
In 1943, amid the chaos of war, a tight‑knit Italian village faces scarcity and danger. Its inhabitants must decide how far to aid the local partisans while anticipating the imminent arrival of German forces. Their struggle for survival and moral choices reflect a true‑story backdrop of resistance and fear.
Does The Man Who Will Come have end credit scenes?
No!
The Man Who Will Come does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Man Who Will Come, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Maya Sansa
Lena

Alba Rohrwacher
Beniamina

Laura Pizzirani
Maria

Orfeo Orlando
Mercante

Diego Pagotto
Pepe

Timo Jacobs
Ufficiale medico SS

Vito
Signor Bugamelli

Maria Grazia Naldi
Vittoria

Claudio Casadio
Armando

Greta Zuccheri Montanari
Martina

Eleonora Mazzoni
Signora Bugamelli

Bernardo Bolognesi
Partigiano Gianni

Paolo Bacchi

Stefano Croci
Dino

Zoello Gilli
Dante

Francesco Modugno
Antonio
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Read the complete plot summary of The Man Who Will Come, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Set in the winter between 1943 and 1944 in the Apennines, the film follows eight-year-old Martina, Greta Zuccheri Montanari, who lives with her parents and a large peasant family that toils every day to survive. Since the death of her younger brother, Martina has stopped talking, and this makes her the target of ridicule from her peers. Yet her observations are sharp and often profound, catching details that others miss.
World War II arrives with a more intrusive presence of German soldiers and bands of partisans in the hills. Martina’s mother Lena, Maya Sansa, becomes pregnant, and Martina follows the nine months of gestation with careful attention, while daily life continues in small tasks: washing clothes, weaving baskets in the stable, the slaughter of the pig, the flirtations of youths, and the rituals of first communion.
At the end of September 1944, Martina’s little brother is born at home.
At daybreak, the SS, supported by German troops, arrive in the hills and stage a ferocious roundup remembered as the Marzabotto massacre. Old people, women and children are murdered after being herded into cemeteries, churches, and farmhouses.
Martina, who has managed to escape, is discovered and locked in the small church of Cerpiano with dozens of others. After the doors are closed, the soldiers carry out the massacre.
Martina miraculously survives and returns home to find only empty rooms and silence. She takes the basket with her brother, whom she had hidden in a refuge in the woods, and finds shelter in the rectory of Don Fornasini.
After the massacre is complete, she tends to her brother by singing him a lullaby, and, in the process, slowly regains her voice.

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