#1 of 29 The Pirates! Band of Misfits (2012)
2012 · Adventure, Animation
$123.1M worldwide · 31% of the chart's total
The Pirates! Band of Misfits (2012) is the highest-grossing movie released in week 17 of 2012 (Apr 22–28), with $123.1M worldwide, ahead of Thermae Romae (2012) at $74.3M and The Five-Year Engagement (2012) at $54.2M. 29 films released that week report a worldwide gross, $399.8M in all, 26% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 25% on Week 16, 2012, whose releases took $319.1M. By genre, Comedy leads with $148.2M across 8 releases.
#1 of 29 The Pirates! Band of Misfits (2012)
2012 · Adventure, Animation
$123.1M worldwide · 31% of the chart's total
The Pirates! Band of Misfits (2012) leads with $123.1M, 31% of the total. The top 5 together took $322.8M, 81% of what all 29 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 2012 (Apr 22–28).
Apr 27, 2012 US and Canada: $31.1M Rest of the world: $92M Worldwide: $123.1M
Apr 28, 2012 US and Canada: – Rest of the world: – Worldwide: $74.3M
Apr 27, 2012 US and Canada: $28.8M Rest of the world: $25.3M Worldwide: $54.2M
Apr 27, 2012 US and Canada: $17.1M Rest of the world: $24.4M Worldwide: $41.6M
Apr 27, 2012 US and Canada: $16M Rest of the world: $13.7M Worldwide: $29.7M
Apr 27, 2012 US and Canada: $1.2M Rest of the world: $18.2M Worldwide: $19.4M
Apr 28, 2012 US and Canada: – Rest of the world: – Worldwide: $13.6M
Apr 27, 2012 US and Canada: $9.2M Rest of the world: $966.6K Worldwide: $10.2M
Apr 24, 2012 US and Canada: – Rest of the world: – Worldwide: $9M
Apr 25, 2012 US and Canada: – Rest of the world: – Worldwide: $8.7M
Apr 27, 2012 US and Canada: $136.2K Rest of the world: $4.5M Worldwide: $4.7M
Apr 27, 2012 US and Canada: $229.9K Rest of the world: $4.1M Worldwide: $4.3M
Apr 27, 2012 US and Canada: $157.5K Rest of the world: $3.7M Worldwide: $3.8M
Apr 26, 2012 US and Canada: – Rest of the world: – Worldwide: $2M
Apr 25, 2012 US and Canada: – Rest of the world: – Worldwide: $537.5K
Apr 27, 2012 US and Canada: $408K Rest of the world: $16.1K Worldwide: $424.1K
Apr 22, 2012 US and Canada: $101.9K Rest of the world: Worldwide: $101.9K
Apr 26, 2012 US and Canada: – Rest of the world: – Worldwide: $71.8K
Apr 27, 2012 US and Canada: – Rest of the world: – Worldwide: $70.2K
Apr 27, 2012 US and Canada: – Rest of the world: – Worldwide: $21.3K
Apr 25, 2012 US and Canada: $18K Rest of the world: Worldwide: $18K
Apr 26, 2012 US and Canada: – Rest of the world: – Worldwide: $11.6K
Apr 27, 2012 US and Canada: $8.1K Rest of the world: Worldwide: $8.1K
Apr 27, 2012 US and Canada: $7.4K Rest of the world: Worldwide: $7.4K
Apr 23, 2012 US and Canada: – Rest of the world: – Worldwide: $4.7K
Apr 25, 2012 US and Canada: – Rest of the world: – Worldwide: $2.3K
Apr 27, 2012 US and Canada: $625 Rest of the world: Worldwide: $625 Of the top 10, Bernie (2012) earned the biggest share at home (90% in the US & Canada), while Headhunters (2012) made 94% of its gross abroad. Across all 29 films, $104.5M (26%) came from the US & Canada. 4 films of the top 10 report no US & Canada figure.
1 of 29 films crossed $100M and took $123.1M between them, 31% of the total. 21 films, 72% of the list, earned under $10M.
Week 17 releases took $399.8M. The biggest of these 9 weeks is week 18 (Apr 29–May 5) with $1.7B, led by The Avengers (2012).
Of these 10 years, Week 17, 2012 earned the most: $399.8M from 29 films, led by The Pirates! Band of Misfits (2012).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 17, 2003 Apr 20–26 19 films | 19 | $142.5M | – | Identity (2003) $90.3M |
| Week 17, 2004 Apr 18–24 16 films · +83% | 16 | $260.4M | +83% | Man on Fire (2004) $130.8M |
| Week 17, 2005 Apr 17–23 16 films · −4% | 16 | $250.2M | −4% | The Interpreter (2005) $162.9M |
| Week 17, 2006 Apr 23–29 27 films · +23% | 27 | $307.5M | +23% | RV (2006) $87.5M |
| Week 17, 2007 Apr 22–28 29 films · −44% | 29 | $173.5M | −44% | Next (2007) $77.6M |
| Week 17, 2008 Apr 20–26 24 films · +1% | 24 | $175.6M | +1% | Baby Mama (2008) $64.4M |
| Week 17, 2009 Apr 19–25 26 films · +3% | 26 | $180.7M | +3% | Obsessed (2009) $73.8M |
| Week 17, 2010 Apr 18–24 26 films · +51% | 26 | $273M | +51% | Oceans (2010) $83.1M |
| Week 17, 2011 Apr 17–23 29 films · +7% | 29 | $292.9M | +7% | Water for Elephants (2011) $117.1M |
| Week 17, 2012 Apr 22–28 29 films · +37% | 29 | $399.8M | +37% | The Pirates! Band of Misfits (2012) $123.1M |
Comedy took $148.2M across 8 films, 37% of the total, ahead of Adventure ($123.1M) and Animation ($123.1M). A film counts once for each of its genres. English-language films took $229.6M across 14 films, 57% of the total, ahead of Japanese-language films ($92.5M) and Norwegian-language films ($19.4M).
53 weeks of 2012 with reported grosses; the biggest is week 18 (Apr 29–May 5) with $1.7B, led by The Avengers (2012).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 29 films as the chart.
The Pirates! Band of Misfits (2012) leads with $123.1M worldwide, $31.1M of it in the US & Canada. Next come Thermae Romae (2012) at $74.3M and The Five-Year Engagement (2012) at $54.2M.
29 films released in week 17 of 2012 (Apr 22–28) report a worldwide gross, $399.8M in all, or $13.8M per film on average. Week 16, 2012 releases took $319.1M.
None. 1 film crossed $100 million, led by The Pirates! Band of Misfits (2012) with $123.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 2012 (Apr 22–28). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.