#1 of 5 1995 · Adventure, Drama
$254.1M worldwide · 75% of the chart's total
Babe (1995) is the highest-grossing movie released in week 31 of 1995 (Jul 30–Aug 5), with $254.1M worldwide, ahead of Something to Talk About (1995) at $50.9M and Virtuosity (1995) at $24M. 5 films released that week report a worldwide gross, $337M in all, 43% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 16% on Week 30, 1995, whose releases took $399.5M. By genre, Drama leads with $305M across 3 releases.
#1 of 5 1995 · Adventure, Drama
$254.1M worldwide · 75% of the chart's total
Babe (1995) leads with $254.1M, 75% of the total. The top 5 together took $337M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 31 of 1995 (Jul 30–Aug 5).
Aug 4, 1995 US and Canada: $63.7M Rest of the world: $190.5M Worldwide: $254.1M
Aug 4, 1995 US and Canada: $50.9M Rest of the world: Worldwide: $50.9M
Aug 4, 1995 US and Canada: $24M Rest of the world: Worldwide: $24M
Aug 4, 1995 US and Canada: $7.9M Rest of the world: Worldwide: $7.9M
Aug 4, 1995 US and Canada: $11.6K Rest of the world: Worldwide: $11.6K Of the top 5, Something to Talk About (1995) earned the biggest share at home (100% in the US & Canada), while Babe (1995) made 75% of its gross abroad. Across all 5 films, $146.5M (43%) came from the US & Canada.
Week 31 releases took $337M. The biggest of these 9 weeks is week 26 (Jun 25–Jul 1) with $535.2M, led by Apollo 13 (1995).
Of these 10 years, Week 31, 1994 earned the most: $401.4M from 4 films, led by The Mask (1994). Week 31, 1995 took $337M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 31, 1986 Jul 27–Aug 2 6 films | 6 | $113.5M | – | Howard the Duck (1986) $38M |
| Week 31, 1987 Jul 26–Aug 1 3 films · −26% | 3 | $83.8M | −26% | The Living Daylights (1987) $51.2M |
| Week 31, 1988 Jul 24–30 4 films · +193% | 4 | $245.6M | +193% | Cocktail (1988) $171.5M |
| Week 31, 1989 Jul 30–Aug 5 4 films · −30% | 4 | $173.1M | −30% | Parenthood (1989) $126.3M |
| Week 31, 1990 Jul 29–Aug 4 7 films · −52% | 7 | $83M | −52% | Young Guns II (1990) $44.1M |
| Week 31, 1991 Jul 28–Aug 3 6 films · +217% | 6 | $263.5M | +217% | Hot Shots! (1991) $181.1M |
| Week 31, 1992 Jul 26–Aug 1 6 films · −32% | 6 | $179.3M | −32% | Death Becomes Her (1992) $149M |
| Week 31, 1993 Jul 25–31 3 films · −14% | 3 | $154.5M | −14% | Rising Sun (1993) $107.2M |
| Week 31, 1994 Jul 24–30 4 films · +160% | 4 | $401.4M | +160% | The Mask (1994) $351.6M |
| Week 31, 1995 Jul 30–Aug 5 5 films · −16% | 5 | $337M | −16% | Babe (1995) $254.1M |
53 weeks of 1995 with reported grosses; the biggest is week 50 (Dec 10–16) with $641M, led by Jumanji (1995).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Babe (1995) leads with $254.1M worldwide, $63.7M of it in the US & Canada. Next come Something to Talk About (1995) at $50.9M and Virtuosity (1995) at $24M.
5 films released in week 31 of 1995 (Jul 30–Aug 5) report a worldwide gross, $337M in all, or $67.4M per film on average. Week 30, 1995 releases took $399.5M.
None. 1 film crossed $100 million, led by Babe (1995) with $254.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 31 of 1995 (Jul 30–Aug 5). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.