#1 of 27 2012 · Action, Comedy
$201.6M worldwide · 58% of the chart's total
21 Jump Street (2012) is the highest-grossing movie released in week 11 of 2012 (Mar 11–17), with $201.6M worldwide, ahead of We Were There: First Love (2012) at $49.7M and Turkish for Beginners (2012) at $24M. 27 films released that week report a worldwide gross, $350.4M in all, 43% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 10% on Week 10, 2012, whose releases took $391.2M. By genre, Comedy leads with $261.4M across 14 releases.
#1 of 27 2012 · Action, Comedy
$201.6M worldwide · 58% of the chart's total
21 Jump Street (2012) leads with $201.6M, 58% of the total. The top 5 together took $300.9M, 86% of what all 27 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2012 (Mar 11–17).
Mar 16, 2012 US and Canada: $138.4M Rest of the world: $63.1M Worldwide: $201.6M
Mar 17, 2012 US and Canada: – Rest of the world: – Worldwide: $49.7M
Mar 14, 2012 US and Canada: – Rest of the world: – Worldwide: $24M
Mar 16, 2012 US and Canada: $411.7K Rest of the world: $13.7M Worldwide: $14.1M
Mar 16, 2012 US and Canada: $498.6K Rest of the world: $11.1M Worldwide: $11.6M
Mar 15, 2012 US and Canada: – Rest of the world: – Worldwide: $8.8M
Mar 16, 2012 US and Canada: $5.9M Rest of the world: $2.5M Worldwide: $8.4M
Mar 16, 2012 US and Canada: $1.5M Rest of the world: $5.7M Worldwide: $7.2M
Mar 16, 2012 US and Canada: – Rest of the world: – Worldwide: $4.9M
Mar 16, 2012 US and Canada: $4.3M Rest of the world: $435.3K Worldwide: $4.7M
Mar 17, 2012 US and Canada: – Rest of the world: – Worldwide: $2.8M
Mar 17, 2012 US and Canada: – Rest of the world: – Worldwide: $2M
Mar 16, 2012 US and Canada: $72.7K Rest of the world: $1.6M Worldwide: $1.7M
Mar 16, 2012 US and Canada: – Rest of the world: – Worldwide: $1.5M
Mar 16, 2012 US and Canada: – Rest of the world: – Worldwide: $1.3M
Mar 14, 2012 US and Canada: – Rest of the world: – Worldwide: $1.2M
Mar 16, 2012 US and Canada: $53.8K Rest of the world: $1.1M Worldwide: $1.2M
Mar 16, 2012 US and Canada: – Rest of the world: – Worldwide: $1.1M
Mar 14, 2012 US and Canada: $242.6K Rest of the world: $474.9K Worldwide: $717.5K
Mar 16, 2012 US and Canada: – Rest of the world: – Worldwide: $677.5K
Mar 16, 2012 US and Canada: – Rest of the world: – Worldwide: $314.2K
Mar 14, 2012 US and Canada: – Rest of the world: – Worldwide: $305.7K
Mar 16, 2012 US and Canada: – Rest of the world: – Worldwide: $278.1K
Mar 16, 2012 US and Canada: – Rest of the world: – Worldwide: $256.8K
Mar 16, 2012 US and Canada: $55.3K Rest of the world: Worldwide: $55.3K
Mar 16, 2012 US and Canada: $40.6K Rest of the world: Worldwide: $40.6K
Mar 15, 2012 US and Canada: – Rest of the world: – Worldwide: $13.3K Of the top 10, Jeff Who Lives at Home (2012) earned the biggest share at home (91% in the US & Canada), while Seeking Justice (2012) made 97% of its gross abroad. Across all 27 films, $151.5M (43%) came from the US & Canada. 4 films of the top 10 report no US & Canada figure.
1 of 27 films crossed $100M and took $201.6M between them, 58% of the total. 22 films, 81% of the list, earned under $10M.
Week 11 releases took $350.4M. The biggest of these 9 weeks is week 12 (Mar 18–24) with $833.2M, led by The Hunger Games (2012).
Of these 10 years, Week 11, 2011 earned the most: $471.9M from 25 films, led by Battle: Los Angeles (2011). Week 11, 2012 took $350.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 2003 Mar 9–15 12 films | 12 | $196.8M | – | Bend It Like Beckham (2003) $76.6M |
| Week 11, 2004 Mar 7–13 12 films · −17% | 12 | $163.5M | −17% | Secret Window (2004) $92.9M |
| Week 11, 2005 Mar 6–12 19 films · +175% | 19 | $450M | +175% | Robots (2005) $262.5M |
| Week 11, 2006 Mar 12–18 23 films · −40% | 23 | $270.3M | −40% | V for Vendetta (2006) $134.7M |
| Week 11, 2007 Mar 11–17 23 films · −42% | 23 | $157.7M | −42% | Premonition (2007) $84.3M |
| Week 11, 2008 Mar 9–15 31 films · +163% | 31 | $415.1M | +163% | Horton Hears a Who! (2008) $298.6M |
| Week 11, 2009 Mar 8–14 26 films · −44% | 26 | $230.5M | −44% | Race to Witch Mountain (2009) $106.4M |
| Week 11, 2010 Mar 7–13 23 films · +29% | 23 | $297.5M | +29% | Green Zone (2010) $113.4M |
| Week 11, 2011 Mar 6–12 25 films · +59% | 25 | $471.9M | +59% | Battle: Los Angeles (2011) $211.8M |
| Week 11, 2012 Mar 11–17 27 films · −26% | 27 | $350.4M | −26% | 21 Jump Street (2012) $201.6M |
Comedy took $261.4M across 14 films, 75% of the total, ahead of Action ($227.7M) and Crime ($211.4M). A film counts once for each of its genres. English-language films took $230M across 9 films, 66% of the total, ahead of Japanese-language films ($54.5M) and German-language films ($24.7M).
53 weeks of 2012 with reported grosses; the biggest is week 18 (Apr 29–May 5) with $1.7B, led by The Avengers (2012).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 27 films as the chart.
21 Jump Street (2012) leads with $201.6M worldwide, $138.4M of it in the US & Canada. Next come We Were There: First Love (2012) at $49.7M and Turkish for Beginners (2012) at $24M.
27 films released in week 11 of 2012 (Mar 11–17) report a worldwide gross, $350.4M in all, or $13M per film on average. Week 10, 2012 releases took $391.2M.
None. 1 film crossed $100 million, led by 21 Jump Street (2012) with $201.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2012 (Mar 11–17). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.