#1 of 15 #1 movie of Week 36, 1995
To Wong Foo Thanks for Everything, Julie Newmar (1995)
1995 · Drama, Comedy
$47.8M worldwide · 63% of the chart's total
$36.5M US & Canada · 76% $11.3M elsewhere · 24%
Box office · Week 36 · Sep 3–9, 1995
Box Office Week 36, 1995: Highest-Grossing Releases of Sep 3–9
To Wong Foo Thanks for Everything, Julie Newmar (1995) is the highest-grossing movie released in week 36 of 1995 (Sep 3–9), with $47.8M worldwide, ahead of Last of the Dogmen (1995) at $7M and The Tie That Binds (1995) at $5.8M. 15 films released that week report a worldwide gross, $76.4M in all, 82% of it from the US & Canada. That is up 177% on Week 35, 1995, whose releases took $27.5M. By genre, Comedy leads with $54.4M across 7 releases.
- week 36 releases with a gross
- 15
- combined worldwide
- $76.4M
- To Wong Foo Thanks for Everything, Julie Newmar (1995), the #1
- $47.8M
- vs Week 35, 1995
- +177%
#1 of 15 Top 5
What Were the Biggest Hits of Week 36 of 1995?
To Wong Foo Thanks for Everything, Julie Newmar (1995) leads with $47.8M, 63% of the total. The top 5 together took $71M, 93% of what all 15 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1 $47.8M To Wong Foo Thanks for Everything, Julie Newmar (1995)$36.5M US & Canada · 76% $11.3M elsewhere · 24%
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Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Release of Week 36 of 1995, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 36 of 1995 (Sep 3–9).
- 1 To Wong Foo Thanks for Everything, Julie Newmar (1995)Sep 8, 1995 US and Canada: $36.5M Rest of the world: $11.3M Worldwide: $47.8M
Sep 8, 1995 · English · Drama, Comedy $47.8M worldwide - 2 Sep 8, 1995 US and Canada: $7M Rest of the world: Worldwide: $7M
- 3 Sep 8, 1995 US and Canada: $5.8M Rest of the world: $57.9K Worldwide: $5.8M
- 4 Sep 8, 1995 US and Canada: $5.7M Rest of the world: Worldwide: $5.7M
- 5 Sep 8, 1995 US and Canada: $4.7M Rest of the world: Worldwide: $4.7M
- 6
Sep 8, 1995 US and Canada: – Rest of the world: – Worldwide: $2.3M - 7
Sep 8, 1995 US and Canada: $961.1K Rest of the world: Worldwide: $961.1K - 8
Sep 3, 1995 US and Canada: $903.8K Rest of the world: Worldwide: $903.8K - 9
Sep 8, 1995 US and Canada: $459.7K Rest of the world: Worldwide: $459.7K - 10
Sep 7, 1995 US and Canada: $365.3K Rest of the world: Worldwide: $365.3K - 11
Sep 7, 1995 US and Canada: $247.2K Rest of the world: Worldwide: $247.2K - 12
Sep 8, 1995 US and Canada: $97.8K Rest of the world: Worldwide: $97.8K - 13
Sep 4, 1995 US and Canada: – Rest of the world: – Worldwide: $12.5K - 14
Sep 8, 1995 US and Canada: $10.6K Rest of the world: Worldwide: $10.6K - 15
Sep 9, 1995 US and Canada: – Rest of the world: – Worldwide: $22
US & Canada vs the world
Where Did the Money Come From in Week 36 of 1995?
Of the top 10, Last of the Dogmen (1995) earned the biggest share at home (100% in the US & Canada), while To Wong Foo Thanks for Everything, Julie Newmar (1995) made 24% of its gross abroad. Across all 15 films, $62.7M (82%) came from the US & Canada. 1 film of the top 10 reports no US & Canada figure.
- 1 To Wong Foo Thanks for Everything, Julie Newmar (1995) $47.8M $36.5M US & Canada · 76% $11.3M elsewhere · 24%
- 2 Last of the Dogmen (1995) $7M $7M US & Canada · 100% elsewhere · 0%
- 3 The Tie That Binds (1995) $5.8M $5.8M US & Canada · 99% $57.9K elsewhere · <1%
- 4 Screamers (1995) $5.7M $5.7M US & Canada · 100% elsewhere · 0%
- 5 National Lampoon’s Senior Trip (1995) $4.7M $4.7M US & Canada · 100% elsewhere · 0%
- 6 Palermo – Milan One Way (1995) $2.3M No US & Canada figure reported
- 7 Separate Lives (1995) $961.1K $961.1K US & Canada · 100% elsewhere · 0%
- 8 Guantanamera (1995) $903.8K $903.8K US & Canada · 100% elsewhere · 0%
- 9 The Last Supper (1995) $459.7K $459.7K US & Canada · 100% elsewhere · 0%
- 10 Palookaville (1995) $365.3K $365.3K US & Canada · 100% elsewhere · 0%
Gross bands
How Many Week 36 of 1995 Releases Crossed $100 Million?
None of the 15 films reached $100M. 14 films, 93% of the list, earned under $10M. Each band shows its films and its share of the $76.4M total.
63% 37%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 0 films, 0% of the list No films
- $10M to $100M 1 film, 7% of the list $47.8M · 63% of the gross
- Under $10M 14 films, 93% of the list $28.6M · 37% of the gross
Weeks around it
How Does Week 36 Compare With the Weeks Around It?
Week 36 releases took $76.4M. The biggest of these 9 weeks is week 30 (Jul 23–29) with $399.5M, led by Waterworld (1995).
- Week 30 Wk 30 Jul 23–29 Waterworld (1995) $399.5M Waterworld (1995)
- Week 31 Wk 31 Jul 30–Aug 5 Babe (1995) $337M Babe (1995)
- Week 32 Wk 32 Aug 6–12 Dangerous Minds (1995) $245.8M Dangerous Minds (1995)
- Week 33 Wk 33 Aug 13–19 Mortal Kombat (1995) $169.1M Mortal Kombat (1995)
- Week 34 Wk 34 Aug 20–26 Desperado (1995) $49M Desperado (1995)
- Week 35 Wk 35 Aug 27–Sep 2 The Prophecy (1995) $27.5M The Prophecy (1995)
- Week 36 Wk 36 Sep 3–9 To Wong Foo Thanks for Everything, Julie Newmar (1995) $76.4M To Wong Foo Thanks for Everything, Julie Newmar (1995)
- Week 37 Wk 37 Sep 10–16 Clockers (1995) $49.6M Clockers (1995)
- Week 38 Wk 38 Sep 17–23 Seven (1995) $351.8M Seven (1995)
Earlier years
How Does Week 36 of 1995 Compare With Earlier Years?
Of these 10 years, Week 36, 1995 earned the most: $76.4M from 15 films, led by To Wong Foo Thanks for Everything, Julie Newmar (1995).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 36, 1986 Aug 31–Sep 6 1 film | 1 | $25K | – | My Little Girl (1986) $25K |
| Week 36, 1987 Aug 30–Sep 5 8 films · +30501% | 8 | $7.7M | +30501% | The Dead (1987) $4.4M |
| Week 36, 1988 Aug 28–Sep 3 8 films · +12% | 8 | $8.6M | +12% | Eight Men Out (1988) $5.7M |
| Week 36, 1989 Sep 3–9 4 films · +113% | 4 | $18.3M | +113% | Kickboxer (1989) $14.7M |
| Week 36, 1990 Sep 2–8 3 films · −79% | 3 | $3.8M | −79% | Mister Johnson (1990) $1.5M |
| Week 36, 1991 Sep 1–7 7 films · +198% | 7 | $11.4M | +198% | Black Robe (1991) $8.2M |
| Week 36, 1992 Aug 30–Sep 5 4 films · −13% | 4 | $9.9M | −13% | Bob Roberts (1992) $4.5M |
| Week 36, 1993 Aug 29–Sep 4 9 films · +177% | 9 | $27.4M | +177% | Iron Monkey (1993) $14.7M |
| Week 36, 1994 Aug 28–Sep 3 7 films · +117% | 7 | $59.6M | +117% | The Shawshank Redemption (1994) $29.3M |
| Week 36, 1995 Sep 3–9 15 films · +28% | 15 | $76.4M | +28% | To Wong Foo Thanks for Everything, Julie Newmar (1995) $47.8M |
Genres & languages
Which Genres and Languages Earned the Most in Week 36 of 1995?
Comedy took $54.4M across 7 films, 71% of the total, ahead of Drama ($52.7M) and Thriller ($16.5M). A film counts once for each of its genres. English-language films took $73.1M across 11 films, 96% of the total, ahead of Italian-language films ($2.3M) and Spanish-language films ($916.3K).
Week 36 of 1995 Box Office by Genre
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Comedy $54.4M7 films · #1 To Wong Foo Thanks for Everything, Julie Newmar (1995) -
Drama $52.7M8 films · #1 To Wong Foo Thanks for Everything, Julie Newmar (1995) -
Thriller $16.5M5 films · #1 Last of the Dogmen (1995) -
Crime $8.9M4 films · #1 The Tie That Binds (1995) -
Mystery $8M3 films · #1 Last of the Dogmen (1995) -
Adventure $7M1 film · #1 Last of the Dogmen (1995) -
Western $7M1 film · #1 Last of the Dogmen (1995) -
Horror $5.7M2 films · #1 Screamers (1995) -
Sci-Fi $5.7M1 film · #1 Screamers (1995) -
War $5.7M1 film · #1 Screamers (1995)
Archive
Box Office in 1995, Week by Week
53 weeks of 1995 with reported grosses; the biggest is week 50 (Dec 10–16) with $641M, led by Jumanji (1995).
- Week 1 $28.6M
- Week 2 $271.2M
- Week 3 $25.1M
- Week 4 $27.4M
- Week 5 $66.8M
- Week 6 $53.5M
- Week 7 $101.4M
- Week 8 $6M
- Week 9 $55.9M
- Week 10 $205.4M
- Week 11 $57M
- Week 12 $58.7M
- Week 13 $39.3M
- Week 14 $277.8M
- Week 15 $21.9M
- Week 16 $223.7M
- Week 17 $48.2M
- Week 18 $108.8M
- Week 19 $176.1M
- Week 20 $411.1M
- Week 21 $544.9M
- Week 22 $186.2M
- Week 23 $163.6M
- Week 24 $337M
- Week 25 $346.6M
- Week 26 $535.2M
- Week 27 $241M
- Week 28 $308.6M
- Week 29 $57.8M
- Week 30 $399.5M
- Week 31 $337M
- Week 32 $245.8M
- Week 33 $169.1M
- Week 34 $49M
- Week 35 $27.5M
- Week 36 $76.4M
- Week 37 $49.6M
- Week 38 $351.8M
- Week 39 $82.3M
- Week 40 $42M
- Week 41 $29.8M
- Week 42 $62.7M
- Week 43 $301.5M
- Week 44 $44.3M
- Week 45 $212.4M
- Week 46 $515.8M
- Week 47 $519.7M
- Week 48 $7.9M
- Week 49 $77.7M
- Week 50 $641M
- Week 51 $200.9M
- Week 52 $43.4M
- Week 53 $20.8K
FAQ
Box Office Week 36 of 1995: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 15 films as the chart.
What is the highest-grossing movie in week 36 of 1995 (Sep 3–9)?
To Wong Foo Thanks for Everything, Julie Newmar (1995) leads with $47.8M worldwide, $36.5M of it in the US & Canada. Next come Last of the Dogmen (1995) at $7M and The Tie That Binds (1995) at $5.8M.
How much did movies released in week 36 of 1995 (Sep 3–9) earn?
15 films released in week 36 of 1995 (Sep 3–9) report a worldwide gross, $76.4M in all, or $5.1M per film on average. Week 35, 1995 releases took $27.5M.
How many movies released in week 36 of 1995 (Sep 3–9) made $1 billion?
None. The biggest, To Wong Foo Thanks for Everything, Julie Newmar (1995), earned $47.8M.
How is the week 36, 1995 box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 36 of 1995 (Sep 3–9). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 36, 1995 box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.