#1 of 31 2017 · Mystery, Thriller
$255.8M worldwide · 77% of the chart's total
Get Out (2017) is the highest-grossing movie released in week 8 of 2017 (Feb 19–25), with $255.8M worldwide, ahead of Rock Dog (2017) at $23.3M and It’s for Your Own Good (2017) at $10.9M. 31 films released that week report a worldwide gross, $331.2M in all, 57% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 31% on Week 7, 2017, whose releases took $481.7M. By genre, Comedy leads with $310.8M across 9 releases.
#1 of 31 2017 · Mystery, Thriller
$255.8M worldwide · 77% of the chart's total
Get Out (2017) leads with $255.8M, 77% of the total. The top 5 together took $307.5M, 93% of what all 31 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 8 of 2017 (Feb 19–25).
Feb 24, 2017 US and Canada: $176.2M Rest of the world: $79.6M Worldwide: $255.8M
Feb 24, 2017 US and Canada: $9.4M Rest of the world: $13.9M Worldwide: $23.3M
Feb 24, 2017 US and Canada: – Rest of the world: – Worldwide: $10.9M
Feb 23, 2017 US and Canada: – Rest of the world: – Worldwide: $10.1M
Feb 24, 2017 US and Canada: $12.5K Rest of the world: $7.5M Worldwide: $7.6M
Feb 24, 2017 US and Canada: $309.8K Rest of the world: $5.6M Worldwide: $5.9M
Feb 24, 2017 US and Canada: – Rest of the world: – Worldwide: $4.1M
Feb 24, 2017 US and Canada: – Rest of the world: – Worldwide: $3.3M
Feb 23, 2017 US and Canada: $2.7M Rest of the world: Worldwide: $2.7M
Feb 22, 2017 US and Canada: – Rest of the world: – Worldwide: $2.3M
Feb 24, 2017 US and Canada: – Rest of the world: – Worldwide: $1.8M
Feb 24, 2017 US and Canada: – Rest of the world: – Worldwide: $1.1M
Feb 24, 2017 US and Canada: $557.2K Rest of the world: $347.2K Worldwide: $904.4K
Feb 23, 2017 US and Canada: – Rest of the world: – Worldwide: $337.6K
Feb 24, 2017 US and Canada: – Rest of the world: – Worldwide: $158.6K
Feb 20, 2017 US and Canada: – Rest of the world: – Worldwide: $127.3K
Feb 24, 2017 US and Canada: – Rest of the world: – Worldwide: $122.1K
Feb 23, 2017 US and Canada: – Rest of the world: – Worldwide: $112.3K
Feb 23, 2017 US and Canada: – Rest of the world: – Worldwide: $108K
Feb 24, 2017 US and Canada: – Rest of the world: – Worldwide: $104.2K
Feb 25, 2017 US and Canada: – Rest of the world: – Worldwide: $92.1K
Feb 24, 2017 US and Canada: – Rest of the world: – Worldwide: $50.5K
Feb 24, 2017 US and Canada: – Rest of the world: – Worldwide: $41.3K
Feb 23, 2017 US and Canada: – Rest of the world: – Worldwide: $38.1K
Feb 24, 2017 US and Canada: – Rest of the world: – Worldwide: $29.5K
Feb 25, 2017 US and Canada: – Rest of the world: – Worldwide: $24.3K
Feb 24, 2017 US and Canada: – Rest of the world: – Worldwide: $16.7K
Feb 24, 2017 US and Canada: – Rest of the world: – Worldwide: $16.2K
Feb 24, 2017 US and Canada: – Rest of the world: – Worldwide: $12K
Feb 25, 2017 US and Canada: $4K Rest of the world: Worldwide: $4K Of the top 10, Is Genesis History? (2017) earned the biggest share at home (100% in the US & Canada), while Kiki (2017) made 100% of its gross abroad. Across all 31 films, $189.3M (57%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
1 of 31 films crossed $100M and took $255.8M between them, 77% of the total. 27 films, 87% of the list, earned under $10M.
Week 8 releases took $331.2M. The biggest of these 9 weeks is week 4 (Jan 22–28) with $1.2B, led by Resident Evil: The Final Chapter (2017).
Of these 10 years, Week 8, 2010 earned the most: $448.8M from 27 films, led by Shutter Island (2010). Week 8, 2017 took $331.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 8, 2008 Feb 17–23 16 films | 16 | $261.9M | – | Vantage Point (2008) $152M |
| Week 8, 2009 Feb 15–21 16 films · −46% | 16 | $141.6M | −46% | Madea Goes to Jail (2009) $90.5M |
| Week 8, 2010 Feb 14–20 27 films · +217% | 27 | $448.8M | +217% | Shutter Island (2010) $295M |
| Week 8, 2011 Feb 13–19 31 films · −10% | 31 | $403.4M | −10% | I Am Number Four (2011) $149.9M |
| Week 8, 2012 Feb 19–25 14 films · −58% | 14 | $169.1M | −58% | Act of Valor (2012) $82.5M |
| Week 8, 2013 Feb 17–23 24 films · −10% | 24 | $152.1M | −10% | Snitch (2013) $57.8M |
| Week 8, 2014 Feb 16–22 18 films · +61% | 18 | $244.3M | +61% | Pompeii (2014) $117.8M |
| Week 8, 2015 Feb 15–21 31 films · −3% | 31 | $236.9M | −3% | McFarland USA (2015) $45.7M |
| Week 8, 2016 Feb 14–20 34 films · −22% | 34 | $185.5M | −22% | Risen (2016) $46.8M |
| Week 8, 2017 Feb 19–25 31 films · +79% | 31 | $331.2M | +79% | Get Out (2017) $255.8M |
Comedy took $310.8M across 9 films, 94% of the total, ahead of Horror ($261.8M) and Thriller ($259.9M). A film counts once for each of its genres. English-language films took $294.6M across 9 films, 89% of the total, ahead of Spanish-language films ($13.8M) and German-language films ($10.1M).
53 weeks of 2017 with reported grosses; the biggest is week 51 (Dec 17–23) with $2.2B, led by Jumanji: Welcome to the Jungle (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 31 films as the chart.
Get Out (2017) leads with $255.8M worldwide, $176.2M of it in the US & Canada. Next come Rock Dog (2017) at $23.3M and It’s for Your Own Good (2017) at $10.9M.
31 films released in week 8 of 2017 (Feb 19–25) report a worldwide gross, $331.2M in all, or $10.7M per film on average. Week 7, 2017 releases took $481.7M.
None. 1 film crossed $100 million, led by Get Out (2017) with $255.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 8 of 2017 (Feb 19–25). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.