#1 of 7 2000 · Mystery, Thriller
$17.6M worldwide · 80% of the chart's total
Eye of the Beholder (2000) is the highest-grossing movie released in week 5 of 2000 (Jan 23–29), with $17.6M worldwide, ahead of Isn't She Great (2000) at $3M and The Cup (2000) at $1.1M. 7 films released that week report a worldwide gross, $22.1M in all, 95% of it from the US & Canada. That is down 17% on Week 4, 2000, whose releases took $26.6M. By genre, Mystery leads with $17.6M across 1 release.
#1 of 7 2000 · Mystery, Thriller
$17.6M worldwide · 80% of the chart's total
Eye of the Beholder (2000) leads with $17.6M, 80% of the total. The top 5 together took $22M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 5 of 2000 (Jan 23–29).
Jan 28, 2000 US and Canada: $16.5M Rest of the world: $1.1M Worldwide: $17.6M
Jan 28, 2000 US and Canada: $3M Rest of the world: $40.8K Worldwide: $3M
Jan 28, 2000 US and Canada: $1.1M Rest of the world: $17K Worldwide: $1.1M
Jan 28, 2000 US and Canada: $187.2K Rest of the world: Worldwide: $187.2K
Jan 28, 2000 US and Canada: $168.9K Rest of the world: Worldwide: $168.9K
Jan 27, 2000 US and Canada: – Rest of the world: – Worldwide: $22.2K
Jan 25, 2000 US and Canada: – Rest of the world: – Worldwide: $12.4K Of the top 7, The Big Tease (2000) earned the biggest share at home (100% in the US & Canada), while Eye of the Beholder (2000) made 6% of its gross abroad. Across all 7 films, $20.9M (95%) came from the US & Canada. 2 films of the top 7 report no US & Canada figure.
Week 5 releases took $22.1M. The biggest of these 9 weeks is week 52, 1999 (Dec 19–25) with $471.8M, led by The Talented Mr. Ripley (1999).
Of these 10 years, Week 5, 1999 earned the most: $103.3M from 2 films, led by She's All That (1999). Week 5, 2000 took $22.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 5, 1991 Jan 27–Feb 2 5 films | 5 | $15M | – | Mediterraneo (1991) $4.5M |
| Week 5, 1992 Jan 26–Feb 1 2 films · +192% | 2 | $43.9M | +192% | Shining Through (1992) $43.8M |
| Week 5, 1993 Jan 24–30 4 films · −39% | 4 | $26.7M | −39% | Sniper (1993) $19M |
| Week 5, 1994 Jan 23–29 4 films · −87% | 4 | $3.3M | −87% | The Scent of Green Papaya (1994) $1.7M |
| Week 5, 1995 Jan 29–Feb 4 6 films · +1896% | 6 | $66.8M | +1896% | A Chinese Odyssey Part Two: Cinderella (1995) $26M |
| Week 5, 1996 Jan 28–Feb 3 3 films · −30% | 3 | $46.7M | −30% | Black Sheep (1996) $32.4M |
| Week 5, 1997 Jan 26–Feb 1 5 films · −33% | 5 | $31.4M | −33% | Mr. Nice Guy (1997) $18.8M |
| Week 5, 1998 Jan 25–31 5 films · +164% | 5 | $83M | +164% | Great Expectations (1998) $55.5M |
| Week 5, 1999 Jan 24–30 2 films · +24% | 2 | $103.3M | +24% | She's All That (1999) $103.2M |
| Week 5, 2000 Jan 23–29 7 films · −79% | 7 | $22.1M | −79% | Eye of the Beholder (2000) $17.6M |
53 weeks of 2000 with reported grosses; the biggest is week 52 (Dec 17–23) with $1B, led by Cast Away (2000).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Eye of the Beholder (2000) leads with $17.6M worldwide, $16.5M of it in the US & Canada. Next come Isn't She Great (2000) at $3M and The Cup (2000) at $1.1M.
7 films released in week 5 of 2000 (Jan 23–29) report a worldwide gross, $22.1M in all, or $3.2M per film on average. Week 4, 2000 releases took $26.6M.
None. The biggest, Eye of the Beholder (2000), earned $17.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 5 of 2000 (Jan 23–29). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.