#1 of 28 2009 · Drama, Thriller
$127.9M worldwide · 42% of the chart's total
Law Abiding Citizen (2009) is the highest-grossing movie released in week 42 of 2009 (Oct 11–17), with $127.9M worldwide, ahead of Where the Wild Things Are (2009) at $100.1M and The Stepfather (2009) at $31.2M. 28 films released that week report a worldwide gross, $306.2M in all, 59% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is up 18% on Week 41, 2009, whose releases took $259.8M. By genre, Drama leads with $251.3M across 16 releases.
#1 of 28 2009 · Drama, Thriller
$127.9M worldwide · 42% of the chart's total
Law Abiding Citizen (2009) leads with $127.9M, 42% of the total. The top 5 together took $276.3M, 90% of what all 28 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 42 of 2009 (Oct 11–17).
Oct 16, 2009 US and Canada: $73.4M Rest of the world: $54.6M Worldwide: $127.9M
Oct 16, 2009 US and Canada: $77.2M Rest of the world: $22.9M Worldwide: $100.1M
Oct 16, 2009 US and Canada: $29.1M Rest of the world: $2.1M Worldwide: $31.2M
Oct 16, 2009 US and Canada: $1.6M Rest of the world: $8.4M Worldwide: $10M
Oct 14, 2009 US and Canada: – Rest of the world: – Worldwide: $7M
Oct 15, 2009 US and Canada: – Rest of the world: – Worldwide: $4.4M
Oct 16, 2009 US and Canada: – Rest of the world: – Worldwide: $4.4M
Oct 16, 2009 US and Canada: – Rest of the world: – Worldwide: $4.2M
Oct 15, 2009 US and Canada: – Rest of the world: – Worldwide: $3.2M
Oct 16, 2009 US and Canada: – Rest of the world: – Worldwide: $3M
Oct 14, 2009 US and Canada: – Rest of the world: – Worldwide: $2.6M
Oct 16, 2009 US and Canada: $576.6K Rest of the world: $1.1M Worldwide: $1.7M
Oct 17, 2009 US and Canada: – Rest of the world: – Worldwide: $1.6M
Oct 17, 2009 US and Canada: – Rest of the world: – Worldwide: $825.7K
Oct 15, 2009 US and Canada: – Rest of the world: – Worldwide: $703.5K
Oct 12, 2009 US and Canada: – Rest of the world: – Worldwide: $263.5K
Oct 17, 2009 US and Canada: – Rest of the world: – Worldwide: $254.7K
Oct 15, 2009 US and Canada: – Rest of the world: – Worldwide: $159.6K
Oct 16, 2009 US and Canada: $120.7K Rest of the world: $30.2K Worldwide: $150.9K
Oct 14, 2009 US and Canada: – Rest of the world: – Worldwide: $79.9K
Oct 17, 2009 US and Canada: – Rest of the world: – Worldwide: $53.4K
Oct 15, 2009 US and Canada: – Rest of the world: – Worldwide: $44.5K
Oct 14, 2009 US and Canada: – Rest of the world: – Worldwide: $23.1K
Oct 11, 2009 US and Canada: – Rest of the world: – Worldwide: $21.9K
Oct 15, 2009 US and Canada: – Rest of the world: – Worldwide: $16.3K
Oct 16, 2009 US and Canada: $4.4K Rest of the world: Worldwide: $4.4K Of the top 10, The Stepfather (2009) earned the biggest share at home (93% in the US & Canada), while New York, I Love You (2009) made 84% of its gross abroad. Across all 28 films, $181.9M (59%) came from the US & Canada. 6 films of the top 10 report no US & Canada figure.
2 of 28 films crossed $100M and took $228.1M between them, 74% of the total. 25 films, 89% of the list, earned under $10M.
Week 42 releases took $306.2M. The biggest of these 9 weeks is week 39 (Sep 20–26) with $531.3M, led by Paranormal Activity (2009).
Of these 10 years, Week 42, 2006 earned the most: $352.3M from 33 films, led by The Prestige (2006). Week 42, 2009 took $306.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 42, 2000 Oct 8–14 7 films | 7 | $200.8M | – | Billy Elliot (2000) $110.2M |
| Week 42, 2001 Oct 14–20 14 films · −22% | 14 | $157.5M | −22% | From Hell (2001) $74.6M |
| Week 42, 2002 Oct 13–19 21 films · +99% | 21 | $312.9M | +99% | The Ring (2002) $249.3M |
| Week 42, 2003 Oct 12–18 20 films · −20% | 20 | $251.6M | −20% | The Texas Chainsaw Massacre (2003) $107.4M |
| Week 42, 2004 Oct 10–16 24 films · +5% | 24 | $263.7M | +5% | Shall We Dance? (2004) $170.1M |
| Week 42, 2005 Oct 9–15 21 films · −16% | 21 | $221M | −16% | Elizabethtown (2005) $52.2M |
| Week 42, 2006 Oct 15–21 33 films · +59% | 33 | $352.3M | +59% | The Prestige (2006) $109.7M |
| Week 42, 2007 Oct 14–20 32 films · −43% | 32 | $199.8M | −43% | 30 Days of Night (2007) $75.5M |
| Week 42, 2008 Oct 12–18 23 films · +6% | 23 | $211.7M | +6% | Max Payne (2008) $87.1M |
| Week 42, 2009 Oct 11–17 28 films · +45% | 28 | $306.2M | +45% | Law Abiding Citizen (2009) $127.9M |
Drama took $251.3M across 16 films, 82% of the total, ahead of Thriller ($171.9M) and Crime ($128.7M). A film counts once for each of its genres. English-language films took $276.5M across 7 films, 90% of the total, ahead of Japanese-language films ($5.9M) and Thai-language films ($4.4M).
53 weeks of 2009 with reported grosses; the biggest is week 51 (Dec 13–19) with $3.2B, led by Avatar (2009).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 28 films as the chart.
Law Abiding Citizen (2009) leads with $127.9M worldwide, $73.4M of it in the US & Canada. Next come Where the Wild Things Are (2009) at $100.1M and The Stepfather (2009) at $31.2M.
28 films released in week 42 of 2009 (Oct 11–17) report a worldwide gross, $306.2M in all, or $10.9M per film on average. Week 41, 2009 releases took $259.8M.
None. 2 films crossed $100 million, led by Law Abiding Citizen (2009) with $127.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 42 of 2009 (Oct 11–17). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.