K
FAQ

Documentary Box Office Week 23 of 2016: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.

What is the highest-grossing documentary movie in week 23 of 2016 (May 29–Jun 4)?

The Witness (2016) leads with $159.3K worldwide, $159.3K of it in the US & Canada. Next come Time to Choose (2016) at $29.2K and Art Bastard (2016) at $19.6K.

How much did documentary movies released in week 23 of 2016 (May 29–Jun 4) earn?

4 documentary films released in week 23 of 2016 (May 29–Jun 4) report a worldwide gross, $210.6K in all, or $52.7K per film on average.

How many documentary movies released in week 23 of 2016 (May 29–Jun 4) made $1 billion?

None. The biggest, The Witness (2016), earned $159.3K.

How much of the Week 23, 2016 Documentary box office came from the US and Canada?

$210.6K of the $210.6K total, or 100%, was earned in the US & Canada (the domestic market); the rest came from other countries. 0 films of the 4 report no domestic figure.

How is the week 23, 2016 documentary box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 23 of 2016 (May 29–Jun 4). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 23, 2016 documentary box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.