#1 of 26 How to Train Your Dragon: The Hidden World (2019)
2019 · Action, Adventure
$540M worldwide · 87% of the chart's total
How to Train Your Dragon: The Hidden World (2019) is the highest-grossing movie released in week 8 of 2019 (Feb 17–23), with $540M worldwide, ahead of Fly me to the Saitama (2019) at $32.8M and Total Dhamaal (2019) at $26.9M. 26 films released that week report a worldwide gross, $619.8M in all, 27% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 8% on Week 7, 2019, whose releases took $671M. By genre, Comedy leads with $603.8M across 12 releases.
#1 of 26 How to Train Your Dragon: The Hidden World (2019)
2019 · Action, Adventure
$540M worldwide · 87% of the chart's total
How to Train Your Dragon: The Hidden World (2019) leads with $540M, 87% of the total. The top 5 together took $612.5M, 99% of what all 26 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 8 of 2019 (Feb 17–23).
Feb 22, 2019 US and Canada: – Rest of the world: – Worldwide: $32.8M
Feb 22, 2019 US and Canada: $2.2M Rest of the world: $24.7M Worldwide: $26.9M
Feb 22, 2019 US and Canada: $6.4M Rest of the world: Worldwide: $6.4M
Feb 22, 2019 US and Canada: – Rest of the world: – Worldwide: $6.3M
Feb 21, 2019 US and Canada: – Rest of the world: – Worldwide: $2.5M
Feb 21, 2019 US and Canada: – Rest of the world: – Worldwide: $1.8M
Feb 21, 2019 US and Canada: – Rest of the world: – Worldwide: $1.5M
Feb 21, 2019 US and Canada: – Rest of the world: – Worldwide: $501K
Feb 21, 2019 US and Canada: – Rest of the world: – Worldwide: $252.1K
Feb 22, 2019 US and Canada: $204.9K Rest of the world: Worldwide: $204.9K
Feb 20, 2019 US and Canada: – Rest of the world: – Worldwide: $186.4K
Feb 22, 2019 US and Canada: – Rest of the world: – Worldwide: $101K
Feb 22, 2019 US and Canada: – Rest of the world: – Worldwide: $36.7K
Feb 23, 2019 US and Canada: – Rest of the world: – Worldwide: $34.4K
Feb 21, 2019 US and Canada: – Rest of the world: – Worldwide: $33.2K
Feb 22, 2019 US and Canada: – Rest of the world: – Worldwide: $31.9K
Feb 22, 2019 US and Canada: $26.6K Rest of the world: Worldwide: $26.6K
Feb 21, 2019 US and Canada: – Rest of the world: – Worldwide: $21.4K
Feb 22, 2019 US and Canada: – Rest of the world: – Worldwide: $12.9K
Feb 22, 2019 US and Canada: – Rest of the world: – Worldwide: $10.7K
Feb 18, 2019 US and Canada: $9.1K Rest of the world: Worldwide: $9.1K
Feb 22, 2019 US and Canada: – Rest of the world: – Worldwide: $6K
Feb 21, 2019 US and Canada: – Rest of the world: – Worldwide: $4.6K
Feb 23, 2019 US and Canada: – Rest of the world: – Worldwide: $2.5K
Feb 17, 2019 US and Canada: – Rest of the world: – Worldwide: $2.2K Of the top 10, Run the Race (2019) earned the biggest share at home (100% in the US & Canada), while Total Dhamaal (2019) made 92% of its gross abroad. Across all 26 films, $169.8M (27%) came from the US & Canada. 7 films of the top 10 report no US & Canada figure.
1 of 26 films crossed $100M and took $540M between them, 87% of the total. 23 films, 88% of the list, earned under $10M.
Week 8 releases took $619.8M. The biggest of these 9 weeks is week 6 (Feb 3–9) with $1.9B, led by The Wandering Earth (2019).
Of these 10 years, Week 8, 2018 earned the most: $819.9M from 43 films, led by Operation Red Sea (2018). Week 8, 2019 took $619.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 8, 2010 Feb 14–20 27 films | 27 | $448.8M | – | Shutter Island (2010) $295M |
| Week 8, 2011 Feb 13–19 31 films · −10% | 31 | $403.4M | −10% | I Am Number Four (2011) $149.9M |
| Week 8, 2012 Feb 19–25 14 films · −58% | 14 | $169.1M | −58% | Act of Valor (2012) $82.5M |
| Week 8, 2013 Feb 17–23 24 films · −10% | 24 | $152.1M | −10% | Snitch (2013) $57.8M |
| Week 8, 2014 Feb 16–22 18 films · +61% | 18 | $244.3M | +61% | Pompeii (2014) $117.8M |
| Week 8, 2015 Feb 15–21 31 films · −3% | 31 | $236.9M | −3% | McFarland USA (2015) $45.7M |
| Week 8, 2016 Feb 14–20 34 films · −22% | 34 | $185.5M | −22% | Risen (2016) $46.8M |
| Week 8, 2017 Feb 19–25 31 films · +79% | 31 | $331.2M | +79% | Get Out (2017) $255.8M |
| Week 8, 2018 Feb 18–24 43 films · +148% | 43 | $819.9M | +148% | Operation Red Sea (2018) $579.3M |
| Week 8, 2019 Feb 17–23 26 films · −24% | 26 | $619.8M | −24% | How to Train Your Dragon: The Hidden World (2019) $540M |
Comedy took $603.8M across 12 films, 97% of the total, ahead of Action ($576M) and Adventure ($566.9M). A film counts once for each of its genres. English-language films took $546.7M across 8 films, 88% of the total, ahead of Japanese-language films ($32.8M) and Hindi-language films ($26.9M).
53 weeks of 2019 with reported grosses; the biggest is week 17 (Apr 21–27) with $2.8B, led by Avengers: Endgame (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 26 films as the chart.
How to Train Your Dragon: The Hidden World (2019) leads with $540M worldwide, $160.9M of it in the US & Canada. Next come Fly me to the Saitama (2019) at $32.8M and Total Dhamaal (2019) at $26.9M.
26 films released in week 8 of 2019 (Feb 17–23) report a worldwide gross, $619.8M in all, or $23.8M per film on average. Week 7, 2019 releases took $671M.
None. 1 film crossed $100 million, led by How to Train Your Dragon: The Hidden World (2019) with $540M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 8 of 2019 (Feb 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.