#1 of 7 The First Monday in May (2016)
2016 · Documentary
$1.1M worldwide · 65% of the chart's total
The First Monday in May (2016) is the highest-grossing documentary movie released in week 16 of 2016 (Apr 10–16), with $1.1M worldwide, ahead of Our Last Tango (2016) at $511.7K and Rabbi Wolff (2016) at $22.8K. 7 documentary films released that week report a worldwide gross, $1.7M in all, 40% of it from the US & Canada. By language, English leads with $1.1M across 4 documentary releases.
#1 of 7 The First Monday in May (2016)
2016 · Documentary
$1.1M worldwide · 65% of the chart's total
The First Monday in May (2016) leads with $1.1M, 65% of the total. The top 5 together took $1.7M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 16 of 2016 (Apr 10–16).
Apr 15, 2016 US and Canada: $527.5K Rest of the world: $545.5K Worldwide: $1.1M
Apr 15, 2016 US and Canada: $100.1K Rest of the world: $411.6K Worldwide: $511.7K
Apr 14, 2016 US and Canada: – Rest of the world: – Worldwide: $22.8K
Apr 15, 2016 US and Canada: $22.4K Rest of the world: Worldwide: $22.4K
Apr 16, 2016 US and Canada: $18.4K Rest of the world: $2K Worldwide: $20.4K
Apr 15, 2016 US and Canada: – Rest of the world: – Worldwide: $1.2K
Apr 15, 2016 US and Canada: – Rest of the world: – Worldwide: $105 Of the top 7, Be Here Now (2016) earned the biggest share at home (100% in the US & Canada), while Our Last Tango (2016) made 80% of its gross abroad. Across all 7 films, $668.4K (40%) came from the US & Canada. 3 films of the top 7 report no US & Canada figure.
Week 16 releases took $1.7M. The biggest of these 9 weeks is week 18 (Apr 24–30) with $29.2M, led by A Beautiful Planet (2016).
Of these 10 years, Week 16, 2012 earned the most: $62.6M from 6 films, led by Chimpanzee (2012). Week 16, 2016 took $1.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 16, 2007 Apr 15–21 3 films | 3 | $1.5M | – | Full Metal Village (2007) $1.4M |
| Week 16, 2008 Apr 13–19 5 films · +546% | 5 | $9.8M | +546% | Expelled: No Intelligence Allowed (2008) $7.7M |
| Week 16, 2009 Apr 12–18 1 film · −72% | 1 | $2.8M | −72% | Every Little Step (2009) $2.8M |
| Week 16, 2010 Apr 11–17 2 films · +319% | 2 | $11.6M | +319% | The Cartel (2010) $6.2M |
| Week 16, 2011 Apr 10–16 2 films · −83% | 2 | $2M | −83% | Armadillo (2011) $2M |
| Week 16, 2012 Apr 15–21 6 films · +2991% | 6 | $62.6M | +2991% | Chimpanzee (2012) $34.8M |
| Week 16, 2013 Apr 14–20 5 films · −94% | 5 | $3.7M | −94% | Unmade in China (2013) $3.4M |
| Week 16, 2014 Apr 13–19 3 films · +489% | 3 | $21.6M | +489% | Bears (2014) $21.3M |
| Week 16, 2015 Apr 12–18 8 films · −22% | 8 | $16.9M | −22% | Monkey Kingdom (2015) $16.8M |
| Week 16, 2016 Apr 10–16 7 films · −90% | 7 | $1.7M | −90% | The First Monday in May (2016) $1.1M |
53 weeks of 2016 with reported grosses; the biggest is week 18 (Apr 24–30) with $29.2M, led by A Beautiful Planet (2016).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The First Monday in May (2016) leads with $1.1M worldwide, $527.5K of it in the US & Canada. Next come Our Last Tango (2016) at $511.7K and Rabbi Wolff (2016) at $22.8K.
7 documentary films released in week 16 of 2016 (Apr 10–16) report a worldwide gross, $1.7M in all, or $235.9K per film on average.
None. The biggest, The First Monday in May (2016), earned $1.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 16 of 2016 (Apr 10–16). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.