#1 of 6 2016 · Documentary
$1.2M worldwide · 62% of the chart's total
Fire at Sea (2016) is the highest-grossing documentary movie released in week 43 of 2016 (Oct 16–22), with $1.2M worldwide, ahead of We Are X (2016) at $548.1K and Michael Moore in TrumpLand (2016) at $149.1K. 6 documentary films released that week report a worldwide gross, $1.9M in all, 17% of it from the US & Canada. That is down 92% on Week 42, 2016, whose releases took $25.3M. By language, Italian leads with $1.2M across 1 documentary release.
#1 of 6 2016 · Documentary
$1.2M worldwide · 62% of the chart's total
Fire at Sea (2016) leads with $1.2M, 62% of the total. The top 5 together took $1.9M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 43 of 2016 (Oct 16–22).
Oct 21, 2016 US and Canada: $120.9K Rest of the world: $1.1M Worldwide: $1.2M
Oct 21, 2016 US and Canada: $45.3K Rest of the world: $502.9K Worldwide: $548.1K
Oct 19, 2016 US and Canada: $149.1K Rest of the world: Worldwide: $149.1K
Oct 21, 2016 US and Canada: $14.4K Rest of the world: Worldwide: $14.4K
Oct 21, 2016 US and Canada: – Rest of the world: – Worldwide: $14.2K
Oct 21, 2016 US and Canada: – Rest of the world: – Worldwide: $988 Of the top 6, Michael Moore in TrumpLand (2016) earned the biggest share at home (100% in the US & Canada), while We Are X (2016) made 92% of its gross abroad. Across all 6 films, $329.7K (17%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 43 releases took $1.9M. The biggest of these 9 weeks is week 42 (Oct 9–15) with $25.3M, led by Kevin Hart: What Now? (2016).
Of these 10 years, Week 43, 2013 earned the most: $152.3M from 6 films, led by Jackass Presents: Bad Grandpa (2013). Week 43, 2016 took $1.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 43, 2007 Oct 21–27 4 films | 4 | $2.4M | – | A Summer in the Cage (2007) $2.1M |
| Week 43, 2008 Oct 19–25 2 films · −82% | 2 | $434.6K | −82% | Stranded: I've Come from a Plane That Crashed on the Mountains (2008) $412.8K |
| Week 43, 2009 Oct 18–24 3 films · −50% | 3 | $216.5K | −50% | Killing Kasztner (2009) $112.3K |
| Week 43, 2010 Oct 17–23 2 films · −84% | 2 | $34.5K | −84% | Boxing Gym (2010) $32.5K |
| Week 43, 2011 Oct 16–22 5 films · +3407% | 5 | $1.2M | +3407% | Klitschko (2011) $706.5K |
| Week 43, 2012 Oct 21–27 4 films · −82% | 4 | $222.7K | −82% | Nowhere Home (2012) $119.6K |
| Week 43, 2013 Oct 20–26 6 films · +68301% | 6 | $152.3M | +68301% | Jackass Presents: Bad Grandpa (2013) $151.8M |
| Week 43, 2014 Oct 19–25 3 films · −95% | 3 | $7.4M | −95% | Citizenfour (2014) $3.8M |
| Week 43, 2015 Oct 18–24 3 films · −92% | 3 | $623.6K | −92% | Heart of a Dog (2015) $495.9K |
| Week 43, 2016 Oct 16–22 6 films · +206% | 6 | $1.9M | +206% | Fire at Sea (2016) $1.2M |
53 weeks of 2016 with reported grosses; the biggest is week 18 (Apr 24–30) with $29.2M, led by A Beautiful Planet (2016).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Fire at Sea (2016) leads with $1.2M worldwide, $120.9K of it in the US & Canada. Next come We Are X (2016) at $548.1K and Michael Moore in TrumpLand (2016) at $149.1K.
6 documentary films released in week 43 of 2016 (Oct 16–22) report a worldwide gross, $1.9M in all, or $317.5K per film on average. Week 42, 2016 releases took $25.3M.
None. The biggest, Fire at Sea (2016), earned $1.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 43 of 2016 (Oct 16–22). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.