#1 of 26 2014 · Action, Adventure
$359.2M worldwide · 84% of the chart's total
Noah (2014) is the highest-grossing movie released in week 13 of 2014 (Mar 23–29), with $359.2M worldwide, ahead of Sabotage (2014) at $22.1M and Enchanted Kingdom (2014) at $8.8M. 26 films released that week report a worldwide gross, $426.9M in all, 28% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 10% on Week 12, 2014, whose releases took $476.2M. By genre, Drama leads with $396.6M across 15 releases.
#1 of 26 2014 · Action, Adventure
$359.2M worldwide · 84% of the chart's total
Noah (2014) leads with $359.2M, 84% of the total. The top 5 together took $405.8M, 95% of what all 26 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 2014 (Mar 23–29).
Mar 28, 2014 US and Canada: $101.2M Rest of the world: $258M Worldwide: $359.2M
Mar 28, 2014 US and Canada: $10.5M Rest of the world: $11.6M Worldwide: $22.1M
Mar 25, 2014 US and Canada: – Rest of the world: – Worldwide: $8.8M
Mar 29, 2014 US and Canada: – Rest of the world: – Worldwide: $8.7M
Mar 28, 2014 US and Canada: $5.6M Rest of the world: $1.4M Worldwide: $7M
Mar 28, 2014 US and Canada: $2.6M Rest of the world: $3.9M Worldwide: $6.6M
Mar 24, 2014 US and Canada: – Rest of the world: – Worldwide: $3.5M
Mar 28, 2014 US and Canada: $1.5M Rest of the world: $871.2K Worldwide: $2.4M
Mar 25, 2014 US and Canada: – Rest of the world: – Worldwide: $2.4M
Mar 26, 2014 US and Canada: – Rest of the world: – Worldwide: $2.4M
Mar 28, 2014 US and Canada: – Rest of the world: – Worldwide: $2M
Mar 27, 2014 US and Canada: – Rest of the world: – Worldwide: $504.5K
Mar 28, 2014 US and Canada: $89.7K Rest of the world: $410.5K Worldwide: $500.2K
Mar 28, 2014 US and Canada: $139K Rest of the world: $114.3K Worldwide: $253.3K
Mar 27, 2014 US and Canada: – Rest of the world: – Worldwide: $189.3K
Mar 28, 2014 US and Canada: – Rest of the world: – Worldwide: $131.8K
Mar 28, 2014 US and Canada: – Rest of the world: – Worldwide: $115.8K
Mar 27, 2014 US and Canada: – Rest of the world: – Worldwide: $67.8K
Mar 28, 2014 US and Canada: – Rest of the world: – Worldwide: $62.1K
Mar 25, 2014 US and Canada: – Rest of the world: – Worldwide: $56K
Mar 24, 2014 US and Canada: – Rest of the world: – Worldwide: $23.1K
Mar 28, 2014 US and Canada: – Rest of the world: – Worldwide: $20.7K
Mar 27, 2014 US and Canada: – Rest of the world: – Worldwide: $13.6K
Mar 28, 2014 US and Canada: $11.3K Rest of the world: Worldwide: $11.3K
Mar 28, 2014 US and Canada: $3.6K Rest of the world: Worldwide: $3.6K
Mar 28, 2014 US and Canada: $3.5K Rest of the world: Worldwide: $3.5K Of the top 10, Cesar Chavez (2014) earned the biggest share at home (80% in the US & Canada), while Noah (2014) made 72% of its gross abroad. Across all 26 films, $121.7M (28%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
1 of 26 films crossed $100M and took $359.2M between them, 84% of the total. 24 films, 92% of the list, earned under $10M.
Week 13 releases took $426.9M. The biggest of these 9 weeks is week 10 (Mar 2–8) with $1.1B, led by 300: Rise of an Empire (2014).
Of these 10 years, Week 13, 2006 earned the most: $763.5M from 20 films, led by Ice Age: The Meltdown (2006). Week 13, 2014 took $426.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 13, 2005 Mar 20–26 7 films | 7 | $207.3M | – | Guess Who (2005) $103.1M |
| Week 13, 2006 Mar 26–Apr 1 20 films · +268% | 20 | $763.5M | +268% | Ice Age: The Meltdown (2006) $667.1M |
| Week 13, 2007 Mar 25–31 22 films · −54% | 22 | $347.7M | −54% | Meet the Robinsons (2007) $169.3M |
| Week 13, 2008 Mar 23–29 19 films · −11% | 19 | $307.9M | −11% | 21 (2008) $159.8M |
| Week 13, 2009 Mar 22–28 21 films · +62% | 21 | $500M | +62% | Monsters vs Aliens (2009) $381.5M |
| Week 13, 2010 Mar 21–27 24 films · −74% | 24 | $131.7M | −74% | Hot Tub Time Machine (2010) $64.8M |
| Week 13, 2011 Mar 20–26 25 films · +73% | 25 | $227.3M | +73% | Sucker Punch (2011) $89.8M |
| Week 13, 2012 Mar 25–31 24 films · +137% | 24 | $538.5M | +137% | Wrath of the Titans (2012) $302M |
| Week 13, 2013 Mar 24–30 22 films · +19% | 22 | $639.8M | +19% | G.I. Joe: Retaliation (2013) $375.7M |
| Week 13, 2014 Mar 23–29 26 films · −33% | 26 | $426.9M | −33% | Noah (2014) $359.2M |
Drama took $396.6M across 15 films, 93% of the total, ahead of Action ($387.9M) and Adventure ($359.7M). A film counts once for each of its genres. English-language films took $400.3M across 10 films, 94% of the total, ahead of Japanese-language films ($8.7M) and Indonesian-language films ($6.6M).
53 weeks of 2014 with reported grosses; the biggest is week 51 (Dec 14–20) with $1.7B, led by The Hobbit: The Battle of the Five Armies (2014).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 26 films as the chart.
Noah (2014) leads with $359.2M worldwide, $101.2M of it in the US & Canada. Next come Sabotage (2014) at $22.1M and Enchanted Kingdom (2014) at $8.8M.
26 films released in week 13 of 2014 (Mar 23–29) report a worldwide gross, $426.9M in all, or $16.4M per film on average. Week 12, 2014 releases took $476.2M.
None. 1 film crossed $100 million, led by Noah (2014) with $359.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 2014 (Mar 23–29). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.