#1 of 9 1992 · Adventure, Fantasy
$1.5M worldwide · 36% of the chart's total
Porco Rosso (1992) is the highest-grossing movie released in week 1 of 1992 (Jan 1–4), with $1.5M worldwide, ahead of Light Sleeper (1992) at $1.1M and The Last Days of the Last Tsar (1992) at $831.6K. 9 films released that week report a worldwide gross, $4.3M in all, 74% of it from the US & Canada. By genre, Drama leads with $2M across 4 releases.
#1 of 9 1992 · Adventure, Fantasy
$1.5M worldwide · 36% of the chart's total
Porco Rosso (1992) leads with $1.5M, 36% of the total. The top 5 together took $4.2M, 98% of what all 9 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 1 of 1992 (Jan 1–4).
1992 US and Canada: $443.1K Rest of the world: $1.1M Worldwide: $1.5M
1992 US and Canada: $1.1M Rest of the world: $5.1K Worldwide: $1.1M
1992 US and Canada: $831.6K Rest of the world: Worldwide: $831.6K
1992 US and Canada: $641.9K Rest of the world: Worldwide: $641.9K
1992 US and Canada: $114.5K Rest of the world: Worldwide: $114.5K
1992 US and Canada: $92.1K Rest of the world: Worldwide: $92.1K
1992 US and Canada: $9.9K Rest of the world: Worldwide: $9.9K
1992 US and Canada: – Rest of the world: – Worldwide: $2.1K
1992 US and Canada: – Rest of the world: – Worldwide: $1.3K Of the top 9, The Last Days of the Last Tsar (1992) earned the biggest share at home (100% in the US & Canada), while Porco Rosso (1992) made 71% of its gross abroad. Across all 9 films, $3.2M (74%) came from the US & Canada. 2 films of the top 9 report no US & Canada figure.
Week 1 releases took $4.3M. The biggest of these 9 weeks is week 50, 1991 (Dec 8–14) with $362.6M, led by Hook (1991).
Of these 10 years, Week 1, 1984 earned the most: $40.2M from 1 film, led by Yentl (1984). Week 1, 1992 took $4.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 1, 1983 Jan 1 1 film | 1 | $1.8M | – | Heat and Dust (1983) $1.8M |
| Week 1, 1984 Jan 1–7 1 film · +2169% | 1 | $40.2M | +2169% | Yentl (1984) $40.2M |
| Week 1, 1985 Jan 1–5 No films | 0 | – | – | – |
| Week 1, 1986 Jan 1–4 3 films | 3 | $4.4M | – | Head Office (1986) $3.4M |
| Week 1, 1987 Jan 1–3 2 films · +29% | 2 | $5.7M | +29% | Wisdom (1987) $5.7M |
| Week 1, 1988 Jan 1–2 2 films · −98% | 2 | $141.9K | −98% | Goodnight Norma… Goodnight Milton… (1988) $124K |
| Week 1, 1989 Jan 1–7 2 films · +9% | 2 | $154.1K | +9% | Signs of Life (1989) $108.9K |
| Week 1, 1990 Jan 1–6 5 films · +342% | 5 | $680.7K | +342% | Overexposed (1990) $577.7K |
| Week 1, 1991 Jan 1–5 3 films · −43% | 3 | $389.7K | −43% | Red and Black (1991) $322.8K |
| Week 1, 1992 Jan 1–4 9 films · +999% | 9 | $4.3M | +999% | Porco Rosso (1992) $1.5M |
Drama took $2M across 4 films, 47% of the total, ahead of Romance ($1.6M) and Animation ($1.6M). A film counts once for each of its genres. English-language films took $1.9M across 4 films, 44% of the total, ahead of Japanese-language films ($1.5M) and Russian-language films ($831.6K).
53 weeks of 1992 with reported grosses; the biggest is week 48 (Nov 22–28) with $474.3M, led by The Bodyguard (1992).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 9 films as the chart.
Porco Rosso (1992) leads with $1.5M worldwide, $443.1K of it in the US & Canada. Next come Light Sleeper (1992) at $1.1M and The Last Days of the Last Tsar (1992) at $831.6K.
9 films released in week 1 of 1992 (Jan 1–4) report a worldwide gross, $4.3M in all, or $476K per film on average.
None. The biggest, Porco Rosso (1992), earned $1.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 1 of 1992 (Jan 1–4). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.