#1 of 30 2016 · Drama, Comedy
$509.2M worldwide · 67% of the chart's total
La La Land (2016) is the highest-grossing movie released in week 50 of 2016 (Dec 4–10), with $509.2M worldwide, ahead of Office Christmas Party (2016) at $114.5M and Pandora (2016) at $30.9M. 30 films released that week report a worldwide gross, $764.3M in all, 28% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is 9.9 times the total of Week 49, 2016, whose releases took $77.5M. By genre, Comedy leads with $685.9M across 12 releases.
#1 of 30 2016 · Drama, Comedy
$509.2M worldwide · 67% of the chart's total
La La Land (2016) leads with $509.2M, 67% of the total. The top 5 together took $688.9M, 90% of what all 30 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 50 of 2016 (Dec 4–10).
Dec 9, 2016 US and Canada: $151.1M Rest of the world: $358.1M Worldwide: $509.2M
Dec 9, 2016 US and Canada: $54.8M Rest of the world: $59.7M Worldwide: $114.5M
Dec 7, 2016 US and Canada: – Rest of the world: – Worldwide: $30.9M
Dec 9, 2016 US and Canada: – Rest of the world: – Worldwide: $18.7M
Dec 9, 2016 US and Canada: $127.9K Rest of the world: $15.6M Worldwide: $15.7M
Dec 9, 2016 US and Canada: $75.5K Rest of the world: $14.6M Worldwide: $14.7M
Dec 7, 2016 US and Canada: – Rest of the world: – Worldwide: $9.8M
Dec 9, 2016 US and Canada: $498K Rest of the world: $8.9M Worldwide: $9.4M
Dec 9, 2016 US and Canada: $7.1M Rest of the world: $1.2M Worldwide: $8.3M
Dec 8, 2016 US and Canada: – Rest of the world: – Worldwide: $8.1M
Dec 7, 2016 US and Canada: – Rest of the world: – Worldwide: $3.9M
Dec 9, 2016 US and Canada: $435.3K Rest of the world: $2.7M Worldwide: $3.2M
Dec 8, 2016 US and Canada: – Rest of the world: – Worldwide: $2.5M
Dec 9, 2016 US and Canada: $1.2M Rest of the world: Worldwide: $1.2M
Dec 9, 2016 US and Canada: – Rest of the world: – Worldwide: $663.5K
Dec 9, 2016 US and Canada: $321.9K Rest of the world: $99.5K Worldwide: $421.4K
Dec 6, 2016 US and Canada: – Rest of the world: – Worldwide: $317.8K
Dec 10, 2016 US and Canada: – Rest of the world: – Worldwide: $202.7K
Dec 6, 2016 US and Canada: – Rest of the world: – Worldwide: $76.3K
Dec 9, 2016 US and Canada: – Rest of the world: – Worldwide: $23.9K
Dec 9, 2016 US and Canada: – Rest of the world: – Worldwide: $20.2K
Dec 9, 2016 US and Canada: $18.1K Rest of the world: Worldwide: $18.1K
Dec 9, 2016 US and Canada: – Rest of the world: – Worldwide: $15.6K
Dec 9, 2016 US and Canada: $9.2K Rest of the world: Worldwide: $9.2K
Dec 9, 2016 US and Canada: – Rest of the world: – Worldwide: $7K
Dec 9, 2016 US and Canada: $5.9K Rest of the world: Worldwide: $5.9K
Of the top 10, I Am Not Your Negro (2016) earned the biggest share at home (85% in the US & Canada), while Sword Master (2016) made 99% of its gross abroad. Across all 30 films, $215.7M (28%) came from the US & Canada. 4 films of the top 10 report no US & Canada figure.
2 of 30 films crossed $100M and took $623.7M between them, 82% of the total. 24 films, 80% of the list, earned under $10M.
Week 50 releases took $764.3M. The biggest of these 9 weeks is week 52 (Dec 18–24) with $2B, led by Sing (2016).
Of these 10 years, Week 50, 2013 earned the most: $1.5B from 26 films, led by The Hobbit: The Desolation of Smaug (2013). Week 50, 2016 took $764.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 50, 2007 Dec 9–15 27 films | 27 | $1.2B | – | I Am Legend (2007) $585.4M |
| Week 50, 2008 Dec 7–13 20 films · −38% | 20 | $718.4M | −38% | Gran Torino (2008) $270M |
| Week 50, 2009 Dec 6–12 24 films · −48% | 24 | $370.6M | −48% | Invictus (2009) $122.4M |
| Week 50, 2010 Dec 5–11 21 films · +137% | 21 | $876.6M | +137% | The Chronicles of Narnia: The Voyage of the Dawn Treader (2010) $415.7M |
| Week 50, 2011 Dec 4–10 21 films · −75% | 21 | $219.6M | −75% | Tinker Tailor Soldier Spy (2011) $81.5M |
| Week 50, 2012 Dec 9–15 16 films · +452% | 16 | $1.2B | +452% | The Hobbit: An Unexpected Journey (2012) $1B |
| Week 50, 2013 Dec 8–14 26 films · +22% | 26 | $1.5B | +22% | The Hobbit: The Desolation of Smaug (2013) $959.1M |
| Week 50, 2014 Dec 7–13 27 films · −76% | 27 | $352.5M | −76% | Exodus: Gods and Kings (2014) $268.2M |
| Week 50, 2015 Dec 6–12 29 films · −12% | 29 | $310M | −12% | The Big Short (2015) $133.4M |
| Week 50, 2016 Dec 4–10 30 films · +147% | 30 | $764.3M | +147% | La La Land (2016) $509.2M |
Comedy took $685.9M across 12 films, 90% of the total, ahead of Drama ($592.5M) and Romance ($545.8M). A film counts once for each of its genres. English-language films took $634.9M across 13 films, 83% of the total, ahead of Chinese-language films ($33.4M) and Korean-language films ($30.9M).
53 weeks of 2016 with reported grosses; the biggest is week 52 (Dec 18–24) with $2B, led by Sing (2016).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 30 films as the chart.
La La Land (2016) leads with $509.2M worldwide, $151.1M of it in the US & Canada. Next come Office Christmas Party (2016) at $114.5M and Pandora (2016) at $30.9M.
30 films released in week 50 of 2016 (Dec 4–10) report a worldwide gross, $764.3M in all, or $25.5M per film on average. Week 49, 2016 releases took $77.5M.
None. 2 films crossed $100 million, led by La La Land (2016) with $509.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 50 of 2016 (Dec 4–10). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.