#1 of 8 Sherlock: The Abominable Bride (2016)
2016 · Crime, Drama
$39.1M worldwide · 81% of the chart's total
Sherlock: The Abominable Bride (2016) is the highest-grossing movie released in week 1 of 2016 (Jan 1–2), with $39.1M worldwide, ahead of Mafia: Survival Game (2016) at $7.4M and Off Key (2016) at $952.9K. 8 films released that week report a worldwide gross, $48.6M in all, 2% of it from the US & Canada. That is down 62% on Week 53, 2015, whose releases took $128.2M. By genre, Drama leads with $40.1M across 5 releases.
#1 of 8 Sherlock: The Abominable Bride (2016)
2016 · Crime, Drama
$39.1M worldwide · 81% of the chart's total
Sherlock: The Abominable Bride (2016) leads with $39.1M, 81% of the total. The top 5 together took $48.5M, almost all of what the 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 1 of 2016 (Jan 1–2).
2016 US and Canada: – Rest of the world: – Worldwide: $39.1M
2016 US and Canada: – Rest of the world: – Worldwide: $7.4M
2016 US and Canada: – Rest of the world: – Worldwide: $952.9K
2016 US and Canada: $940.9K Rest of the world: Worldwide: $940.9K
2016 US and Canada: – Rest of the world: – Worldwide: $123.4K
2016 US and Canada: $13.9K Rest of the world: Worldwide: $13.9K
2016 US and Canada: – Rest of the world: – Worldwide: $3.6K
2016 US and Canada: – Rest of the world: – Worldwide: $633 Week 1 releases took $48.6M. The biggest of these 9 weeks is week 51, 2015 (Dec 13–19) with $2.9B, led by Star Wars: Episode VII - The Force Awakens (2015).
Of these 10 years, Week 1, 2015 earned the most: $198.6M from 11 films, led by The Taking of Tiger Mountain (2015). Week 1, 2016 took $48.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 1, 2007 Jan 1–6 29 films | 29 | $168.1M | – | Freedom Writers (2007) $43.1M |
| Week 1, 2008 Jan 1–5 20 films · −62% | 20 | $64.3M | −62% | One Missed Call (2008) $45.8M |
| Week 1, 2009 Jan 1–3 9 films · −83% | 9 | $11.1M | −83% | OceanWorld 3D (2009) $8.7M |
| Week 1, 2010 Jan 1–2 19 films · −46% | 19 | $6M | −46% | Don Quixote (2010) $5.1M |
| Week 1, 2011 Jan 1 6 films · +56% | 6 | $9.3M | +56% | Princess Lillifee and the Little Unicorn (2011) $6M |
| Week 1, 2012 Jan 1–7 22 films · +1284% | 22 | $129.2M | +1284% | The Devil Inside (2012) $101.8M |
| Week 1, 2013 Jan 1–5 12 films · −55% | 12 | $58.1M | −55% | Texas Chainsaw 3D (2013) $47.3M |
| Week 1, 2014 Jan 1–4 13 films · +176% | 13 | $160.4M | +176% | Paranormal Activity: The Marked Ones (2014) $90.9M |
| Week 1, 2015 Jan 1–3 11 films · +24% | 11 | $198.6M | +24% | The Taking of Tiger Mountain (2015) $141.7M |
| Week 1, 2016 Jan 1–2 8 films · −76% | 8 | $48.6M | −76% | Sherlock: The Abominable Bride (2016) $39.1M |
Drama took $40.1M across 5 films, 83% of the total, ahead of Mystery ($39.3M) and Thriller ($39.3M). A film counts once for each of its genres. English-language films took $39.2M across 3 films, 81% of the total, ahead of Russian-language films ($7.4M) and Finnish-language films ($952.9K).
53 weeks of 2016 with reported grosses; the biggest is week 52 (Dec 18–24) with $2B, led by Sing (2016).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
Sherlock: The Abominable Bride (2016) leads with $39.1M worldwide. Next come Mafia: Survival Game (2016) at $7.4M and Off Key (2016) at $952.9K.
8 films released in week 1 of 2016 (Jan 1–2) report a worldwide gross, $48.6M in all, or $6.1M per film on average. Week 53, 2015 releases took $128.2M.
None. The biggest, Sherlock: The Abominable Bride (2016), earned $39.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 1 of 2016 (Jan 1–2). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.