#1 of 27 2012 · Action, Adventure
$276.1M worldwide · 44% of the chart's total
The Bourne Legacy (2012) is the highest-grossing movie released in week 32 of 2012 (Aug 5–11), with $276.1M worldwide, ahead of Hope Springs (2012) at $114.3M and The Campaign (2012) at $104.9M. 27 films released that week report a worldwide gross, $623M in all, 44% of it from the US & Canada. 3 films crossed $100 million; none reached $1 billion. That is up 66% on Week 31, 2012, whose releases took $374.2M. By genre, Adventure leads with $337.4M across 3 releases.
#1 of 27 2012 · Action, Adventure
$276.1M worldwide · 44% of the chart's total
The Bourne Legacy (2012) leads with $276.1M, 44% of the total. The top 5 together took $575M, 92% of what all 27 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 32 of 2012 (Aug 5–11).
Aug 10, 2012 US and Canada: $113.2M Rest of the world: $162.9M Worldwide: $276.1M
Aug 8, 2012 US and Canada: $63.5M Rest of the world: $50.7M Worldwide: $114.3M
Aug 10, 2012 US and Canada: $86.9M Rest of the world: $18M Worldwide: $104.9M
Aug 10, 2012 US and Canada: – Rest of the world: – Worldwide: $49.5M
Aug 8, 2012 US and Canada: – Rest of the world: – Worldwide: $30.2M
Aug 10, 2012 US and Canada: $7.2M Rest of the world: $5.5M Worldwide: $12.7M
Aug 10, 2012 US and Canada: – Rest of the world: – Worldwide: $11.7M
Aug 7, 2012 US and Canada: – Rest of the world: – Worldwide: $7.2M
Aug 8, 2012 US and Canada: $3.4M Rest of the world: $796.7K Worldwide: $4.2M
Aug 10, 2012 US and Canada: $633.2K Rest of the world: $3.4M Worldwide: $4.1M
Aug 5, 2012 US and Canada: – Rest of the world: – Worldwide: $1.9M
Aug 11, 2012 US and Canada: – Rest of the world: – Worldwide: $1.6M
Aug 10, 2012 US and Canada: – Rest of the world: – Worldwide: $800.3K
Aug 10, 2012 US and Canada: – Rest of the world: – Worldwide: $713.1K
Aug 10, 2012 US and Canada: $2K Rest of the world: $647.8K Worldwide: $649.8K
Aug 5, 2012 US and Canada: – Rest of the world: – Worldwide: $533.9K
Aug 10, 2012 US and Canada: – Rest of the world: – Worldwide: $456.4K
Aug 10, 2012 US and Canada: – Rest of the world: – Worldwide: $396.4K
Aug 10, 2012 US and Canada: $338.8K Rest of the world: Worldwide: $338.8K
Aug 8, 2012 US and Canada: – Rest of the world: – Worldwide: $281.9K
Aug 5, 2012 US and Canada: – Rest of the world: – Worldwide: $203.8K
Aug 8, 2012 US and Canada: – Rest of the world: – Worldwide: $183K
Aug 5, 2012 US and Canada: – Rest of the world: – Worldwide: $77.8K
Aug 10, 2012 US and Canada: $30.8K Rest of the world: Worldwide: $30.8K
Aug 10, 2012 US and Canada: $16K Rest of the world: Worldwide: $16K
Aug 10, 2012 US and Canada: – Rest of the world: – Worldwide: $7.9K
Aug 10, 2012 US and Canada: – Rest of the world: – Worldwide: $1.9K Of the top 10, The Campaign (2012) earned the biggest share at home (83% in the US & Canada), while 2 Days in New York (2012) made 84% of its gross abroad. Across all 27 films, $275.2M (44%) came from the US & Canada. 4 films of the top 10 report no US & Canada figure.
3 of 27 films crossed $100M and took $495.3M between them, 80% of the total. 20 films, 74% of the list, earned under $10M.
Week 32 releases took $623M. The biggest of these 9 weeks is week 29 (Jul 15–21) with $1.1B, led by The Dark Knight Rises (2012).
Of these 10 years, Week 32, 2011 earned the most: $633.5M from 17 films, led by Rise of the Planet of the Apes (2011). Week 32, 2012 took $623M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 32, 2003 Aug 3–9 14 films | 14 | $410.8M | – | S.W.A.T. (2003) $207.7M |
| Week 32, 2004 Aug 1–7 14 films · −26% | 14 | $302.6M | −26% | Collateral (2004) $220.2M |
| Week 32, 2005 Jul 31–Aug 6 19 films · −23% | 19 | $233.5M | −23% | The Dukes of Hazzard (2005) $111.1M |
| Week 32, 2006 Aug 6–12 25 films · +45% | 25 | $337.8M | +45% | World Trade Center (2006) $163.2M |
| Week 32, 2007 Aug 5–11 23 films · +33% | 23 | $451M | +33% | Rush Hour 3 (2007) $258.1M |
| Week 32, 2008 Aug 3–9 32 films · −43% | 32 | $255.7M | −43% | Pineapple Express (2008) $101.6M |
| Week 32, 2009 Aug 2–8 21 films · +92% | 21 | $491M | +92% | G.I. Joe: The Rise of Cobra (2009) $302.5M |
| Week 32, 2010 Aug 1–7 24 films · −20% | 24 | $391.8M | −20% | The Other Guys (2010) $170.5M |
| Week 32, 2011 Jul 31–Aug 6 17 films · +62% | 17 | $633.5M | +62% | Rise of the Planet of the Apes (2011) $481.8M |
| Week 32, 2012 Aug 5–11 27 films · −2% | 27 | $623M | −2% | The Bourne Legacy (2012) $276.1M |
Adventure took $337.4M across 3 films, 54% of the total, ahead of Comedy ($326.4M) and Action ($310.9M). A film counts once for each of its genres. English-language films took $413M across 12 films, 66% of the total, ahead of Spanish-language films ($49.5M) and Korean-language films ($30.2M).
53 weeks of 2012 with reported grosses; the biggest is week 18 (Apr 29–May 5) with $1.7B, led by The Avengers (2012).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 27 films as the chart.
The Bourne Legacy (2012) leads with $276.1M worldwide, $113.2M of it in the US & Canada. Next come Hope Springs (2012) at $114.3M and The Campaign (2012) at $104.9M.
27 films released in week 32 of 2012 (Aug 5–11) report a worldwide gross, $623M in all, or $23.1M per film on average. Week 31, 2012 releases took $374.2M.
None. 3 films crossed $100 million, led by The Bourne Legacy (2012) with $276.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 32 of 2012 (Aug 5–11). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.