#1 of 31 2012 · Thriller, Horror
$85.4M worldwide · 49% of the chart's total
The Possession (2012) is the highest-grossing movie released in week 35 of 2012 (Aug 26–Sep 1), with $85.4M worldwide, ahead of Lawless (2012) at $55.4M and The Tall Man (2012) at $7.5M. 31 films released that week report a worldwide gross, $172.7M in all, 52% of it from the US & Canada. That is level with Week 34, 2012, whose releases took $173.5M. By genre, Thriller leads with $96.4M across 6 releases.
#1 of 31 2012 · Thriller, Horror
$85.4M worldwide · 49% of the chart's total
The Possession (2012) leads with $85.4M, 49% of the total. The top 5 together took $154.4M, 89% of what all 31 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 35 of 2012 (Aug 26–Sep 1).
Aug 31, 2012 US and Canada: $49.1M Rest of the world: $36.3M Worldwide: $85.4M
Aug 29, 2012 US and Canada: $37.4M Rest of the world: $18M Worldwide: $55.4M
Aug 31, 2012 US and Canada: – Rest of the world: – Worldwide: $7.5M
Aug 31, 2012 US and Canada: $170.3K Rest of the world: $3.2M Worldwide: $3.3M
Aug 30, 2012 US and Canada: – Rest of the world: – Worldwide: $2.8M
Aug 31, 2012 US and Canada: – Rest of the world: – Worldwide: $2.5M
Aug 26, 2012 US and Canada: – Rest of the world: – Worldwide: $2.4M
Aug 31, 2012 US and Canada: $117.6K Rest of the world: $1.4M Worldwide: $1.5M
Aug 29, 2012 US and Canada: – Rest of the world: – Worldwide: $1.5M
Aug 31, 2012 US and Canada: $1.3M Rest of the world: $134.3K Worldwide: $1.4M
Aug 30, 2012 US and Canada: – Rest of the world: – Worldwide: $1.2M
Sep 1, 2012 US and Canada: – Rest of the world: – Worldwide: $1.1M
Aug 29, 2012 US and Canada: $1.1M Rest of the world: Worldwide: $1.1M
Aug 29, 2012 US and Canada: – Rest of the world: – Worldwide: $822.6K
Aug 31, 2012 US and Canada: $4.6K Rest of the world: $802.8K Worldwide: $807.4K
Aug 30, 2012 US and Canada: – Rest of the world: – Worldwide: $620K
Aug 29, 2012 US and Canada: – Rest of the world: – Worldwide: $608.2K
Aug 27, 2012 US and Canada: – Rest of the world: – Worldwide: $452.6K
Aug 29, 2012 US and Canada: – Rest of the world: – Worldwide: $446.6K
Aug 30, 2012 US and Canada: – Rest of the world: – Worldwide: $437.1K
Aug 30, 2012 US and Canada: – Rest of the world: – Worldwide: $407.7K
Aug 28, 2012 US and Canada: – Rest of the world: – Worldwide: $193.4K
Aug 31, 2012 US and Canada: – Rest of the world: – Worldwide: $174.9K
Aug 29, 2012 US and Canada: $74 Rest of the world: $146.1K Worldwide: $146.2K
Aug 31, 2012 US and Canada: $101K Rest of the world: $31K Worldwide: $132K
Aug 30, 2012 US and Canada: – Rest of the world: – Worldwide: $113.2K
Aug 29, 2012 US and Canada: $21K Rest of the world: $59.9K Worldwide: $80.8K
Aug 31, 2012 US and Canada: – Rest of the world: – Worldwide: $78.3K
Aug 31, 2012 US and Canada: $5.2K Rest of the world: $45.8K Worldwide: $51K
Aug 31, 2012 US and Canada: $28.1K Rest of the world: Worldwide: $28.1K
Aug 29, 2012 US and Canada: – Rest of the world: – Worldwide: $9.1K Of the top 10, For a Good Time, Call... (2012) earned the biggest share at home (90% in the US & Canada), while The Flying Swords of Dragon Gate (2012) made 95% of its gross abroad. Across all 31 films, $89.3M (52%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
None of the 31 films reached $100M. 29 films, 94% of the list, earned under $10M. Each band shows its films and its share of the $172.7M total.
Week 35 releases took $172.7M. The biggest of these 9 weeks is week 29 (Jul 15–21) with $1.1B, led by The Dark Knight Rises (2012).
Of these 10 years, Week 35, 2009 earned the most: $278.3M from 20 films, led by The Final Destination (2009). Week 35, 2012 took $172.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 35, 2003 Aug 24–30 14 films | 14 | $90.2M | – | Jeepers Creepers II (2003) $63.1M |
| Week 35, 2004 Aug 22–28 18 films · +9% | 18 | $98.2M | +9% | Anacondas: The Hunt for the Blood Orchid (2004) $71M |
| Week 35, 2005 Aug 21–27 16 films · +77% | 16 | $174.1M | +77% | The Brothers Grimm (2005) $105.3M |
| Week 35, 2006 Aug 27–Sep 2 21 films · −15% | 21 | $148.1M | −15% | Crank (2006) $42.9M |
| Week 35, 2007 Aug 26–Sep 1 29 films · −42% | 29 | $86.5M | −42% | Balls of Fury (2007) $41.7M |
| Week 35, 2008 Aug 24–30 34 films · +103% | 34 | $175.3M | +103% | Babylon A.D. (2008) $72.1M |
| Week 35, 2009 Aug 23–29 20 films · +59% | 20 | $278.3M | +59% | The Final Destination (2009) $186.2M |
| Week 35, 2010 Aug 22–28 20 films · −23% | 20 | $213.7M | −23% | Takers (2010) $80.2M |
| Week 35, 2011 Aug 21–27 18 films · −17% | 18 | $177.7M | −17% | Colombiana (2011) $71.5M |
| Week 35, 2012 Aug 26–Sep 1 31 films · −3% | 31 | $172.7M | −3% | The Possession (2012) $85.4M |
Thriller took $96.4M across 6 films, 56% of the total, ahead of Horror ($92.9M) and Drama ($74.5M). A film counts once for each of its genres. English-language films took $153.7M across 10 films, 89% of the total, ahead of Chinese-language films ($4.9M) and French-language films ($4.4M).
53 weeks of 2012 with reported grosses; the biggest is week 18 (Apr 29–May 5) with $1.7B, led by The Avengers (2012).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 31 films as the chart.
The Possession (2012) leads with $85.4M worldwide, $49.1M of it in the US & Canada. Next come Lawless (2012) at $55.4M and The Tall Man (2012) at $7.5M.
31 films released in week 35 of 2012 (Aug 26–Sep 1) report a worldwide gross, $172.7M in all, or $5.6M per film on average. Week 34, 2012 releases took $173.5M.
None. The biggest, The Possession (2012), earned $85.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 35 of 2012 (Aug 26–Sep 1). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.