#1 of 5 1995 · Action, Adventure
$122.2M worldwide · 72% of the chart's total
Mortal Kombat (1995) is the highest-grossing movie released in week 33 of 1995 (Aug 13–19), with $122.2M worldwide, ahead of The Usual Suspects (1995) at $23.3M and The Brothers McMullen (1995) at $10.4M. 5 films released that week report a worldwide gross, $169.1M in all, 69% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 31% on Week 32, 1995, whose releases took $245.8M. By genre, Thriller leads with $145.5M across 2 releases.
#1 of 5 1995 · Action, Adventure
$122.2M worldwide · 72% of the chart's total
Mortal Kombat (1995) leads with $122.2M, 72% of the total. The top 5 together took $169.1M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 33 of 1995 (Aug 13–19).
Aug 18, 1995 US and Canada: $70.5M Rest of the world: $51.7M Worldwide: $122.2M
Aug 16, 1995 US and Canada: $23.3M Rest of the world: Worldwide: $23.3M
Aug 18, 1995 US and Canada: $10.4M Rest of the world: Worldwide: $10.4M
Aug 18, 1995 US and Canada: $9.7M Rest of the world: Worldwide: $9.7M
Aug 18, 1995 US and Canada: $3.5M Rest of the world: Worldwide: $3.5M Of the top 5, The Usual Suspects (1995) earned the biggest share at home (100% in the US & Canada), while Mortal Kombat (1995) made 42% of its gross abroad. Across all 5 films, $117.4M (69%) came from the US & Canada.
Week 33 releases took $169.1M. The biggest of these 9 weeks is week 30 (Jul 23–29) with $399.5M, led by Waterworld (1995).
Of these 10 years, Week 33, 1995 earned the most: $169.1M from 5 films, led by Mortal Kombat (1995).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 33, 1986 Aug 10–16 5 films | 5 | $84.9M | – | The Fly (1986) $60.6M |
| Week 33, 1987 Aug 9–15 6 films · −12% | 6 | $74.9M | −12% | No Way Out (1987) $35.5M |
| Week 33, 1988 Aug 7–13 5 films · +19% | 5 | $89.3M | +19% | Young Guns (1988) $45.7M |
| Week 33, 1989 Aug 13–19 8 films · +29% | 8 | $115M | +29% | Uncle Buck (1989) $79.3M |
| Week 33, 1990 Aug 12–18 5 films · −15% | 5 | $98.2M | −15% | The Exorcist III (1990) $39M |
| Week 33, 1991 Aug 11–17 2 films · −93% | 2 | $7.1M | −93% | Mystery Date (1991) $6.2M |
| Week 33, 1992 Aug 9–15 5 films · +807% | 5 | $64.8M | +807% | Single White Female (1992) $48M |
| Week 33, 1993 Aug 8–14 5 films · +17% | 5 | $75.9M | +17% | The Secret Garden (1993) $31.2M |
| Week 33, 1994 Aug 7–13 4 films · −15% | 4 | $64.5M | −15% | In the Army Now (1994) $28.9M |
| Week 33, 1995 Aug 13–19 5 films · +162% | 5 | $169.1M | +162% | Mortal Kombat (1995) $122.2M |
53 weeks of 1995 with reported grosses; the biggest is week 50 (Dec 10–16) with $641M, led by Jumanji (1995).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Mortal Kombat (1995) leads with $122.2M worldwide, $70.5M of it in the US & Canada. Next come The Usual Suspects (1995) at $23.3M and The Brothers McMullen (1995) at $10.4M.
5 films released in week 33 of 1995 (Aug 13–19) report a worldwide gross, $169.1M in all, or $33.8M per film on average. Week 32, 1995 releases took $245.8M.
None. 1 film crossed $100 million, led by Mortal Kombat (1995) with $122.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 33 of 1995 (Aug 13–19). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.