#1 of 28 2014 · Action, Adventure
$61.3M worldwide · 38% of the chart's total
The Legend of Hercules (2014) is the highest-grossing movie released in week 2 of 2014 (Jan 5–11), with $61.3M worldwide, ahead of The Suspect (2014) at $28.7M and Hello Babies (2014) at $17.7M. 28 films released that week report a worldwide gross, $161.1M in all, 12% of it from the US & Canada. That is level with Week 1, 2014, whose releases took $160.4M. By genre, Action leads with $101.6M across 6 releases.
#1 of 28 2014 · Action, Adventure
$61.3M worldwide · 38% of the chart's total
The Legend of Hercules (2014) leads with $61.3M, 38% of the total. The top 5 together took $135.2M, 84% of what all 28 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 2 of 2014 (Jan 5–11).
Jan 10, 2014 US and Canada: $18.8M Rest of the world: $42.4M Worldwide: $61.3M
Jan 10, 2014 US and Canada: $218.7K Rest of the world: $28.5M Worldwide: $28.7M
Jan 11, 2014 US and Canada: – Rest of the world: – Worldwide: $17.7M
Jan 11, 2014 US and Canada: – Rest of the world: – Worldwide: $16.5M
Jan 10, 2014 US and Canada: – Rest of the world: – Worldwide: $11.1M
Jan 10, 2014 US and Canada: – Rest of the world: – Worldwide: $5.6M
Jan 10, 2014 US and Canada: $449.8K Rest of the world: $4.8M Worldwide: $5.3M
Jan 5, 2014 US and Canada: – Rest of the world: – Worldwide: $4.3M
Jan 10, 2014 US and Canada: – Rest of the world: – Worldwide: $2.1M
Jan 8, 2014 US and Canada: – Rest of the world: – Worldwide: $2M
Jan 10, 2014 US and Canada: – Rest of the world: – Worldwide: $1.6M
Jan 10, 2014 US and Canada: – Rest of the world: – Worldwide: $1M
Jan 10, 2014 US and Canada: – Rest of the world: – Worldwide: $970.2K
Jan 10, 2014 US and Canada: – Rest of the world: – Worldwide: $822.6K
Jan 9, 2014 US and Canada: – Rest of the world: – Worldwide: $599.7K
Jan 10, 2014 US and Canada: $56.8K Rest of the world: $392.2K Worldwide: $449.1K
Jan 10, 2014 US and Canada: – Rest of the world: – Worldwide: $332.5K
Jan 10, 2014 US and Canada: – Rest of the world: – Worldwide: $231K
Jan 9, 2014 US and Canada: – Rest of the world: – Worldwide: $203.5K
Jan 10, 2014 US and Canada: $56.1K Rest of the world: $41.1K Worldwide: $97.2K
Jan 10, 2014 US and Canada: $43.4K Rest of the world: Worldwide: $43.4K
Jan 8, 2014 US and Canada: – Rest of the world: – Worldwide: $29.4K
Jan 10, 2014 US and Canada: $17K Rest of the world: $7.8K Worldwide: $24.7K
Jan 10, 2014 US and Canada: $7.4K Rest of the world: Worldwide: $7.4K
Jan 10, 2014 US and Canada: $5.1K Rest of the world: Worldwide: $5.1K
Jan 10, 2014 US and Canada: $4.4K Rest of the world: Worldwide: $4.4K
Jan 10, 2014 US and Canada: – Rest of the world: – Worldwide: $4.4K Of the top 10, The Legend of Hercules (2014) earned the biggest share at home (31% in the US & Canada), while The Suspect (2014) made 99% of its gross abroad. Across all 28 films, $19.7M (12%) came from the US & Canada. 7 films of the top 10 report no US & Canada figure.
None of the 28 films reached $100M. 23 films, 82% of the list, earned under $10M. Each band shows its films and its share of the $161.1M total.
Week 2 releases took $161.1M. The biggest of these 9 weeks is week 50, 2013 (Dec 8–14) with $1.5B, led by The Hobbit: The Desolation of Smaug (2013).
Of these 10 years, Week 2, 2013 earned the most: $214.4M from 17 films, led by Gangster Squad (2013). Week 2, 2014 took $161.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 2, 2005 Jan 2–8 4 films | 4 | $96.8M | – | White Noise (2005) $91.2M |
| Week 2, 2006 Jan 8–14 15 films · +94% | 15 | $187.8M | +94% | Suite Dreams (2006) $48.1M |
| Week 2, 2007 Jan 7–13 15 films · −14% | 15 | $161.1M | −14% | Stomp the Yard (2007) $75.5M |
| Week 2, 2008 Jan 6–12 12 films · −24% | 12 | $123.2M | −24% | First Sunday (2008) $38.8M |
| Week 2, 2009 Jan 4–10 17 films · +71% | 17 | $211.2M | +71% | Bride Wars (2009) $115.4M |
| Week 2, 2010 Jan 3–9 21 films · −53% | 21 | $98.5M | −53% | Daybreakers (2010) $51.4M |
| Week 2, 2011 Jan 2–8 8 films · +15% | 8 | $112.8M | +15% | Season of the Witch (2011) $91.6M |
| Week 2, 2012 Jan 8–14 19 films · +74% | 19 | $195.9M | +74% | Contraband (2012) $96.3M |
| Week 2, 2013 Jan 6–12 17 films · +9% | 17 | $214.4M | +9% | Gangster Squad (2013) $105.2M |
| Week 2, 2014 Jan 5–11 28 films · −25% | 28 | $161.1M | −25% | The Legend of Hercules (2014) $61.3M |
Action took $101.6M across 6 films, 63% of the total, ahead of Adventure ($61.4M) and Comedy ($45.1M). A film counts once for each of its genres. English-language films took $100.7M across 12 films, 63% of the total, ahead of Cantonese-language films ($17.7M) and Japanese-language films ($16.5M).
53 weeks of 2014 with reported grosses; the biggest is week 51 (Dec 14–20) with $1.7B, led by The Hobbit: The Battle of the Five Armies (2014).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 28 films as the chart.
The Legend of Hercules (2014) leads with $61.3M worldwide, $18.8M of it in the US & Canada. Next come The Suspect (2014) at $28.7M and Hello Babies (2014) at $17.7M.
28 films released in week 2 of 2014 (Jan 5–11) report a worldwide gross, $161.1M in all, or $5.8M per film on average. Week 1, 2014 releases took $160.4M.
None. The biggest, The Legend of Hercules (2014), earned $61.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 2 of 2014 (Jan 5–11). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.