#1 of 6 Encounters at the End of the World (2008)
2008 · Documentary
$1.2M worldwide · 66% of the chart's total
Encounters at the End of the World (2008) is the highest-grossing documentary movie released in week 24 of 2008 (Jun 8–14), with $1.2M worldwide, ahead of My Winnipeg (2008) at $316.7K and Chris & Don. A Love Story (2008) at $216.1K. 6 documentary films released that week report a worldwide gross, $1.8M in all, 75% of it from the US & Canada. By language, English leads with $1.8M across 5 documentary releases.
#1 of 6 Encounters at the End of the World (2008)
2008 · Documentary
$1.2M worldwide · 66% of the chart's total
Encounters at the End of the World (2008) leads with $1.2M, 66% of the total. The top 5 together took $1.8M, 99% of what all 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 24 of 2008 (Jun 8–14).
Jun 11, 2008 US and Canada: $944.9K Rest of the world: $260.5K Worldwide: $1.2M
Jun 13, 2008 US and Canada: $159.4K Rest of the world: $157.4K Worldwide: $316.7K
Jun 12, 2008 US and Canada: $52.3K Rest of the world: Worldwide: $52.3K
Jun 12, 2008 US and Canada: – Rest of the world: – Worldwide: $35.8K
Jun 13, 2008 US and Canada: $13.3K Rest of the world: Worldwide: $13.3K Of the top 6, Chris & Don. A Love Story (2008) earned the biggest share at home (100% in the US & Canada), while My Winnipeg (2008) made 50% of its gross abroad. Across all 6 films, $1.4M (75%) came from the US & Canada. 1 film of the top 6 reports no US & Canada figure.
Week 24 releases took $1.8M. The biggest of these 9 weeks is week 24 (Jun 8–14) with $1.8M, led by Encounters at the End of the World (2008).
Of these 10 years, Week 24, 2004 earned the most: $7M from 5 films, led by Rhythm is it! (2004). Week 24, 2008 took $1.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 24, 1999 Jun 6–12 No films | 0 | – | – | – |
| Week 24, 2000 Jun 4–10 1 film | 1 | $287.7K | – | American Pimp (2000) $287.7K |
| Week 24, 2001 Jun 10–16 2 films · +1084% | 2 | $3.4M | +1084% | Down from the Mountain (2001) $3.1M |
| Week 24, 2002 Jun 9–15 1 film · −99% | 1 | $49.4K | −99% | India: Kingdom of the Tiger (2002) $49.4K |
| Week 24, 2003 Jun 8–14 No films | 0 | – | – | – |
| Week 24, 2004 Jun 6–12 5 films | 5 | $7M | – | Rhythm is it! (2004) $4.8M |
| Week 24, 2005 Jun 5–11 1 film · −100% | 1 | $7.2K | −100% | McLibel (2005) $7.2K |
| Week 24, 2006 Jun 11–17 2 films · +44316% | 2 | $3.2M | +44316% | Wordplay (2006) $3.2M |
| Week 24, 2007 Jun 10–16 4 films · −75% | 4 | $793.1K | −75% | When the Road Bends: Tales of a Gypsy Caravan (2007) $469.5K |
| Week 24, 2008 Jun 8–14 6 films · +132% | 6 | $1.8M | +132% | Encounters at the End of the World (2008) $1.2M |
45 weeks of 2008 with reported grosses; the biggest is week 40 (Sep 28–Oct 4) with $29M, led by Old Partner (2008).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Encounters at the End of the World (2008) leads with $1.2M worldwide, $944.9K of it in the US & Canada. Next come My Winnipeg (2008) at $316.7K and Chris & Don. A Love Story (2008) at $216.1K.
6 documentary films released in week 24 of 2008 (Jun 8–14) report a worldwide gross, $1.8M in all, or $306.6K per film on average.
None. The biggest, Encounters at the End of the World (2008), earned $1.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 24 of 2008 (Jun 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.