#1 of 7 2000 · Drama, Comedy
$110.2M worldwide · 55% of the chart's total
Billy Elliot (2000) is the highest-grossing movie released in week 42 of 2000 (Oct 8–14), with $110.2M worldwide, ahead of Lost Souls (2000) at $31.4M and Dr T and the Women (2000) at $22.8M. 7 films released that week report a worldwide gross, $200.8M in all, 42% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 49% on Week 41, 2000, whose releases took $396.3M. By genre, Drama leads with $187.1M across 6 releases.
#1 of 7 2000 · Drama, Comedy
$110.2M worldwide · 55% of the chart's total
Billy Elliot (2000) leads with $110.2M, 55% of the total. The top 5 together took $200.6M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 42 of 2000 (Oct 8–14).
Oct 13, 2000 US and Canada: $22M Rest of the world: $88.2M Worldwide: $110.2M
Oct 13, 2000 US and Canada: $16.8M Rest of the world: $14.5M Worldwide: $31.4M
Oct 13, 2000 US and Canada: $13.1M Rest of the world: $9.7M Worldwide: $22.8M
Oct 13, 2000 US and Canada: $17.9M Rest of the world: $4.6M Worldwide: $22.4M
Oct 13, 2000 US and Canada: $13.6M Rest of the world: $126.6K Worldwide: $13.7M
Oct 13, 2000 US and Canada: $217.2K Rest of the world: $15K Worldwide: $232.3K
Oct 13, 2000 US and Canada: $43.8K Rest of the world: Worldwide: $43.8K Of the top 7, Animal Factory (2000) earned the biggest share at home (100% in the US & Canada), while Billy Elliot (2000) made 80% of its gross abroad. Across all 7 films, $83.7M (42%) came from the US & Canada.
Week 42 releases took $200.8M. The biggest of these 9 weeks is week 41 (Oct 1–7) with $396.3M, led by Meet the Parents (2000).
Of these 10 years, Week 42, 1997 earned the most: $283.4M from 7 films, led by The Devil's Advocate (1997). Week 42, 2000 took $200.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 42, 1991 Oct 13–19 5 films | 5 | $33.6M | – | Other People’s Money (1991) $25.7M |
| Week 42, 1992 Oct 11–17 2 films · +41% | 2 | $47.4M | +41% | Candyman (1992) $25.8M |
| Week 42, 1993 Oct 10–16 8 films · +88% | 8 | $88.9M | +88% | The Beverly Hillbillies (1993) $57.4M |
| Week 42, 1994 Oct 9–15 6 films · +185% | 6 | $253.8M | +185% | Pulp Fiction (1994) $213.9M |
| Week 42, 1995 Oct 15–21 6 films · −75% | 6 | $62.7M | −75% | Now and Then (1995) $37.6M |
| Week 42, 1996 Oct 13–19 5 films · +181% | 5 | $176.4M | +181% | Sleepers (1996) $165.6M |
| Week 42, 1997 Oct 12–18 7 films · +61% | 7 | $283.4M | +61% | The Devil's Advocate (1997) $152.9M |
| Week 42, 1998 Oct 11–17 8 films · −56% | 8 | $123.3M | −56% | Bride of Chucky (1998) $50.7M |
| Week 42, 1999 Oct 10–16 9 films · +51% | 9 | $186.7M | +51% | Fight Club (1999) $101.3M |
| Week 42, 2000 Oct 8–14 7 films · +8% | 7 | $200.8M | +8% | Billy Elliot (2000) $110.2M |
53 weeks of 2000 with reported grosses; the biggest is week 52 (Dec 17–23) with $1B, led by Cast Away (2000).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Billy Elliot (2000) leads with $110.2M worldwide, $22M of it in the US & Canada. Next come Lost Souls (2000) at $31.4M and Dr T and the Women (2000) at $22.8M.
7 films released in week 42 of 2000 (Oct 8–14) report a worldwide gross, $200.8M in all, or $28.7M per film on average. Week 41, 2000 releases took $396.3M.
None. 1 film crossed $100 million, led by Billy Elliot (2000) with $110.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 42 of 2000 (Oct 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.