#1 of 30 2014 · Action, Drama
$203.3M worldwide · 55% of the chart's total
Need For Speed (2014) is the highest-grossing movie released in week 11 of 2014 (Mar 9–15), with $203.3M worldwide, ahead of Spanish Affair (2014) at $78.8M and The Single Moms Club (2014) at $16.4M. 30 films released that week report a worldwide gross, $371.9M in all, 20% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 65% on Week 10, 2014, whose releases took $1.1B. By genre, Drama leads with $248.5M across 12 releases.
#1 of 30 2014 · Action, Drama
$203.3M worldwide · 55% of the chart's total
Need For Speed (2014) leads with $203.3M, 55% of the total. The top 5 together took $317.6M, 85% of what all 30 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2014 (Mar 9–15).
Mar 14, 2014 US and Canada: $43.6M Rest of the world: $159.7M Worldwide: $203.3M
Mar 14, 2014 US and Canada: – Rest of the world: – Worldwide: $78.8M
Mar 14, 2014 US and Canada: $16M Rest of the world: $391.6K Worldwide: $16.4M
Mar 13, 2014 US and Canada: – Rest of the world: – Worldwide: $10.5M
Mar 14, 2014 US and Canada: $2.2M Rest of the world: $6.4M Worldwide: $8.7M
Mar 14, 2014 US and Canada: $7.8M Rest of the world: $24.7K Worldwide: $7.8M
Mar 14, 2014 US and Canada: $34.5K Rest of the world: $6.1M Worldwide: $6.2M
Mar 14, 2014 US and Canada: $317.3K Rest of the world: $5.2M Worldwide: $5.5M
Mar 13, 2014 US and Canada: – Rest of the world: – Worldwide: $4.3M
Mar 14, 2014 US and Canada: $3.3M Rest of the world: $163.3K Worldwide: $3.5M
Mar 14, 2014 US and Canada: $1M Rest of the world: $2.5M Worldwide: $3.5M
Mar 14, 2014 US and Canada: – Rest of the world: – Worldwide: $470.3K
Mar 14, 2014 US and Canada: – Rest of the world: – Worldwide: $410.1K
Mar 14, 2014 US and Canada: – Rest of the world: – Worldwide: $286K
Mar 13, 2014 US and Canada: – Rest of the world: – Worldwide: $245.2K
Mar 14, 2014 US and Canada: $2.1K Rest of the world: $206K Worldwide: $208.1K
Mar 14, 2014 US and Canada: $75.1K Rest of the world: $45.7K Worldwide: $120.8K
Mar 14, 2014 US and Canada: – Rest of the world: – Worldwide: $113K
Mar 14, 2014 US and Canada: – Rest of the world: – Worldwide: $109.1K
Mar 12, 2014 US and Canada: – Rest of the world: – Worldwide: $99.5K
Mar 14, 2014 US and Canada: $64.1K Rest of the world: $13.4K Worldwide: $77.5K
Mar 14, 2014 US and Canada: $56.3K Rest of the world: Worldwide: $56.3K
Mar 14, 2014 US and Canada: $49.3K Rest of the world: Worldwide: $49.3K
Mar 14, 2014 US and Canada: $40.2K Rest of the world: Worldwide: $40.2K
Mar 14, 2014 US and Canada: – Rest of the world: – Worldwide: $38.1K
Mar 13, 2014 US and Canada: – Rest of the world: – Worldwide: $23K
Mar 12, 2014 US and Canada: – Rest of the world: – Worldwide: $7.3K Of the top 10, Bad Words (2014) earned the biggest share at home (100% in the US & Canada), while Tiger & Bunny: The Rising (2014) made 99% of its gross abroad. Across all 30 films, $74.5M (20%) came from the US & Canada. 4 films of the top 10 report no US & Canada figure.
1 of 30 films crossed $100M and took $203.3M between them, 55% of the total. 26 films, 87% of the list, earned under $10M.
Week 11 releases took $371.9M. The biggest of these 9 weeks is week 10 (Mar 2–8) with $1.1B, led by 300: Rise of an Empire (2014).
Of these 10 years, Week 11, 2011 earned the most: $471.9M from 25 films, led by Battle: Los Angeles (2011). Week 11, 2014 took $371.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 2005 Mar 6–12 19 films | 19 | $450M | – | Robots (2005) $262.5M |
| Week 11, 2006 Mar 12–18 23 films · −40% | 23 | $270.3M | −40% | V for Vendetta (2006) $134.7M |
| Week 11, 2007 Mar 11–17 23 films · −42% | 23 | $157.7M | −42% | Premonition (2007) $84.3M |
| Week 11, 2008 Mar 9–15 31 films · +163% | 31 | $415.1M | +163% | Horton Hears a Who! (2008) $298.6M |
| Week 11, 2009 Mar 8–14 26 films · −44% | 26 | $230.5M | −44% | Race to Witch Mountain (2009) $106.4M |
| Week 11, 2010 Mar 7–13 23 films · +29% | 23 | $297.5M | +29% | Green Zone (2010) $113.4M |
| Week 11, 2011 Mar 6–12 25 films · +59% | 25 | $471.9M | +59% | Battle: Los Angeles (2011) $211.8M |
| Week 11, 2012 Mar 11–17 27 films · −26% | 27 | $350.4M | −26% | 21 Jump Street (2012) $201.6M |
| Week 11, 2013 Mar 10–16 34 films · −25% | 34 | $262.3M | −25% | The Call (2013) $68.6M |
| Week 11, 2014 Mar 9–15 30 films · +42% | 30 | $371.9M | +42% | Need For Speed (2014) $203.3M |
Drama took $248.5M across 12 films, 67% of the total, ahead of Action ($211.8M) and Thriller ($207.7M). A film counts once for each of its genres. English-language films took $244.2M across 16 films, 66% of the total, ahead of Spanish-language films ($78.8M) and Japanese-language films ($19.9M).
53 weeks of 2014 with reported grosses; the biggest is week 51 (Dec 14–20) with $1.7B, led by The Hobbit: The Battle of the Five Armies (2014).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 30 films as the chart.
Need For Speed (2014) leads with $203.3M worldwide, $43.6M of it in the US & Canada. Next come Spanish Affair (2014) at $78.8M and The Single Moms Club (2014) at $16.4M.
30 films released in week 11 of 2014 (Mar 9–15) report a worldwide gross, $371.9M in all, or $12.4M per film on average. Week 10, 2014 releases took $1.1B.
None. 1 film crossed $100 million, led by Need For Speed (2014) with $203.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2014 (Mar 9–15). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.