#1 of 6 1992 · Fantasy, Horror
$149M worldwide · 83% of the chart's total
Death Becomes Her (1992) is the highest-grossing movie released in week 31 of 1992 (Jul 26–Aug 1), with $149M worldwide, ahead of Buffy the Vampire Slayer (1992) at $16.6M and Enchanted April (1992) at $13.2M. 6 films released that week report a worldwide gross, $179.3M in all, 49% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. By genre, Horror leads with $165.7M across 3 releases.
#1 of 6 1992 · Fantasy, Horror
$149M worldwide · 83% of the chart's total
Death Becomes Her (1992) leads with $149M, 83% of the total. The top 5 together took $179.2M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 31 of 1992 (Jul 26–Aug 1).
Jul 31, 1992 US and Canada: $58.4M Rest of the world: $90.6M Worldwide: $149M
Jul 31, 1992 US and Canada: $16.6M Rest of the world: $800 Worldwide: $16.6M
Jul 31, 1992 US and Canada: $13.2M Rest of the world: Worldwide: $13.2M
Jul 31, 1992 US and Canada: $309.6K Rest of the world: Worldwide: $309.6K
Jul 31, 1992 US and Canada: $92.1K Rest of the world: Worldwide: $92.1K
Aug 1, 1992 US and Canada: $24.1K Rest of the world: Worldwide: $24.1K Of the top 6, Enchanted April (1992) earned the biggest share at home (100% in the US & Canada), while Death Becomes Her (1992) made 61% of its gross abroad. Across all 6 films, $88.7M (49%) came from the US & Canada.
Week 31 releases took $179.3M. The biggest of these 9 weeks is week 25 (Jun 14–20) with $266.9M, led by Batman Returns (1992).
Of these 10 years, Week 31, 1991 earned the most: $263.5M from 6 films, led by Hot Shots! (1991). Week 31, 1992 took $179.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 31, 1983 Jul 24–30 3 films | 3 | $92.4M | – | National Lampoon's Vacation (1983) $61.4M |
| Week 31, 1984 Jul 29–Aug 4 4 films · −80% | 4 | $18.3M | −80% | The Philadelphia Experiment (1984) $8.1M |
| Week 31, 1985 Jul 28–Aug 3 4 films · +325% | 4 | $77.9M | +325% | Weird Science (1985) $38.9M |
| Week 31, 1986 Jul 27–Aug 2 6 films · +46% | 6 | $113.5M | +46% | Howard the Duck (1986) $38M |
| Week 31, 1987 Jul 26–Aug 1 3 films · −26% | 3 | $83.8M | −26% | The Living Daylights (1987) $51.2M |
| Week 31, 1988 Jul 24–30 4 films · +193% | 4 | $245.6M | +193% | Cocktail (1988) $171.5M |
| Week 31, 1989 Jul 30–Aug 5 4 films · −30% | 4 | $173.1M | −30% | Parenthood (1989) $126.3M |
| Week 31, 1990 Jul 29–Aug 4 7 films · −52% | 7 | $83M | −52% | Young Guns II (1990) $44.1M |
| Week 31, 1991 Jul 28–Aug 3 6 films · +217% | 6 | $263.5M | +217% | Hot Shots! (1991) $181.1M |
| Week 31, 1992 Jul 26–Aug 1 6 films · −32% | 6 | $179.3M | −32% | Death Becomes Her (1992) $149M |
53 weeks of 1992 with reported grosses; the biggest is week 48 (Nov 22–28) with $474.3M, led by The Bodyguard (1992).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Death Becomes Her (1992) leads with $149M worldwide, $58.4M of it in the US & Canada. Next come Buffy the Vampire Slayer (1992) at $16.6M and Enchanted April (1992) at $13.2M.
6 films released in week 31 of 1992 (Jul 26–Aug 1) report a worldwide gross, $179.3M in all, or $29.9M per film on average.
None. 1 film crossed $100 million, led by Death Becomes Her (1992) with $149M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 31 of 1992 (Jul 26–Aug 1). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.