#1 of 6 1995 · Drama, Comedy
$37.6M worldwide · 60% of the chart's total
Now and Then (1995) is the highest-grossing movie released in week 42 of 1995 (Oct 15–21), with $37.6M worldwide, ahead of Across the Sea of Time (1995) at $16M and Never Talk to Strangers (1995) at $6.9M. 6 films released that week report a worldwide gross, $62.7M in all, 83% of it from the US & Canada. That is up 111% on Week 41, 1995, whose releases took $29.8M. By genre, Drama leads with $53.7M across 3 releases.
#1 of 6 1995 · Drama, Comedy
$37.6M worldwide · 60% of the chart's total
Now and Then (1995) leads with $37.6M, 60% of the total. The top 5 together took $62.7M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 42 of 1995 (Oct 15–21).
Oct 20, 1995 US and Canada: $27.1M Rest of the world: $10.5M Worldwide: $37.6M
Oct 20, 1995 US and Canada: $16M Rest of the world: Worldwide: $16M
Oct 20, 1995 US and Canada: $6.9M Rest of the world: Worldwide: $6.9M
Oct 20, 1995 US and Canada: $2.1M Rest of the world: Worldwide: $2.1M
Oct 20, 1995 US and Canada: – Rest of the world: – Worldwide: $83.1K
Oct 19, 1995 US and Canada: $3K Rest of the world: Worldwide: $3K Of the top 6, Across the Sea of Time (1995) earned the biggest share at home (100% in the US & Canada), while Now and Then (1995) made 28% of its gross abroad. Across all 6 films, $52.1M (83%) came from the US & Canada. 1 film of the top 6 reports no US & Canada figure.
Week 42 releases took $62.7M. The biggest of these 9 weeks is week 38 (Sep 17–23) with $351.8M, led by Seven (1995).
Of these 10 years, Week 42, 1994 earned the most: $253.8M from 6 films, led by Pulp Fiction (1994). Week 42, 1995 took $62.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 42, 1986 Oct 12–18 2 films | 2 | $52.3M | – | The Color of Money (1986) $52.3M |
| Week 42, 1987 Oct 11–17 6 films · −76% | 6 | $12.4M | −76% | Barfly (1987) $3.2M |
| Week 42, 1988 Oct 9–15 9 films · +356% | 9 | $56.4M | +356% | The Accused (1988) $32.1M |
| Week 42, 1989 Oct 15–21 6 films · −40% | 6 | $33.9M | −40% | Next of Kin (1989) $15.9M |
| Week 42, 1990 Oct 14–20 7 films · +126% | 7 | $76.5M | +126% | Quigley Down Under (1990) $21.4M |
| Week 42, 1991 Oct 13–19 5 films · −56% | 5 | $33.6M | −56% | Other People’s Money (1991) $25.7M |
| Week 42, 1992 Oct 11–17 2 films · +41% | 2 | $47.4M | +41% | Candyman (1992) $25.8M |
| Week 42, 1993 Oct 10–16 8 films · +88% | 8 | $88.9M | +88% | The Beverly Hillbillies (1993) $57.4M |
| Week 42, 1994 Oct 9–15 6 films · +185% | 6 | $253.8M | +185% | Pulp Fiction (1994) $213.9M |
| Week 42, 1995 Oct 15–21 6 films · −75% | 6 | $62.7M | −75% | Now and Then (1995) $37.6M |
53 weeks of 1995 with reported grosses; the biggest is week 50 (Dec 10–16) with $641M, led by Jumanji (1995).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Now and Then (1995) leads with $37.6M worldwide, $27.1M of it in the US & Canada. Next come Across the Sea of Time (1995) at $16M and Never Talk to Strangers (1995) at $6.9M.
6 films released in week 42 of 1995 (Oct 15–21) report a worldwide gross, $62.7M in all, or $10.4M per film on average. Week 41, 1995 releases took $29.8M.
None. The biggest, Now and Then (1995), earned $37.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 42 of 1995 (Oct 15–21). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.