#1 of 40 #1 movie of Week 11, 2016
2016 · Action, Sci-Fi
$110.2M worldwide · 35% of the chart's total
$72.1M US & Canada · 65% $38.1M elsewhere · 35%
Box office · Week 11 · Mar 6–12, 2016
Box Office Week 11, 2016: Highest-Grossing Releases of Mar 6–12
10 Cloverfield Lane (2016) is the highest-grossing movie released in week 11 of 2016 (Mar 6–12), with $110.2M worldwide, ahead of Forever Young (2016) at $60M and Eye in the Sky (2016) at $35.3M. 40 films released that week report a worldwide gross, $310.5M in all, 42% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 77% on Week 10, 2016, whose releases took $1.4B. By genre, Drama leads with $200.2M across 21 releases.
- week 11 releases with a gross
- 40
- combined worldwide
- $310.5M
- film crossed $100M
- 1
- vs Week 10, 2016
- −77%
#1 of 40 Top 5
What Were the Biggest Hits of Week 11 of 2016?
10 Cloverfield Lane (2016) leads with $110.2M, 35% of the total. The top 5 together took $248.1M, 80% of what all 40 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Release of Week 11 of 2016, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2016 (Mar 6–12).
- 1 Mar 11, 2016 US and Canada: $72.1M Rest of the world: $38.1M Worldwide: $110.2M
- 2 Mar 10, 2016 US and Canada: $149.8K Rest of the world: $59.8M Worldwide: $60M
- 3 Mar 11, 2016 US and Canada: $18.7M Rest of the world: $16.6M Worldwide: $35.3M
- 4 Mar 11, 2016 US and Canada: $6.9M Rest of the world: $21.1M Worldwide: $28M
- 5 Mar 11, 2016 US and Canada: $14.4M Rest of the world: $214.4K Worldwide: $14.7M
- 6
Mar 11, 2016 US and Canada: $9.7M Rest of the world: $745.2K Worldwide: $10.4M - 7
Mar 12, 2016 US and Canada: – Rest of the world: – Worldwide: $9.9M - 8
Mar 11, 2016 US and Canada: $506.7K Rest of the world: $8.2M Worldwide: $8.8M - 9
Mar 11, 2016 US and Canada: $24.1K Rest of the world: $7.6M Worldwide: $7.7M - 10
Mar 11, 2016 US and Canada: $6.5M Rest of the world: $839.9K Worldwide: $7.3M - 11
Mar 11, 2016 US and Canada: – Rest of the world: – Worldwide: $6.4M - 12
Mar 11, 2016 US and Canada: $1.2M Rest of the world: $3.1M Worldwide: $4.2M - 13
Mar 6, 2016 US and Canada: – Rest of the world: – Worldwide: $2.1M - 14
Mar 11, 2016 US and Canada: – Rest of the world: – Worldwide: $1.3M - 15
Mar 11, 2016 US and Canada: – Rest of the world: – Worldwide: $690.9K - 16
Mar 11, 2016 US and Canada: $641K Rest of the world: $39.6K Worldwide: $680.6K - 17
Mar 9, 2016 US and Canada: – Rest of the world: – Worldwide: $672.1K - 18
Mar 11, 2016 US and Canada: – Rest of the world: – Worldwide: $504K - 19
Mar 11, 2016 US and Canada: – Rest of the world: – Worldwide: $362.2K - 20
Mar 10, 2016 US and Canada: – Rest of the world: – Worldwide: $287.9K - 21
Mar 12, 2016 US and Canada: – Rest of the world: – Worldwide: $228.8K - 22
Mar 6, 2016 US and Canada: – Rest of the world: – Worldwide: $158.6K - 23
Mar 10, 2016 US and Canada: – Rest of the world: – Worldwide: $148.7K - 24
Mar 10, 2016 US and Canada: – Rest of the world: – Worldwide: $114.5K - 25
Mar 11, 2016 US and Canada: $1.4K Rest of the world: $86.3K Worldwide: $87.8K - 26
Mar 11, 2016 US and Canada: $63K Rest of the world: Worldwide: $63K - 27
Mar 12, 2016 US and Canada: – Rest of the world: – Worldwide: $44.3K - 28
Mar 7, 2016 US and Canada: – Rest of the world: – Worldwide: $43.3K - 29
Mar 6, 2016 US and Canada: – Rest of the world: – Worldwide: $29.9K - 30
Mar 11, 2016 US and Canada: $29.5K Rest of the world: Worldwide: $29.5K - 31
Mar 10, 2016 US and Canada: – Rest of the world: – Worldwide: $27.2K - 32
Mar 11, 2016 US and Canada: – Rest of the world: – Worldwide: $17.3K - 33
Mar 11, 2016 US and Canada: – Rest of the world: – Worldwide: $17.2K - 34
Mar 12, 2016 US and Canada: – Rest of the world: – Worldwide: $14K - 35
Mar 10, 2016 US and Canada: – Rest of the world: – Worldwide: $9.1K - 36
Mar 12, 2016 US and Canada: $8.1K Rest of the world: Worldwide: $8.1K - 37
Mar 11, 2016 US and Canada: $6.9K Rest of the world: Worldwide: $6.9K - 38
Mar 12, 2016 US and Canada: – Rest of the world: – Worldwide: $4.9K - 39
Mar 11, 2016 US and Canada: $4.6K Rest of the world: Worldwide: $4.6K - 40
Mar 11, 2016 US and Canada: – Rest of the world: – Worldwide: $202
US & Canada vs the world
Where Did the Money Come From in Week 11 of 2016?
Of the top 10, Hello, My Name Is Doris (2016) earned the biggest share at home (99% in the US & Canada), while Forever Young (2016) made 100% of its gross abroad. Across all 40 films, $130.9M (42%) came from the US & Canada. 1 film of the top 10 reports no US & Canada figure.
- 1 10 Cloverfield Lane (2016) $110.2M $72.1M US & Canada · 65% $38.1M elsewhere · 35%
- 2 Forever Young (2016) $60M $149.8K US & Canada · <1% $59.8M elsewhere · 100%
- 3 Eye in the Sky (2016) $35.3M $18.7M US & Canada · 53% $16.6M elsewhere · 47%
- 4 The Brothers Grimsby (2016) $28M $6.9M US & Canada · 25% $21.1M elsewhere · 75%
- 5 Hello, My Name Is Doris (2016) $14.7M $14.4M US & Canada · 99% $214.4K elsewhere · 1%
- 6 The Perfect Match (2016) $10.4M $9.7M US & Canada · 93% $745.2K elsewhere · 7%
- 7 Everest: The Summit of the Gods (2016) $9.9M No US & Canada figure reported
- 8 Marguerite (2016) $8.8M $506.7K US & Canada · 6% $8.2M elsewhere · 94%
- 9 Lolo (2016) $7.7M $24.1K US & Canada · <1% $7.6M elsewhere · 100%
- 10 The Young Messiah (2016) $7.3M $6.5M US & Canada · 89% $839.9K elsewhere · 11%
Gross bands
How Many Week 11 of 2016 Releases Crossed $100 Million?
1 of 40 films crossed $100M and took $110.2M between them, 35% of the total. 34 films, 85% of the list, earned under $10M.
35% 48% 17%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 1 film, 3% of the list $110.2M · 35% of the gross
- $10M to $100M 5 films, 13% of the list $148.3M · 48% of the gross
- Under $10M 34 films, 85% of the list $52M · 17% of the gross
Weeks around it
How Does Week 11 Compare With the Weeks Around It?
Week 11 releases took $310.5M. The biggest of these 9 weeks is week 10 (Feb 28–Mar 5) with $1.4B, led by Zootopia (2016).
- Week 5 Wk 5 Jan 24–30 Kung Fu Panda 3 (2016) $623M Kung Fu Panda 3 (2016)
- Week 6 Wk 6 Jan 31–Feb 6 The Monkey King 2 (2016) $649.5M The Monkey King 2 (2016)
- Week 7 Wk 7 Feb 7–13 Deadpool (2016) $880.7M Deadpool (2016)
- Week 8 Wk 8 Feb 14–20 Risen (2016) $185.5M Risen (2016)
- Week 9 Wk 9 Feb 21–27 Gods of Egypt (2016) $307.9M Gods of Egypt (2016)
- Week 10 Wk 10 Feb 28–Mar 5 Zootopia (2016) $1.4B Zootopia (2016)
- Week 11 Wk 11 Mar 6–12 10 Cloverfield Lane (2016) $310.5M 10 Cloverfield Lane (2016)
- Week 12 Wk 12 Mar 13–19 Miracles from Heaven (2016) $172.6M Miracles from Heaven (2016)
- Week 13 Wk 13 Mar 20–26 Batman v Superman: Dawn of Justice (2016) $1B Batman v Superman: Dawn of Justice (2016)
Earlier years
How Does Week 11 of 2016 Compare With Earlier Years?
Of these 10 years, Week 11, 2011 earned the most: $471.9M from 25 films, led by Battle: Los Angeles (2011). Week 11, 2016 took $310.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 2007 Mar 11–17 23 films | 23 | $157.7M | – | Premonition (2007) $84.3M |
| Week 11, 2008 Mar 9–15 31 films · +163% | 31 | $415.1M | +163% | Horton Hears a Who! (2008) $298.6M |
| Week 11, 2009 Mar 8–14 26 films · −44% | 26 | $230.5M | −44% | Race to Witch Mountain (2009) $106.4M |
| Week 11, 2010 Mar 7–13 23 films · +29% | 23 | $297.5M | +29% | Green Zone (2010) $113.4M |
| Week 11, 2011 Mar 6–12 25 films · +59% | 25 | $471.9M | +59% | Battle: Los Angeles (2011) $211.8M |
| Week 11, 2012 Mar 11–17 27 films · −26% | 27 | $350.4M | −26% | 21 Jump Street (2012) $201.6M |
| Week 11, 2013 Mar 10–16 34 films · −25% | 34 | $262.3M | −25% | The Call (2013) $68.6M |
| Week 11, 2014 Mar 9–15 30 films · +42% | 30 | $371.9M | +42% | Need For Speed (2014) $203.3M |
| Week 11, 2015 Mar 8–14 26 films · −64% | 26 | $133.5M | −64% | Run All Night (2015) $71.7M |
| Week 11, 2016 Mar 6–12 40 films · +133% | 40 | $310.5M | +133% | 10 Cloverfield Lane (2016) $110.2M |
Genres & languages
Which Genres and Languages Earned the Most in Week 11 of 2016?
Drama took $200.2M across 21 films, 64% of the total, ahead of Thriller ($150.1M) and Action ($144.8M). A film counts once for each of its genres. English-language films took $211.3M across 21 films, 68% of the total, ahead of Italian-language films ($60M) and French-language films ($17.1M).
Week 11 of 2016 Box Office by Genre
-
Drama $200.2M21 films · #1 10 Cloverfield Lane (2016) -
Thriller $150.1M6 films · #1 10 Cloverfield Lane (2016) -
Action $144.8M5 films · #1 10 Cloverfield Lane (2016) -
Comedy $125.9M15 films · #1 Forever Young (2016) -
Mystery $120.2M3 films · #1 10 Cloverfield Lane (2016) -
Sci-Fi $110.3M3 films · #1 10 Cloverfield Lane (2016) -
Horror $110.3M2 films · #1 10 Cloverfield Lane (2016) -
War $35.3M2 films · #1 Eye in the Sky (2016) -
Romance $26.3M6 films · #1 Hello, My Name Is Doris (2016) -
Adventure $16.3M3 films · #1 Everest: The Summit of the Gods (2016)
Week 11 of 2016 Box Office by Language
-
English $211.3M21 films · #1 10 Cloverfield Lane (2016) -
Italian $60M1 film · #1 Forever Young (2016) -
French $17.1M3 films · #1 Marguerite (2016) -
Japanese $9.9M1 film · #1 Everest: The Summit of the Gods (2016) -
Dutch $6.4M1 film · #1 Admiral (2016) -
Spanish $2.6M4 films · #1 The Olive Tree (2016) -
Punjabi $1.2M2 films · #1 Love Punjab (2016) -
Chinese $287.9K1 film · #1 The Kid from the Big Apple (2016) -
Korean $192.9K2 films · #1 Hiya (2016) -
Turkish $114.5K1 film · #1 Babaların Babası (2016)
Archive
Box Office in 2016, Week by Week
53 weeks of 2016 with reported grosses; the biggest is week 52 (Dec 18–24) with $2B, led by Sing (2016).
- Week 1 $48.6M
- Week 2 $103.2M
- Week 3 $369.4M
- Week 4 $901.2M
- Week 5 $623M
- Week 6 $649.5M
- Week 7 $880.7M
- Week 8 $185.5M
- Week 9 $307.9M
- Week 10 $1.4B
- Week 11 $310.5M
- Week 12 $172.6M
- Week 13 $1B
- Week 14 $137M
- Week 15 $113.5M
- Week 16 $1.2B
- Week 17 $278.1M
- Week 18 $205.6M
- Week 19 $1.2B
- Week 20 $305.6M
- Week 21 $580.4M
- Week 22 $859.9M
- Week 23 $558.6M
- Week 24 $1.1B
- Week 25 $1.3B
- Week 26 $595.8M
- Week 27 $744.4M
- Week 28 $1.3B
- Week 29 $403M
- Week 30 $1.1B
- Week 31 $829.1M
- Week 32 $985.5M
- Week 33 $564.1M
- Week 34 $436.6M
- Week 35 $387.8M
- Week 36 $229.7M
- Week 37 $378.2M
- Week 38 $415.8M
- Week 39 $474.3M
- Week 40 $814.2M
- Week 41 $306.5M
- Week 42 $351.7M
- Week 43 $508.4M
- Week 44 $333.7M
- Week 45 $1.3B
- Week 46 $356.5M
- Week 47 $1.1B
- Week 48 $992M
- Week 49 $77.5M
- Week 50 $764.3M
- Week 51 $1.3B
- Week 52 $2B
- Week 53 $407.8M
FAQ
Box Office Week 11 of 2016: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 40 films as the chart.
What is the highest-grossing movie in week 11 of 2016 (Mar 6–12)?
10 Cloverfield Lane (2016) leads with $110.2M worldwide, $72.1M of it in the US & Canada. Next come Forever Young (2016) at $60M and Eye in the Sky (2016) at $35.3M.
How much did movies released in week 11 of 2016 (Mar 6–12) earn?
40 films released in week 11 of 2016 (Mar 6–12) report a worldwide gross, $310.5M in all, or $7.8M per film on average. Week 10, 2016 releases took $1.4B.
How many movies released in week 11 of 2016 (Mar 6–12) made $1 billion?
None. 1 film crossed $100 million, led by 10 Cloverfield Lane (2016) with $110.2M.
How is the week 11, 2016 box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2016 (Mar 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 11, 2016 box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.