#1 of 39 #1 movie of Week 11, 2017
2017 · Fantasy, Romance
$1.3B worldwide · 91% of the chart's total
$504.5M US & Canada · 40% $761.6M elsewhere · 60%
Box office · Week 11 · Mar 12–18, 2017
Box Office Week 11, 2017: Highest-Grossing Releases of Mar 12–18
Beauty and the Beast (2017) is the highest-grossing movie released in week 11 of 2017 (Mar 12–18), with $1.3B worldwide, ahead of T2 Trainspotting (2017) at $41.7M and Pretty Cure Dream Stars! (2017) at $16.2M. 39 films released that week report a worldwide gross, $1.4B in all, 37% of it from the US & Canada. 1 film crossed $1 billion. That is up 118% on Week 10, 2017, whose releases took $635M. By genre, Fantasy leads with $1.3B across 3 releases.
- week 11 releases with a gross
- 39
- combined worldwide
- $1.4B
- film crossed $100M
- 1
- vs Week 10, 2017
- +118%
#1 of 39 Top 5
What Were the Biggest Hits of Week 11 of 2017?
Beauty and the Beast (2017) leads with $1.3B, 91% of the total. The top 5 together took $1.3B, 97% of what all 39 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Release of Week 11 of 2017, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2017 (Mar 12–18).
- 1 Mar 17, 2017 US and Canada: $504.5M Rest of the world: $761.6M Worldwide: $1.3B
- 2 Mar 17, 2017 US and Canada: $2.4M Rest of the world: $39.3M Worldwide: $41.7M
- 3 Mar 18, 2017 US and Canada: – Rest of the world: – Worldwide: $16.2M
- 4 Mar 17, 2017 US and Canada: $10.2M Rest of the world: $917.8K Worldwide: $11.1M
- 5 Mar 17, 2017 US and Canada: $43.1K Rest of the world: $8.8M Worldwide: $8.9M
- 6
Kuroko’s Basketball the Movie: Last Game (2017)Mar 18, 2017 US and Canada: – Rest of the world: – Worldwide: $8.3M
Mar 18, 2017 · Japanese · Comedy, Animation $8.3M worldwide - 7
Mar 15, 2017 US and Canada: $880.9K Rest of the world: $6.6M Worldwide: $7.5M - 8
Mar 17, 2017 US and Canada: $272.1K Rest of the world: $5.1M Worldwide: $5.4M - 9
Mar 18, 2017 US and Canada: – Rest of the world: – Worldwide: $4.2M - 10
Mar 15, 2017 US and Canada: – Rest of the world: – Worldwide: $3.2M - 11
Mar 17, 2017 US and Canada: – Rest of the world: – Worldwide: $2.5M - 12
Mar 16, 2017 US and Canada: – Rest of the world: – Worldwide: $2.4M - 13
Mar 16, 2017 US and Canada: – Rest of the world: – Worldwide: $2.3M - 14
Mar 17, 2017 US and Canada: $443.7K Rest of the world: $1.4M Worldwide: $1.8M - 15
Mar 18, 2017 US and Canada: – Rest of the world: – Worldwide: $1.2M - 16
Mar 16, 2017 US and Canada: – Rest of the world: – Worldwide: $1M - 17
Mar 17, 2017 US and Canada: – Rest of the world: – Worldwide: $733.6K - 18
Mar 17, 2017 US and Canada: – Rest of the world: – Worldwide: $516.7K - 19
Mar 12, 2017 US and Canada: – Rest of the world: – Worldwide: $271.7K - 20
Mar 16, 2017 US and Canada: – Rest of the world: – Worldwide: $204.7K - 21
Mar 16, 2017 US and Canada: – Rest of the world: – Worldwide: $186.7K - 22
Mar 16, 2017 US and Canada: – Rest of the world: – Worldwide: $183K - 23
Mar 17, 2017 US and Canada: – Rest of the world: – Worldwide: $96.2K - 24
Mar 16, 2017 US and Canada: – Rest of the world: – Worldwide: $93K - 25
Mar 16, 2017 US and Canada: – Rest of the world: – Worldwide: $88.3K - 26
Mar 17, 2017 US and Canada: – Rest of the world: – Worldwide: $78.1K - 27
Mar 15, 2017 US and Canada: $51.5K Rest of the world: Worldwide: $51.5K - 28
Mar 14, 2017 US and Canada: – Rest of the world: – Worldwide: $40.6K - 29
Mar 17, 2017 US and Canada: – Rest of the world: – Worldwide: $36.1K - 30
Mar 16, 2017 US and Canada: – Rest of the world: – Worldwide: $34K - 31
Mar 12, 2017 US and Canada: – Rest of the world: – Worldwide: $17.3K - 32
Mar 17, 2017 US and Canada: – Rest of the world: – Worldwide: $15.5K - 33
Mar 15, 2017 US and Canada: – Rest of the world: – Worldwide: $11.5K - 34
Mar 17, 2017 US and Canada: – Rest of the world: – Worldwide: $10.6K - 35
Mar 14, 2017 US and Canada: – Rest of the world: – Worldwide: $8.1K - 36
Mar 16, 2017 US and Canada: – Rest of the world: – Worldwide: $3.2K - 37
Mar 14, 2017 US and Canada: – Rest of the world: – Worldwide: $890 - 38
Mar 17, 2017 US and Canada: – Rest of the world: – Worldwide: $42 - 39
Mar 13, 2017 US and Canada: – Rest of the world: – Worldwide: $39
US & Canada vs the world
Where Did the Money Come From in Week 11 of 2017?
Of the top 10, The Belko Experiment (2017) earned the biggest share at home (92% in the US & Canada), while Bluebeard (2017) made 100% of its gross abroad. Across all 39 films, $518.7M (37%) came from the US & Canada. 4 films of the top 10 report no US & Canada figure.
- 1 Beauty and the Beast (2017) $1.3B $504.5M US & Canada · 40% $761.6M elsewhere · 60%
- 2 T2 Trainspotting (2017) $41.7M $2.4M US & Canada · 6% $39.3M elsewhere · 94%
- 3 Pretty Cure Dream Stars! (2017) $16.2M No US & Canada figure reported
- 4 The Belko Experiment (2017) $11.1M $10.2M US & Canada · 92% $917.8K elsewhere · 8%
- 5 Bluebeard (2017) $8.9M $43.1K US & Canada · <1% $8.8M elsewhere · 100%
- 6 Kuroko’s Basketball the Movie: Last Game (2017) $8.3M No US & Canada figure reported
- 7 Frantz (2017) $7.5M $880.9K US & Canada · 12% $6.6M elsewhere · 88%
- 8 After the Storm (2017) $5.4M $272.1K US & Canada · 5% $5.1M elsewhere · 95%
- 9 Selfie (2017) $4.2M No US & Canada figure reported
- 10 You Choose! (2017) $3.2M No US & Canada figure reported
Gross bands
How Many Week 11 of 2017 Releases Crossed $100 Million?
1 of 39 films crossed $100M and took $1.3B between them, 91% of the total. 35 films, 90% of the list, earned under $10M.
91%
- $1B or more 1 film, 3% of the list $1.3B · 91% of the gross
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 0 films, 0% of the list No films
- $10M to $100M 3 films, 8% of the list $69M · 5% of the gross
- Under $10M 35 films, 90% of the list $51.2M · 4% of the gross
Weeks around it
How Does Week 11 Compare With the Weeks Around It?
Week 11 releases took $1.4B. The biggest of these 9 weeks is week 11 (Mar 12–18) with $1.4B, led by Beauty and the Beast (2017).
- Week 5 Wk 5 Jan 29–Feb 4 Journey to the West: The Demons Strike Back (2017) $388.1M Journey to the West: The Demons Strike Back (2017)
- Week 6 Wk 6 Feb 5–11 Fifty Shades Darker (2017) $955.8M Fifty Shades Darker (2017)
- Week 7 Wk 7 Feb 12–18 The Great Wall (2017) $481.7M The Great Wall (2017)
- Week 8 Wk 8 Feb 19–25 Get Out (2017) $331.2M Get Out (2017)
- Week 9 Wk 9 Feb 26–Mar 4 Logan (2017) $815.9M Logan (2017)
- Week 10 Wk 10 Mar 5–11 Kong: Skull Island (2017) $635M Kong: Skull Island (2017)
- Week 11 Wk 11 Mar 12–18 Beauty and the Beast (2017) $1.4B Beauty and the Beast (2017)
- Week 12 Wk 12 Mar 19–25 Saban's Power Rangers (2017) $344.3M Saban's Power Rangers (2017)
- Week 13 Wk 13 Mar 26–Apr 1 The Boss Baby (2017) $859.6M The Boss Baby (2017)
Earlier years
How Does Week 11 of 2017 Compare With Earlier Years?
Of these 10 years, Week 11, 2017 earned the most: $1.4B from 39 films, led by Beauty and the Beast (2017).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 2008 Mar 9–15 31 films | 31 | $415.1M | – | Horton Hears a Who! (2008) $298.6M |
| Week 11, 2009 Mar 8–14 26 films · −44% | 26 | $230.5M | −44% | Race to Witch Mountain (2009) $106.4M |
| Week 11, 2010 Mar 7–13 23 films · +29% | 23 | $297.5M | +29% | Green Zone (2010) $113.4M |
| Week 11, 2011 Mar 6–12 25 films · +59% | 25 | $471.9M | +59% | Battle: Los Angeles (2011) $211.8M |
| Week 11, 2012 Mar 11–17 27 films · −26% | 27 | $350.4M | −26% | 21 Jump Street (2012) $201.6M |
| Week 11, 2013 Mar 10–16 34 films · −25% | 34 | $262.3M | −25% | The Call (2013) $68.6M |
| Week 11, 2014 Mar 9–15 30 films · +42% | 30 | $371.9M | +42% | Need For Speed (2014) $203.3M |
| Week 11, 2015 Mar 8–14 26 films · −64% | 26 | $133.5M | −64% | Run All Night (2015) $71.7M |
| Week 11, 2016 Mar 6–12 40 films · +133% | 40 | $310.5M | +133% | 10 Cloverfield Lane (2016) $110.2M |
| Week 11, 2017 Mar 12–18 39 films · +347% | 39 | $1.4B | +347% | Beauty and the Beast (2017) $1.3B |
Genres & languages
Which Genres and Languages Earned the Most in Week 11 of 2017?
Fantasy took $1.3B across 3 films, 93% of the total, ahead of Romance ($1.3B) and Family ($1.3B). A film counts once for each of its genres. English-language films took $1.3B across 13 films, 96% of the total, ahead of Japanese-language films ($25.7M) and French-language films ($10.7M).
Week 11 of 2017 Box Office by Genre
-
Fantasy $1.3B3 films · #1 Beauty and the Beast (2017) -
Romance $1.3B5 films · #1 Beauty and the Beast (2017) -
Family $1.3B5 films · #1 Beauty and the Beast (2017) -
Musical $1.3B1 film · #1 Beauty and the Beast (2017) -
Comedy $80.1M15 films · #1 T2 Trainspotting (2017) -
Drama $60.8M13 films · #1 T2 Trainspotting (2017) -
Action $28.5M4 films · #1 Pretty Cure Dream Stars! (2017) -
Animation $24.8M3 films · #1 Pretty Cure Dream Stars! (2017) -
Thriller $20M5 films · #1 The Belko Experiment (2017) -
Adventure $18.7M2 films · #1 Pretty Cure Dream Stars! (2017)
Week 11 of 2017 Box Office by Language
-
English $1.3B13 films · #1 Beauty and the Beast (2017) - Japanese $25.7M3 films · #1 Pretty Cure Dream Stars! (2017)
-
French $10.7M2 films · #1 Frantz (2017) -
Korean $9.9M2 films · #1 Bluebeard (2017) -
Spanish $4.7M6 films · #1 Selfie (2017) -
Turkish $2.5M2 films · #1 Love, Surreal and Odd (2017) -
Hungarian $2.4M1 film · #1 Bet on Revenge (2017) -
Russian $2.4M2 films · #1 Lucky Case (2017) -
Catalan $733.6K1 film · #1 Uncertain Glory (2017) -
Malayalam $166.5K2 films · #1 Alamara (2017)
Archive
Box Office in 2017, Week by Week
53 weeks of 2017 with reported grosses; the biggest is week 51 (Dec 17–23) with $2.2B, led by Jumanji: Welcome to the Jungle (2017).
- Week 1 $193.8M
- Week 2 $248.3M
- Week 3 $704.6M
- Week 4 $1.2B
- Week 5 $388.1M
- Week 6 $955.8M
- Week 7 $481.7M
- Week 8 $331.2M
- Week 9 $815.9M
- Week 10 $635M
- Week 11 $1.4B
- Week 12 $344.3M
- Week 13 $859.6M
- Week 14 $827.8M
- Week 15 $1.3B
- Week 16 $120.2M
- Week 17 $526.9M
- Week 18 $1B
- Week 19 $255.5M
- Week 20 $428.7M
- Week 21 $989.4M
- Week 22 $982.2M
- Week 23 $467.6M
- Week 24 $614.3M
- Week 25 $705.3M
- Week 26 $1.4B
- Week 27 $961.7M
- Week 28 $649.9M
- Week 29 $927.9M
- Week 30 $1.3B
- Week 31 $340.7M
- Week 32 $607.2M
- Week 33 $362.2M
- Week 34 $204.9M
- Week 35 $103.8M
- Week 36 $818.4M
- Week 37 $153.3M
- Week 38 $782.3M
- Week 39 $704.6M
- Week 40 $551.5M
- Week 41 $354.1M
- Week 42 $508M
- Week 43 $254.2M
- Week 44 $1.1B
- Week 45 $790.9M
- Week 46 $1.1B
- Week 47 $1.1B
- Week 48 $396.6M
- Week 49 $135.8M
- Week 50 $2B
- Week 51 $2.2B
- Week 52 $438M
- Week 53 $60.7K
FAQ
Box Office Week 11 of 2017: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 39 films as the chart.
What is the highest-grossing movie in week 11 of 2017 (Mar 12–18)?
Beauty and the Beast (2017) leads with $1.3B worldwide, $504.5M of it in the US & Canada. Next come T2 Trainspotting (2017) at $41.7M and Pretty Cure Dream Stars! (2017) at $16.2M.
How much did movies released in week 11 of 2017 (Mar 12–18) earn?
39 films released in week 11 of 2017 (Mar 12–18) report a worldwide gross, $1.4B in all, or $35.5M per film on average. Week 10, 2017 releases took $635M.
How many movies released in week 11 of 2017 (Mar 12–18) made $1 billion?
1 film crossed $1 billion worldwide: Beauty and the Beast (2017). 1 crossed $100 million.
How is the week 11, 2017 box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2017 (Mar 12–18). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 11, 2017 box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.