#1 of 3 #1 documentary movie of Week 10, 2008
2008 · Documentary
$184.8K worldwide · 49% of the chart's total
No US & Canada figure reported
Documentary box office · Week 10 · Mar 2–8, 2008
Documentary Box Office, Week 10 of 2008: Documentary Releases of Mar 2–8
We Want Roses Too (2008) is the highest-grossing documentary movie released in week 10 of 2008 (Mar 2–8), with $184.8K worldwide, ahead of Girls Rock! (2008) at $159.3K and Fighting for Life (2008) at $30.6K. 3 documentary films released that week report a worldwide gross, $374.7K in all, 51% of it from the US & Canada.
- week 10 releases with a gross
- 3
- combined worldwide
- $374.7K
- We Want Roses Too (2008), the #1
- $184.8K
- earned in the US & Canada
- 51%
#1 of 3 Top 3
What Were the Biggest Documentary Hits of Week 10 of 2008?
We Want Roses Too (2008) leads with $184.8K, 49% of the total. The top 3 together took $374.7K, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Documentary Release of Week 10 of 2008, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 10 of 2008 (Mar 2–8).
- 1 Mar 7, 2008 US and Canada: – Rest of the world: – Worldwide: $184.8K
- 2 Mar 7, 2008 US and Canada: $159.3K Rest of the world: Worldwide: $159.3K
- 3 Mar 7, 2008 US and Canada: $30.6K Rest of the world: Worldwide: $30.6K
Weeks around it
How Does Week 10 Compare With the Weeks Around It?
Week 10 releases took $374.7K. The biggest of these 9 weeks is week 4 (Jan 20–26) with $22.8M, led by U2 3D (2008).
- Week 4 Wk 4 Jan 20–26 U2 3D (2008) $22.8M U2 3D (2008)
- Week 5 Wk 5 Jan 27–Feb 2 Citizen Havel (2008) $957.1K Citizen Havel (2008)
- Week 6 Wk 6 Feb 3–9 Auge in Auge - Eine deutsche Filmgeschichte (2008) $86.1K Auge in Auge - Eine deutsche Filmgeschichte (2008)
- Week 7 Wk 7 Feb 10–16 No reported grosses – No reported grosses
- Week 8 Wk 8 Feb 17–23 Operation Filmmaker (2008) $14.9K Operation Filmmaker (2008)
- Week 9 Wk 9 Feb 24–Mar 1 Trip to Asia: The Quest for Harmony (2008) $1.5M Trip to Asia: The Quest for Harmony (2008)
- Week 10 Wk 10 Mar 2–8 We Want Roses Too (2008) $374.7K We Want Roses Too (2008)
- Week 11 Wk 11 Mar 9–15 Grand Canyon Adventure: River at Risk (2008) $645.6K Grand Canyon Adventure: River at Risk (2008)
- Week 12 Wk 12 Mar 16–22 Planet B-Boy (2008) $306.1K Planet B-Boy (2008)
Earlier years
How Does Week 10 of 2008 Compare With Earlier Years?
Of these 10 years, Week 10, 2005 earned the most: $8.5M from 2 films, led by The Red Orchestra (2005). Week 10, 2008 took $374.7K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 10, 1999 Feb 28–Mar 6 1 film | 1 | $4.8M | – | Wolves (1999) $4.8M |
| Week 10, 2000 Feb 27–Mar 4 No films | 0 | – | – | – |
| Week 10, 2001 Mar 4–10 2 films | 2 | $209.9K | – | The Gleaners & I (2001) $159.2K |
| Week 10, 2002 Mar 3–9 No films | 0 | – | – | – |
| Week 10, 2003 Mar 2–8 No films | 0 | – | – | – |
| Week 10, 2004 Feb 29–Mar 6 No films | 0 | – | – | – |
| Week 10, 2005 Feb 27–Mar 5 2 films | 2 | $8.5M | – | The Red Orchestra (2005) $7.9M |
| Week 10, 2006 Mar 5–11 2 films · −99% | 2 | $107.4K | −99% | Maxed Out (2006) $58.8K |
| Week 10, 2007 Mar 4–10 1 film · −45% | 1 | $58.8K | −45% | Maxed Out: Hard Times, Easy Credit and the Era of Predatory Lenders (2007) $58.8K |
| Week 10, 2008 Mar 2–8 3 films · +537% | 3 | $374.7K | +537% | We Want Roses Too (2008) $184.8K |
Archive
Documentary Box Office in 2008, Week by Week
45 weeks of 2008 with reported grosses; the biggest is week 40 (Sep 28–Oct 4) with $29M, led by Old Partner (2008).
- Week 1 $159.6K
- Week 2 $70K
- Week 3 $698.6K
- Week 4 $22.8M
- Week 5 $957.1K
- Week 6 $86.1K
- Week 7 No grosses
- Week 8 $14.9K
- Week 9 $1.5M
- Week 10 $374.7K
- Week 11 $645.6K
- Week 12 $306.1K
- Week 13 $31.6K
- Week 14 $15.8M
- Week 15 $8.8M
- Week 16 $9.8M
- Week 17 $1.4M
- Week 18 No grosses
- Week 19 $318.5K
- Week 20 $94.7K
- Week 21 $163.5K
- Week 22 $992.7K
- Week 23 No grosses
- Week 24 $1.8M
- Week 25 No grosses
- Week 26 $530.2K
- Week 27 $1.5M
- Week 28 $112.8K
- Week 29 $382.8K
- Week 30 $6.9M
- Week 31 $4.9K
- Week 32 $186.1K
- Week 33 $35K
- Week 34 $1.3M
- Week 35 $343.2K
- Week 36 No grosses
- Week 37 $219.2K
- Week 38 $334.1K
- Week 39 $60.9K
- Week 40 $29M
- Week 41 $251.1K
- Week 42 $4.4M
- Week 43 $434.6K
- Week 44 $601.7K
- Week 45 $90.1K
- Week 46 No grosses
- Week 47 $2.3M
- Week 48 $467.5K
- Week 49 $21.4K
- Week 50 $89.5K
- Week 51 $1.8M
- Week 52 No grosses
- Week 53 No grosses
FAQ
Documentary Box Office Week 10 of 2008: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing documentary movie in week 10 of 2008 (Mar 2–8)?
We Want Roses Too (2008) leads with $184.8K worldwide. Next come Girls Rock! (2008) at $159.3K and Fighting for Life (2008) at $30.6K.
How much did documentary movies released in week 10 of 2008 (Mar 2–8) earn?
3 documentary films released in week 10 of 2008 (Mar 2–8) report a worldwide gross, $374.7K in all, or $124.9K per film on average.
How many documentary movies released in week 10 of 2008 (Mar 2–8) made $1 billion?
None. The biggest, We Want Roses Too (2008), earned $184.8K.
How is the week 10, 2008 documentary box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 10 of 2008 (Mar 2–8). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 10, 2008 documentary box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.