#1 of 31 2015 · Drama, Sport
$45.7M worldwide · 19% of the chart's total
McFarland USA (2015) is the highest-grossing movie released in week 8 of 2015 (Feb 15–21), with $45.7M worldwide, ahead of The DUFF (2015) at $43.7M and Wild Tales (2015) at $31.5M. 31 films released that week report a worldwide gross, $236.9M in all, 40% of it from the US & Canada. That is down 78% on Week 7, 2015, whose releases took $1.1B. By genre, Comedy leads with $180.7M across 16 releases.
#1 of 31 2015 · Drama, Sport
$45.7M worldwide · 19% of the chart's total
McFarland USA (2015) leads with $45.7M, 19% of the total. The top 5 together took $164.6M, 69% of what all 31 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 8 of 2015 (Feb 15–21).
Feb 20, 2015 US and Canada: $44.5M Rest of the world: $1.2M Worldwide: $45.7M
Feb 20, 2015 US and Canada: $34M Rest of the world: $9.7M Worldwide: $43.7M
Feb 20, 2015 US and Canada: $3.1M Rest of the world: $28.4M Worldwide: $31.5M
Feb 19, 2015 US and Canada: – Rest of the world: – Worldwide: $28.1M
Feb 19, 2015 US and Canada: – Rest of the world: – Worldwide: $15.6M
Feb 20, 2015 US and Canada: $12.3M Rest of the world: $767K Worldwide: $13.1M
Feb 18, 2015 US and Canada: – Rest of the world: – Worldwide: $10.8M
Feb 16, 2015 US and Canada: – Rest of the world: – Worldwide: $10.3M
Feb 16, 2015 US and Canada: – Rest of the world: – Worldwide: $9.7M
Feb 20, 2015 US and Canada: – Rest of the world: – Worldwide: $8.3M
Feb 19, 2015 US and Canada: – Rest of the world: – Worldwide: $5.6M
Feb 19, 2015 US and Canada: – Rest of the world: – Worldwide: $4.2M
Feb 19, 2015 US and Canada: – Rest of the world: – Worldwide: $3.4M
Feb 20, 2015 US and Canada: $524.5K Rest of the world: $2.4M Worldwide: $2.9M
Feb 17, 2015 US and Canada: – Rest of the world: – Worldwide: $941.8K
Feb 20, 2015 US and Canada: – Rest of the world: – Worldwide: $661.6K
Feb 19, 2015 US and Canada: – Rest of the world: – Worldwide: $606.9K
Feb 19, 2015 US and Canada: – Rest of the world: – Worldwide: $540.9K
Feb 20, 2015 US and Canada: $409.2K Rest of the world: Worldwide: $409.2K
Feb 19, 2015 US and Canada: – Rest of the world: – Worldwide: $384.7K
Feb 18, 2015 US and Canada: $41.3K Rest of the world: $114.6K Worldwide: $155.9K
Feb 20, 2015 US and Canada: – Rest of the world: – Worldwide: $124K
Feb 18, 2015 US and Canada: – Rest of the world: – Worldwide: $113.3K
Feb 21, 2015 US and Canada: – Rest of the world: – Worldwide: $43.3K
Feb 19, 2015 US and Canada: $20.2K Rest of the world: Worldwide: $20.2K
Feb 20, 2015 US and Canada: $18.5K Rest of the world: Worldwide: $18.5K
Feb 20, 2015 US and Canada: $14.7K Rest of the world: Worldwide: $14.7K
Feb 20, 2015 US and Canada: $11K Rest of the world: Worldwide: $11K
Feb 19, 2015 US and Canada: – Rest of the world: – Worldwide: $10.3K
Feb 20, 2015 US and Canada: $10.2K Rest of the world: Worldwide: $10.2K
Feb 19, 2015 US and Canada: – Rest of the world: – Worldwide: $4.6K Of the top 10, McFarland USA (2015) earned the biggest share at home (97% in the US & Canada), while Wild Tales (2015) made 90% of its gross abroad. Across all 31 films, $95M (40%) came from the US & Canada. 6 films of the top 10 report no US & Canada figure.
None of the 31 films reached $100M. 23 films, 74% of the list, earned under $10M. Each band shows its films and its share of the $236.9M total.
Week 8 releases took $236.9M. The biggest of these 9 weeks is week 7 (Feb 8–14) with $1.1B, led by Fifty Shades of Grey (2015).
Of these 10 years, Week 8, 2010 earned the most: $448.8M from 27 films, led by Shutter Island (2010). Week 8, 2015 took $236.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 8, 2006 Feb 19–25 21 films | 21 | $135.8M | – | Madea’s Family Reunion (2006) $63.4M |
| Week 8, 2007 Feb 18–24 24 films · +40% | 24 | $190.1M | +40% | The Number 23 (2007) $77.7M |
| Week 8, 2008 Feb 17–23 16 films · +38% | 16 | $261.9M | +38% | Vantage Point (2008) $152M |
| Week 8, 2009 Feb 15–21 16 films · −46% | 16 | $141.6M | −46% | Madea Goes to Jail (2009) $90.5M |
| Week 8, 2010 Feb 14–20 27 films · +217% | 27 | $448.8M | +217% | Shutter Island (2010) $295M |
| Week 8, 2011 Feb 13–19 31 films · −10% | 31 | $403.4M | −10% | I Am Number Four (2011) $149.9M |
| Week 8, 2012 Feb 19–25 14 films · −58% | 14 | $169.1M | −58% | Act of Valor (2012) $82.5M |
| Week 8, 2013 Feb 17–23 24 films · −10% | 24 | $152.1M | −10% | Snitch (2013) $57.8M |
| Week 8, 2014 Feb 16–22 18 films · +61% | 18 | $244.3M | +61% | Pompeii (2014) $117.8M |
| Week 8, 2015 Feb 15–21 31 films · −3% | 31 | $236.9M | −3% | McFarland USA (2015) $45.7M |
Comedy took $180.7M across 16 films, 76% of the total, ahead of Drama ($115.5M) and Romance ($49.2M). A film counts once for each of its genres. English-language films took $108.5M across 10 films, 46% of the total, ahead of Cantonese-language films ($32.1M) and Spanish-language films ($31.5M).
53 weeks of 2015 with reported grosses; the biggest is week 51 (Dec 13–19) with $2.9B, led by Star Wars: Episode VII - The Force Awakens (2015).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 31 films as the chart.
McFarland USA (2015) leads with $45.7M worldwide, $44.5M of it in the US & Canada. Next come The DUFF (2015) at $43.7M and Wild Tales (2015) at $31.5M.
31 films released in week 8 of 2015 (Feb 15–21) report a worldwide gross, $236.9M in all, or $7.6M per film on average. Week 7, 2015 releases took $1.1B.
None. The biggest, McFarland USA (2015), earned $45.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 8 of 2015 (Feb 15–21). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.