#1 of 27 2015 · Drama, Comedy
$159.2M worldwide · 54% of the chart's total
Focus (2015) is the highest-grossing movie released in week 9 of 2015 (Feb 22–28), with $159.2M worldwide, ahead of Snow Girl and the Dark Crystal (2015) at $64.3M and The Lazarus Effect (2015) at $38.4M. 27 films released that week report a worldwide gross, $292.5M in all, 29% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 23% on Week 8, 2015, whose releases took $236.9M. By genre, Comedy leads with $175.2M across 9 releases.
#1 of 27 2015 · Drama, Comedy
$159.2M worldwide · 54% of the chart's total
Focus (2015) leads with $159.2M, 54% of the total. The top 5 together took $270.7M, 93% of what all 27 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 9 of 2015 (Feb 22–28).
Feb 27, 2015 US and Canada: $53.9M Rest of the world: $105.3M Worldwide: $159.2M
Feb 27, 2015 US and Canada: $165.4K Rest of the world: $64.2M Worldwide: $64.3M
Feb 27, 2015 US and Canada: $25.8M Rest of the world: $12.6M Worldwide: $38.4M
Feb 27, 2015 US and Canada: $350.7K Rest of the world: $4.2M Worldwide: $4.5M
Feb 27, 2015 US and Canada: – Rest of the world: – Worldwide: $4.3M
Feb 27, 2015 US and Canada: $3.6M Rest of the world: $16.8K Worldwide: $3.6M
Feb 27, 2015 US and Canada: $1.3M Rest of the world: $1.8M Worldwide: $3.1M
Feb 27, 2015 US and Canada: – Rest of the world: – Worldwide: $2.7M
Feb 26, 2015 US and Canada: – Rest of the world: – Worldwide: $2.7M
Feb 26, 2015 US and Canada: – Rest of the world: – Worldwide: $1.8M
Feb 27, 2015 US and Canada: – Rest of the world: – Worldwide: $1.4M
Feb 27, 2015 US and Canada: $44.9K Rest of the world: $1.3M Worldwide: $1.4M
Feb 27, 2015 US and Canada: $20.3K Rest of the world: $759.6K Worldwide: $779.8K
Feb 26, 2015 US and Canada: – Rest of the world: – Worldwide: $620.7K
Feb 27, 2015 US and Canada: – Rest of the world: – Worldwide: $549.4K
Feb 27, 2015 US and Canada: $502.3K Rest of the world: Worldwide: $502.3K
Feb 27, 2015 US and Canada: $405.9K Rest of the world: $5.2K Worldwide: $411.1K
Feb 27, 2015 US and Canada: – Rest of the world: – Worldwide: $358.2K
Feb 23, 2015 US and Canada: – Rest of the world: – Worldwide: $228.9K
Feb 27, 2015 US and Canada: – Rest of the world: – Worldwide: $226.1K
Feb 27, 2015 US and Canada: – Rest of the world: – Worldwide: $149.1K
Feb 28, 2015 US and Canada: – Rest of the world: – Worldwide: $106.7K
Feb 26, 2015 US and Canada: – Rest of the world: – Worldwide: $59K
Feb 25, 2015 US and Canada: – Rest of the world: – Worldwide: $30.4K
Feb 26, 2015 US and Canada: – Rest of the world: – Worldwide: $22.2K
Feb 25, 2015 US and Canada: $19.8K Rest of the world: Worldwide: $19.8K Of the top 10, A La Mala (2015) earned the biggest share at home (100% in the US & Canada), while Snow Girl and the Dark Crystal (2015) made 100% of its gross abroad. Across all 27 films, $86.1M (29%) came from the US & Canada. 4 films of the top 10 report no US & Canada figure.
1 of 27 films crossed $100M and took $159.2M between them, 54% of the total. 24 films, 89% of the list, earned under $10M.
Week 9 releases took $292.5M. The biggest of these 9 weeks is week 7 (Feb 8–14) with $1.1B, led by Fifty Shades of Grey (2015).
Of these 10 years, Week 9, 2012 earned the most: $578.1M from 33 films, led by The Lorax (2012). Week 9, 2015 took $292.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 9, 2006 Feb 26–Mar 4 14 films | 14 | $242.4M | – | Deep Sea (2006) $98.2M |
| Week 9, 2007 Feb 25–Mar 3 23 films · +59% | 23 | $386M | +59% | Wild Hogs (2007) $253.6M |
| Week 9, 2008 Feb 24–Mar 1 22 films · −62% | 22 | $145M | −62% | The Other Boleyn Girl (2008) $78.2M |
| Week 9, 2009 Feb 22–28 16 films · −77% | 16 | $33.6M | −77% | Street Fighter: The Legend of Chun-Li (2009) $12.8M |
| Week 9, 2010 Feb 21–27 22 films · +380% | 22 | $161.1M | +380% | Cop Out (2010) $55.6M |
| Week 9, 2011 Feb 20–26 19 films · +30% | 19 | $208.8M | +30% | Hall Pass (2011) $86.2M |
| Week 9, 2012 Feb 26–Mar 3 33 films · +177% | 33 | $578.1M | +177% | The Lorax (2012) $349.3M |
| Week 9, 2013 Feb 24–Mar 2 30 films · −45% | 30 | $318.6M | −45% | Jack the Giant Slayer (2013) $197.7M |
| Week 9, 2014 Feb 23–Mar 1 25 films · +61% | 25 | $514.6M | +61% | Non-Stop (2014) $222.8M |
| Week 9, 2015 Feb 22–28 27 films · −43% | 27 | $292.5M | −43% | Focus (2015) $159.2M |
Comedy took $175.2M across 9 films, 60% of the total, ahead of Drama ($174.8M) and Romance ($159.8M). A film counts once for each of its genres. English-language films took $212.4M across 15 films, 73% of the total, ahead of Chinese-language films ($64.3M) and Danish-language films ($4.5M).
53 weeks of 2015 with reported grosses; the biggest is week 51 (Dec 13–19) with $2.9B, led by Star Wars: Episode VII - The Force Awakens (2015).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 27 films as the chart.
Focus (2015) leads with $159.2M worldwide, $53.9M of it in the US & Canada. Next come Snow Girl and the Dark Crystal (2015) at $64.3M and The Lazarus Effect (2015) at $38.4M.
27 films released in week 9 of 2015 (Feb 22–28) report a worldwide gross, $292.5M in all, or $10.8M per film on average. Week 8, 2015 releases took $236.9M.
None. 1 film crossed $100 million, led by Focus (2015) with $159.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 9 of 2015 (Feb 22–28). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.