#1 of 4 #1 documentary movie of Week 7, 2016
2016 · Biography, Music
$38.6K worldwide · 74% of the chart's total
No US & Canada figure reported
Documentary box office · Week 7 · Feb 7–13, 2016
Documentary Box Office, Week 7 of 2016: Documentary Releases of Feb 7–13
Mavis! (2016) is the highest-grossing documentary movie released in week 7 of 2016 (Feb 7–13), with $38.6K worldwide, ahead of Goya: Visions of Flesh and Blood (2016) at $11.2K and National Parks Adventure (2016) at $2.2K. 4 documentary films released that week report a worldwide gross, $52.3K in all.
- week 7 releases with a gross
- 4
- combined worldwide
- $52.3K
- Mavis! (2016), the #1
- $38.6K
#1 of 4 Top 4
What Were the Biggest Documentary Hits of Week 7 of 2016?
Mavis! (2016) leads with $38.6K, 74% of the total. The top 4 together took $52.3K, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Documentary Release of Week 7 of 2016, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 7 of 2016 (Feb 7–13).
- 1 Feb 12, 2016 US and Canada: – Rest of the world: – Worldwide: $38.6K
- 2 Feb 8, 2016 US and Canada: – Rest of the world: – Worldwide: $11.2K
- 3 Feb 12, 2016 US and Canada: – Rest of the world: – Worldwide: $2.2K
- 4 Feb 13, 2016 US and Canada: – Rest of the world: – Worldwide: $327
Weeks around it
How Does Week 7 Compare With the Weeks Around It?
Week 7 releases took $52.3K. The biggest of these 9 weeks is week 4 (Jan 17–23) with $2M, led by Doing Good (2016).
- Week 1 Wk 1 Jan 1–2 Landslide (2016) $940.9K Landslide (2016)
- Week 2 Wk 2 Jan 3–9 Troublemakers: The Story of Land Art (2016) $51.7K Troublemakers: The Story of Land Art (2016)
- Week 3 Wk 3 Jan 10–16 Tale of a Lake (2016) $1.7M Tale of a Lake (2016)
- Week 4 Wk 4 Jan 17–23 Doing Good (2016) $2M Doing Good (2016)
- Week 5 Wk 5 Jan 24–30 Eat That Question: Frank Zappa in His Own Words (2016) $566.7K Eat That Question: Frank Zappa in His Own Words (2016)
- Week 6 Wk 6 Jan 31–Feb 6 Ghost Ship (2016) $837.6K Ghost Ship (2016)
- Week 7 Wk 7 Feb 7–13 Mavis! (2016) $52.3K Mavis! (2016)
- Week 8 Wk 8 Feb 14–20 McLaren (2016) $800.6K McLaren (2016)
- Week 9 Wk 9 Feb 21–27 King Georges (2016) $66.8K King Georges (2016)
Earlier years
How Does Week 7 of 2016 Compare With Earlier Years?
Of these 10 years, Week 7, 2011 earned the most: $99.3M from 5 films, led by Justin Bieber: Never Say Never (2011). Week 7, 2016 took $52.3K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 7, 2007 Feb 11–17 3 films | 3 | $315.7K | – | The Red Elvis (2007) $163.1K |
| Week 7, 2008 Feb 10–16 No films | 0 | – | – | – |
| Week 7, 2009 Feb 8–14 1 film | 1 | $55.9M | – | Under the Sea 3D (2009) $55.9M |
| Week 7, 2010 Feb 7–13 4 films · −98% | 4 | $1.2M | −98% | Videocracy (2010) $1.2M |
| Week 7, 2011 Feb 6–12 5 films · +7926% | 5 | $99.3M | +7926% | Justin Bieber: Never Say Never (2011) $99M |
| Week 7, 2012 Feb 12–18 3 films · −100% | 3 | $69.3K | −100% | Oma & Bella (2012) $37.1K |
| Week 7, 2013 Feb 10–16 1 film · +244% | 1 | $238.2K | +244% | Red Obsession (2013) $238.2K |
| Week 7, 2014 Feb 9–15 2 films · +17% | 2 | $277.8K | +17% | Vulva 3.0 (2014) $273.3K |
| Week 7, 2015 Feb 8–14 2 films · −93% | 2 | $18.9K | −93% | Of Miracles and Men (2015) $11.7K |
| Week 7, 2016 Feb 7–13 4 films · +177% | 4 | $52.3K | +177% | Mavis! (2016) $38.6K |
Archive
Documentary Box Office in 2016, Week by Week
53 weeks of 2016 with reported grosses; the biggest is week 18 (Apr 24–30) with $29.2M, led by A Beautiful Planet (2016).
- Week 1 $940.9K
- Week 2 $51.7K
- Week 3 $1.7M
- Week 4 $2M
- Week 5 $566.7K
- Week 6 $837.6K
- Week 7 $52.3K
- Week 8 $800.6K
- Week 9 $66.8K
- Week 10 $459K
- Week 11 $722.5K
- Week 12 $79.1K
- Week 13 $63.2K
- Week 14 $2.3M
- Week 15 $109.2K
- Week 16 $1.7M
- Week 17 $921.8K
- Week 18 $29.2M
- Week 19 $432.7K
- Week 20 $1.8M
- Week 21 $1.7M
- Week 22 $118.5K
- Week 23 $210.6K
- Week 24 $5.5M
- Week 25 $925.6K
- Week 26 $48.4K
- Week 27 $1.9M
- Week 28 $493.8K
- Week 29 $14.1M
- Week 30 $40.2K
- Week 31 $1.1M
- Week 32 $41.2K
- Week 33 $18.5K
- Week 34 $777.9K
- Week 35 $27.4K
- Week 36 $591.1K
- Week 37 $2.5M
- Week 38 $16.5M
- Week 39 $429.4K
- Week 40 $755.6K
- Week 41 $641.4K
- Week 42 $25.3M
- Week 43 $1.9M
- Week 44 $2.5M
- Week 45 $4.5M
- Week 46 $373.2K
- Week 47 $456.9K
- Week 48 $11.5M
- Week 49 $51.8K
- Week 50 $8.7M
- Week 51 $1.1M
- Week 52 $94.5K
- Week 53 $114.8K
FAQ
Documentary Box Office Week 7 of 2016: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing documentary movie in week 7 of 2016 (Feb 7–13)?
Mavis! (2016) leads with $38.6K worldwide. Next come Goya: Visions of Flesh and Blood (2016) at $11.2K and National Parks Adventure (2016) at $2.2K.
How much did documentary movies released in week 7 of 2016 (Feb 7–13) earn?
4 documentary films released in week 7 of 2016 (Feb 7–13) report a worldwide gross, $52.3K in all, or $13.1K per film on average.
How many documentary movies released in week 7 of 2016 (Feb 7–13) made $1 billion?
None. The biggest, Mavis! (2016), earned $38.6K.
How is the week 7, 2016 documentary box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 7 of 2016 (Feb 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 7, 2016 documentary box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.