#1 of 31 2012 · Horror
$142.8M worldwide · 58% of the chart's total
Paranormal Activity 4 (2012) is the highest-grossing movie released in week 42 of 2012 (Oct 14–20), with $142.8M worldwide, ahead of Alex Cross (2012) at $34.6M and The Sessions (2012) at $10.7M. 31 films released that week report a worldwide gross, $247.2M in all, 35% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 57% on Week 41, 2012, whose releases took $568.6M. By genre, Horror leads with $144.8M across 3 releases.
#1 of 31 2012 · Horror
$142.8M worldwide · 58% of the chart's total
Paranormal Activity 4 (2012) leads with $142.8M, 58% of the total. The top 5 together took $208.3M, 84% of what all 31 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 42 of 2012 (Oct 14–20).
Oct 18, 2012 US and Canada: $53.9M Rest of the world: $88.9M Worldwide: $142.8M
Oct 19, 2012 US and Canada: $25.9M Rest of the world: $8.7M Worldwide: $34.6M
Oct 19, 2012 US and Canada: $6M Rest of the world: $4.7M Worldwide: $10.7M
Oct 18, 2012 US and Canada: – Rest of the world: – Worldwide: $10.2M
Oct 18, 2012 US and Canada: $8.2K Rest of the world: $10.1M Worldwide: $10.1M
Oct 19, 2012 US and Canada: $43.2K Rest of the world: $8.8M Worldwide: $8.8M
Oct 19, 2012 US and Canada: – Rest of the world: – Worldwide: $8.8M
Oct 19, 2012 US and Canada: $22K Rest of the world: $8.2M Worldwide: $8.2M
Oct 16, 2012 US and Canada: – Rest of the world: – Worldwide: $2.7M
Oct 16, 2012 US and Canada: – Rest of the world: – Worldwide: $2M
Oct 17, 2012 US and Canada: $641.1K Rest of the world: $1.3M Worldwide: $2M
Oct 17, 2012 US and Canada: – Rest of the world: – Worldwide: $1.5M
Oct 19, 2012 US and Canada: $212.1K Rest of the world: $1.1M Worldwide: $1.3M
Oct 18, 2012 US and Canada: – Rest of the world: – Worldwide: $1.3M
Oct 19, 2012 US and Canada: – Rest of the world: – Worldwide: $1M
Oct 19, 2012 US and Canada: – Rest of the world: – Worldwide: $350.6K
Oct 19, 2012 US and Canada: $219.4K Rest of the world: Worldwide: $219.4K
Oct 17, 2012 US and Canada: – Rest of the world: – Worldwide: $134.8K
Oct 19, 2012 US and Canada: – Rest of the world: – Worldwide: $123.3K
Oct 19, 2012 US and Canada: $22.8K Rest of the world: $69.8K Worldwide: $92.7K
Oct 20, 2012 US and Canada: – Rest of the world: – Worldwide: $37.3K
Oct 20, 2012 US and Canada: – Rest of the world: – Worldwide: $30.6K
Oct 20, 2012 US and Canada: – Rest of the world: – Worldwide: $25.6K
Oct 19, 2012 US and Canada: $25.3K Rest of the world: Worldwide: $25.3K
Oct 18, 2012 US and Canada: – Rest of the world: – Worldwide: $17.1K
Oct 18, 2012 US and Canada: – Rest of the world: – Worldwide: $11.3K
Oct 19, 2012 US and Canada: – Rest of the world: – Worldwide: $3.1K
Oct 19, 2012 US and Canada: – Rest of the world: – Worldwide: $1.7K
Oct 19, 2012 US and Canada: $1.4K Rest of the world: Worldwide: $1.4K Of the top 10, Alex Cross (2012) earned the biggest share at home (75% in the US & Canada), while Gladiators of Rome (2012) made 100% of its gross abroad. Across all 31 films, $87M (35%) came from the US & Canada. 4 films of the top 10 report no US & Canada figure.
1 of 31 films crossed $100M and took $142.8M between them, 58% of the total. 26 films, 84% of the list, earned under $10M.
Week 42 releases took $247.2M. The biggest of these 9 weeks is week 39 (Sep 23–29) with $807M, led by Hotel Transylvania (2012).
Of these 10 years, Week 42, 2010 earned the most: $538.1M from 30 films, led by RED (2010). Week 42, 2012 took $247.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 42, 2003 Oct 12–18 20 films | 20 | $251.6M | – | The Texas Chainsaw Massacre (2003) $107.4M |
| Week 42, 2004 Oct 10–16 24 films · +5% | 24 | $263.7M | +5% | Shall We Dance? (2004) $170.1M |
| Week 42, 2005 Oct 9–15 21 films · −16% | 21 | $221M | −16% | Elizabethtown (2005) $52.2M |
| Week 42, 2006 Oct 15–21 33 films · +59% | 33 | $352.3M | +59% | The Prestige (2006) $109.7M |
| Week 42, 2007 Oct 14–20 32 films · −43% | 32 | $199.8M | −43% | 30 Days of Night (2007) $75.5M |
| Week 42, 2008 Oct 12–18 23 films · +6% | 23 | $211.7M | +6% | Max Payne (2008) $87.1M |
| Week 42, 2009 Oct 11–17 28 films · +45% | 28 | $306.2M | +45% | Law Abiding Citizen (2009) $127.9M |
| Week 42, 2010 Oct 10–16 30 films · +76% | 30 | $538.1M | +76% | RED (2010) $199M |
| Week 42, 2011 Oct 9–15 45 films · −60% | 45 | $213.2M | −60% | Footloose (2011) $63.5M |
| Week 42, 2012 Oct 14–20 31 films · +16% | 31 | $247.2M | +16% | Paranormal Activity 4 (2012) $142.8M |
Horror took $144.8M across 3 films, 59% of the total, ahead of Thriller ($45.8M) and Mystery ($44.8M). A film counts once for each of its genres. English-language films took $208.3M across 14 films, 84% of the total, ahead of Korean-language films ($10.2M) and Italian-language films ($10.1M).
53 weeks of 2012 with reported grosses; the biggest is week 18 (Apr 29–May 5) with $1.7B, led by The Avengers (2012).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 31 films as the chart.
Paranormal Activity 4 (2012) leads with $142.8M worldwide, $53.9M of it in the US & Canada. Next come Alex Cross (2012) at $34.6M and The Sessions (2012) at $10.7M.
31 films released in week 42 of 2012 (Oct 14–20) report a worldwide gross, $247.2M in all, or $8M per film on average. Week 41, 2012 releases took $568.6M.
None. 1 film crossed $100 million, led by Paranormal Activity 4 (2012) with $142.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 42 of 2012 (Oct 14–20). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.