
A cop decides to take on his godfather, who raised him from childhood, and make him realize the error of his ways.
Does Jilla have end credit scenes?
No!
Jilla does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Jilla, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Kajal Agarwal
Shanthi

Saran Shakthi
Young Sakthi

Scarlett Mellish Wilson
Special Apperance in song "Jingunamani"

Mohanlal
Siva

Sampath Raj
Aadhi Kesavan

Surekha Vani
Nun

Vijay
Sakthi

Ravi Mariya
Paandi

Thambi Ramaiah
Ramiah

Charandeep
Police Officer Saran

V. I. S. Jayapalan
Periyavar

Pradeep Ram Singh Rawat
DC

Krishnamoorthy

Mahat Raghavendra
Vignesh

Nivetha Thomas
Mahalakshmi

Vinodhini Vaidyanathan
Vinodhini

Soori
Gopal

Jangiri Madhumitha
Police Constable

Thavasi

Vidyullekha Raman
Police Constable

Joe Malloori
Veerapandi

Muthu Raman

R. K.
Mahalakshmi's father-in-law

Poornima Bhagyaraj
Sivan's Wife

Hazel Crowney
Special Apperance in song "Jingunamani"

Raveena Daha
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Challenge your knowledge of Jilla with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Which actor portrays Shakthi in the film?
Vijay
Mohanlal
Ajith
Suriya
Show hint
Read the complete plot summary of Jilla, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Shakti, Vijay, is the adopted son of the Madurai crime boss Sivan and serves as his right-hand man, bodyguard, and driver. Sivan lives with his wife Parvati, their son Vignesh, and their daughter Mahalakshmi. Shakti harbors a deep hatred for the police, a feeling rooted in a childhood trauma when a police officer killed his father, who happened to work as a driver for Sivan. This anger is so intense that he loathes the khaki color worn by officers, and he keeps even Sivan’s watchman from wearing a khaki uniform. He teases his friend Gopal, Soori, and his romantic life takes a hit when Shanthi, Kajal Agarwal, is an Inspector.
When Ajay Rathore, the newly appointed police commissioner of Madurai, insults Sivan, Sivan forces Shakti to become an IPS officer to protect the crime syndicate and prove the commissioner’s plan wrong. Reluctantly, Shakti takes charge as ACP of Madurai City East, and he gives free rein to Sivan’s gang, who wreak havoc across the city. A gas leak from one of their activities destroys a school and nearby buildings, killing several people, including women and children. This tragedy shocks Shakti and marks a turning point, steering him toward a more honest path. The moment he dons the khaki uniform for the first time, he confronts Sivan’s henchmen who had assaulted a woman at the police station, and this intensifies the cat-and-mouse game between father and son.
With Shanthi and Gopal at his side, Shakti works to root out Sivan’s influence in Madurai. His efforts pay off when he is promoted to DCP for arresting most of Sivan’s gang members and beneficiaries in a single night. But the danger deepens when he learns that Sivan’s other adopted son, minister Aadhi Kesavan, is plotting to kill Sivan himself in revenge for his father’s death. Aadhi tries to draw Shakti into a trap by planning to kill Sivan’s son Vignesh and pin the crime on Shakti. Sivan uncovers the scheme, reconciles with Shakti, and the two join forces to confront Aadhi and his henchmen. Shakti defeats Aadhi and hands him over to Sivan, who gives Aadhi a grim choice: kill himself or be killed.
The next day, under Sivan’s orders, the police come to arrest him. Shakti reluctantly leads the arrest, and the pair walk out of the house together, their distinctive gait echoing the uneasy bond that once bound them. The film also features special appearances in the song Jingunamani by Scarlett Mellish Wilson and Hazel Crowney.
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