#1 of 27 2012 · Sci-Fi, Thriller
$70M worldwide · 29% of the chart's total
The Cabin in the Woods (2012) is the highest-grossing movie released in week 15 of 2012 (Apr 8–14), with $70M worldwide, ahead of The Three Stooges (2012) at $54.8M and Detective Conan: The Eleventh Striker (2012) at $44.4M. 27 films released that week report a worldwide gross, $237.5M in all, 44% of it from the US & Canada. That is down 36% on Week 14, 2012, whose releases took $370.7M. By genre, Sci-Fi leads with $103.2M across 3 releases.
#1 of 27 2012 · Sci-Fi, Thriller
$70M worldwide · 29% of the chart's total
The Cabin in the Woods (2012) leads with $70M, 29% of the total. The top 5 together took $211.3M, 89% of what all 27 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 15 of 2012 (Apr 8–14).
Apr 13, 2012 US and Canada: $42.1M Rest of the world: $28M Worldwide: $70M
Apr 13, 2012 US and Canada: $44.3M Rest of the world: $10.5M Worldwide: $54.8M
Apr 13, 2012 US and Canada: $14.3M Rest of the world: $18.6M Worldwide: $32.9M
Apr 13, 2012 US and Canada: $2M Rest of the world: $7.1M Worldwide: $9.1M
Apr 13, 2012 US and Canada: $355.4K Rest of the world: $7.5M Worldwide: $7.8M
Apr 12, 2012 US and Canada: $191.8K Rest of the world: $4.6M Worldwide: $4.8M
Apr 11, 2012 US and Canada: – Rest of the world: – Worldwide: $4.5M
Apr 10, 2012 US and Canada: – Rest of the world: – Worldwide: $2.6M
Apr 13, 2012 US and Canada: – Rest of the world: – Worldwide: $1.4M
Apr 13, 2012 US and Canada: $1.2M Rest of the world: Worldwide: $1.2M
Apr 13, 2012 US and Canada: – Rest of the world: – Worldwide: $1.2M
Apr 12, 2012 US and Canada: – Rest of the world: – Worldwide: $1M
Apr 13, 2012 US and Canada: $595K Rest of the world: Worldwide: $595K
Apr 12, 2012 US and Canada: – Rest of the world: – Worldwide: $311.3K
Apr 13, 2012 US and Canada: – Rest of the world: – Worldwide: $232.8K
Apr 13, 2012 US and Canada: $204.2K Rest of the world: Worldwide: $204.2K
Apr 13, 2012 US and Canada: – Rest of the world: – Worldwide: $190K
Apr 13, 2012 US and Canada: $30.9K Rest of the world: $17.1K Worldwide: $48K
Apr 13, 2012 US and Canada: $34K Rest of the world: $2.6K Worldwide: $36.6K
Apr 13, 2012 US and Canada: $26.7K Rest of the world: $4.7K Worldwide: $31.4K
Apr 13, 2012 US and Canada: $20.1K Rest of the world: Worldwide: $20.1K
Apr 13, 2012 US and Canada: – Rest of the world: – Worldwide: $15.8K
Apr 13, 2012 US and Canada: $14.6K Rest of the world: Worldwide: $14.6K
Apr 10, 2012 US and Canada: – Rest of the world: – Worldwide: $5K
Apr 13, 2012 US and Canada: – Rest of the world: – Worldwide: $4.7K
Apr 12, 2012 US and Canada: – Rest of the world: – Worldwide: $4.1K Of the top 10, The Three Stooges (2012) earned the biggest share at home (81% in the US & Canada), while A Simple Life (2012) made 96% of its gross abroad. Across all 27 films, $105.4M (44%) came from the US & Canada. 4 films of the top 10 report no US & Canada figure.
None of the 27 films reached $100M. 23 films, 85% of the list, earned under $10M. Each band shows its films and its share of the $237.5M total.
Week 15 releases took $237.5M. The biggest of these 9 weeks is week 12 (Mar 18–24) with $833.2M, led by The Hunger Games (2012).
Of these 10 years, Week 15, 2005 earned the most: $305.7M from 18 films, led by Sahara (2005). Week 15, 2012 took $237.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 15, 2003 Apr 6–12 11 films | 11 | $260M | – | Anger Management (2003) $195.7M |
| Week 15, 2004 Apr 4–10 13 films · −41% | 13 | $153.1M | −41% | Johnson Family Vacation (2004) $31.3M |
| Week 15, 2005 Apr 3–9 18 films · +100% | 18 | $305.7M | +100% | Sahara (2005) $119.2M |
| Week 15, 2006 Apr 9–15 21 films · −16% | 21 | $257.4M | −16% | Scary Movie 4 (2006) $178.3M |
| Week 15, 2007 Apr 8–14 25 films · +11% | 25 | $285.5M | +11% | Disturbia (2007) $118.1M |
| Week 15, 2008 Apr 6–12 27 films · −29% | 27 | $203.6M | −29% | Street Kings (2008) $66.5M |
| Week 15, 2009 Apr 5–11 16 films · +38% | 16 | $280.9M | +38% | Hannah Montana: The Movie (2009) $155.5M |
| Week 15, 2010 Apr 4–10 20 films · −18% | 20 | $229.8M | −18% | Date Night (2010) $152.3M |
| Week 15, 2011 Apr 3–9 20 films · +10% | 20 | $253.4M | +10% | Hanna (2011) $63.8M |
| Week 15, 2012 Apr 8–14 27 films · −6% | 27 | $237.5M | −6% | The Cabin in the Woods (2012) $70M |
Sci-Fi took $103.2M across 3 films, 43% of the total, ahead of Thriller ($103.2M) and Action ($77.3M). A film counts once for each of its genres. English-language films took $162.6M across 15 films, 68% of the total, ahead of Japanese-language films ($44.4M) and French-language films ($17.4M).
53 weeks of 2012 with reported grosses; the biggest is week 18 (Apr 29–May 5) with $1.7B, led by The Avengers (2012).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 27 films as the chart.
The Cabin in the Woods (2012) leads with $70M worldwide, $42.1M of it in the US & Canada. Next come The Three Stooges (2012) at $54.8M and Detective Conan: The Eleventh Striker (2012) at $44.4M.
27 films released in week 15 of 2012 (Apr 8–14) report a worldwide gross, $237.5M in all, or $8.8M per film on average. Week 14, 2012 releases took $370.7M.
None. The biggest, The Cabin in the Woods (2012), earned $70M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 15 of 2012 (Apr 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.