#1 of 29 2016 · Thriller, Horror
$157.8M worldwide · 41% of the chart's total
Don't Breathe (2016) is the highest-grossing movie released in week 35 of 2016 (Aug 21–27), with $157.8M worldwide, ahead of Mechanic: Resurrection (2016) at $125.7M and Tunnel (2016) at $52.4M. 29 films released that week report a worldwide gross, $387.8M in all, 32% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is down 11% on Week 34, 2016, whose releases took $436.6M. By genre, Thriller leads with $336.5M across 6 releases.
#1 of 29 2016 · Thriller, Horror
$157.8M worldwide · 41% of the chart's total
Don't Breathe (2016) leads with $157.8M, 41% of the total. The top 5 together took $353.4M, 91% of what all 29 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 35 of 2016 (Aug 21–27).
Aug 26, 2016 US and Canada: $89.2M Rest of the world: $68.5M Worldwide: $157.8M
Aug 26, 2016 US and Canada: $21.2M Rest of the world: $104.5M Worldwide: $125.7M
Aug 26, 2016 US and Canada: $568.9K Rest of the world: $51.9M Worldwide: $52.4M
Aug 27, 2016 US and Canada: – Rest of the world: – Worldwide: $9.8M
Aug 26, 2016 US and Canada: $303K Rest of the world: $7.4M Worldwide: $7.7M
Aug 26, 2016 US and Canada: – Rest of the world: – Worldwide: $7.2M
Aug 26, 2016 US and Canada: $6.3M Rest of the world: $324.4K Worldwide: $6.6M
Aug 26, 2016 US and Canada: $4.7M Rest of the world: $265.6K Worldwide: $5M
Aug 25, 2016 US and Canada: – Rest of the world: – Worldwide: $4.4M
Aug 25, 2016 US and Canada: – Rest of the world: – Worldwide: $4M
Aug 26, 2016 US and Canada: $2M Rest of the world: Worldwide: $2M
Aug 26, 2016 US and Canada: $1M Rest of the world: $121.6K Worldwide: $1.1M
Aug 26, 2016 US and Canada: $20.4K Rest of the world: $886.6K Worldwide: $907K
Aug 25, 2016 US and Canada: – Rest of the world: – Worldwide: $641.4K
Aug 24, 2016 US and Canada: – Rest of the world: – Worldwide: $634.9K
Aug 24, 2016 US and Canada: – Rest of the world: – Worldwide: $470.5K
Aug 24, 2016 US and Canada: – Rest of the world: – Worldwide: $337.3K
Aug 25, 2016 US and Canada: – Rest of the world: – Worldwide: $297.2K
Aug 26, 2016 US and Canada: $191.8K Rest of the world: $25.7K Worldwide: $217.5K
Aug 26, 2016 US and Canada: $50.1K Rest of the world: $162.1K Worldwide: $212.2K
Aug 26, 2016 US and Canada: $119.1K Rest of the world: Worldwide: $119.1K
Aug 25, 2016 US and Canada: – Rest of the world: – Worldwide: $77.5K
Aug 25, 2016 US and Canada: – Rest of the world: – Worldwide: $63.3K
Aug 26, 2016 US and Canada: $32.9K Rest of the world: Worldwide: $32.9K
Aug 24, 2016 US and Canada: $25.6K Rest of the world: $1.8K Worldwide: $27.4K
Aug 26, 2016 US and Canada: – Rest of the world: – Worldwide: $21.1K
Aug 26, 2016 US and Canada: – Rest of the world: – Worldwide: $21.1K
Aug 26, 2016 US and Canada: – Rest of the world: – Worldwide: $11.3K
Aug 26, 2016 US and Canada: – Rest of the world: – Worldwide: $2.6K Of the top 10, Southside with You (2016) earned the biggest share at home (95% in the US & Canada), while Tunnel (2016) made 99% of its gross abroad. Across all 29 films, $125.8M (32%) came from the US & Canada. 4 films of the top 10 report no US & Canada figure.
2 of 29 films crossed $100M and took $283.5M between them, 73% of the total. 26 films, 90% of the list, earned under $10M.
Week 35 releases took $387.8M. The biggest of these 9 weeks is week 30 (Jul 17–23) with $1.1B, led by Ice Age: Collision Course (2016).
Of these 10 years, Week 35, 2016 earned the most: $387.8M from 29 films, led by Don't Breathe (2016).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 35, 2007 Aug 26–Sep 1 29 films | 29 | $86.5M | – | Balls of Fury (2007) $41.7M |
| Week 35, 2008 Aug 24–30 34 films · +103% | 34 | $175.3M | +103% | Babylon A.D. (2008) $72.1M |
| Week 35, 2009 Aug 23–29 20 films · +59% | 20 | $278.3M | +59% | The Final Destination (2009) $186.2M |
| Week 35, 2010 Aug 22–28 20 films · −23% | 20 | $213.7M | −23% | Takers (2010) $80.2M |
| Week 35, 2011 Aug 21–27 18 films · −17% | 18 | $177.7M | −17% | Colombiana (2011) $71.5M |
| Week 35, 2012 Aug 26–Sep 1 31 films · −3% | 31 | $172.7M | −3% | The Possession (2012) $85.4M |
| Week 35, 2013 Aug 25–31 24 films · +45% | 24 | $251.2M | +45% | Instructions Not Included (2013) $100.5M |
| Week 35, 2014 Aug 24–30 37 films · −3% | 37 | $244M | −3% | Dearest (2014) $50.2M |
| Week 35, 2015 Aug 23–29 39 films · +12% | 39 | $272.4M | +12% | War Room (2015) $73.3M |
| Week 35, 2016 Aug 21–27 29 films · +42% | 29 | $387.8M | +42% | Don't Breathe (2016) $157.8M |
Thriller took $336.5M across 6 films, 87% of the total, ahead of Crime ($283.8M) and Horror ($157.8M). A film counts once for each of its genres. English-language films took $299.8M across 15 films, 77% of the total, ahead of Korean-language films ($52.7M) and French-language films ($10.9M).
53 weeks of 2016 with reported grosses; the biggest is week 52 (Dec 18–24) with $2B, led by Sing (2016).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 29 films as the chart.
Don't Breathe (2016) leads with $157.8M worldwide, $89.2M of it in the US & Canada. Next come Mechanic: Resurrection (2016) at $125.7M and Tunnel (2016) at $52.4M.
29 films released in week 35 of 2016 (Aug 21–27) report a worldwide gross, $387.8M in all, or $13.4M per film on average. Week 34, 2016 releases took $436.6M.
None. 2 films crossed $100 million, led by Don't Breathe (2016) with $157.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 35 of 2016 (Aug 21–27). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.