#1 of 27 2014 · Action, Comedy
$154.5M worldwide · 27% of the chart's total
Ride Along (2014) is the highest-grossing movie released in week 3 of 2014 (Jan 12–18), with $154.5M worldwide, ahead of Jack Ryan: Shadow Recruit (2014) at $135.5M and The Nut Job (2014) at $120.9M. 27 films released that week report a worldwide gross, $580.8M in all, 46% of it from the US & Canada. 3 films crossed $100 million; none reached $1 billion. That is 3.6 times the total of Week 2, 2014, whose releases took $161.1M. By genre, Comedy leads with $318.5M across 12 releases.
#1 of 27 2014 · Action, Comedy
$154.5M worldwide · 27% of the chart's total
Ride Along (2014) leads with $154.5M, 27% of the total. The top 5 together took $488.5M, 84% of what all 27 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 3 of 2014 (Jan 12–18).
Jan 17, 2014 US and Canada: $134.9M Rest of the world: $19.5M Worldwide: $154.5M
Jan 17, 2014 US and Canada: $50.6M Rest of the world: $84.9M Worldwide: $135.5M
Jan 17, 2014 US and Canada: $64.3M Rest of the world: $56.6M Worldwide: $120.9M
Jan 17, 2014 US and Canada: – Rest of the world: – Worldwide: $40.5M
Jan 17, 2014 US and Canada: $334.6K Rest of the world: $36.8M Worldwide: $37.2M
Jan 17, 2014 US and Canada: $15.8M Rest of the world: $21.1M Worldwide: $36.9M
Jan 16, 2014 US and Canada: – Rest of the world: – Worldwide: $13.8M
Jan 15, 2014 US and Canada: – Rest of the world: – Worldwide: $7.3M
Jan 16, 2014 US and Canada: – Rest of the world: – Worldwide: $7.2M
Jan 17, 2014 US and Canada: – Rest of the world: – Worldwide: $5.7M
Jan 17, 2014 US and Canada: – Rest of the world: – Worldwide: $5.2M
Jan 16, 2014 US and Canada: – Rest of the world: – Worldwide: $4.2M
Jan 16, 2014 US and Canada: $8.5K Rest of the world: $3.2M Worldwide: $3.2M
Jan 15, 2014 US and Canada: – Rest of the world: – Worldwide: $1.1M
Jan 17, 2014 US and Canada: $1.6K Rest of the world: $603.8K Worldwide: $605.4K
Jan 17, 2014 US and Canada: – Rest of the world: – Worldwide: $602.8K
Jan 17, 2014 US and Canada: $33.2K Rest of the world: $258K Worldwide: $291.2K
Jan 15, 2014 US and Canada: – Rest of the world: – Worldwide: $265.9K
Jan 17, 2014 US and Canada: – Rest of the world: – Worldwide: $183.2K
Jan 16, 2014 US and Canada: – Rest of the world: – Worldwide: $147.7K
Jan 17, 2014 US and Canada: $6.7K Rest of the world: $86.4K Worldwide: $93K
Jan 15, 2014 US and Canada: $91.6K Rest of the world: Worldwide: $91.6K
Jan 17, 2014 US and Canada: $6.5K Rest of the world: $37.6K Worldwide: $44.2K
Jan 17, 2014 US and Canada: $16.6K Rest of the world: Worldwide: $16.6K
Jan 12, 2014 US and Canada: – Rest of the world: – Worldwide: $561
Jan 17, 2014 US and Canada: – Rest of the world: – Worldwide: $529 Of the top 10, Ride Along (2014) earned the biggest share at home (87% in the US & Canada), while Like Father, Like Son (2014) made 99% of its gross abroad. Across all 27 films, $266.1M (46%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
3 of 27 films crossed $100M and took $410.9M between them, 71% of the total. 20 films, 74% of the list, earned under $10M.
Week 3 releases took $580.8M. The biggest of these 9 weeks is week 50, 2013 (Dec 8–14) with $1.5B, led by The Hobbit: The Desolation of Smaug (2013).
Of these 10 years, Week 3, 2008 earned the most: $672.4M from 30 films, led by Welcome to the Sticks (2008). Week 3, 2014 took $580.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 3, 2005 Jan 9–15 15 films | 15 | $381.1M | – | Racing Stripes (2005) $90.8M |
| Week 3, 2006 Jan 15–21 23 films · −48% | 23 | $196.9M | −48% | Underworld: Evolution (2006) $111.5M |
| Week 3, 2007 Jan 14–20 18 films · −59% | 18 | $80.3M | −59% | Manual of Love 2 (2007) $27.8M |
| Week 3, 2008 Jan 13–19 30 films · +737% | 30 | $672.4M | +737% | Welcome to the Sticks (2008) $245.1M |
| Week 3, 2009 Jan 11–17 20 films · −30% | 20 | $470.9M | −30% | Paul Blart: Mall Cop (2009) $183.3M |
| Week 3, 2010 Jan 10–16 22 films · −39% | 22 | $285.5M | −39% | The Book of Eli (2010) $157.1M |
| Week 3, 2011 Jan 9–15 19 films · +16% | 19 | $332.3M | +16% | The Green Hornet (2011) $227.8M |
| Week 3, 2012 Jan 15–21 24 films · +12% | 24 | $370.5M | +12% | Underworld: Awakening (2012) $160.1M |
| Week 3, 2013 Jan 13–19 27 films · −32% | 27 | $252.2M | −32% | Mama (2013) $146.4M |
| Week 3, 2014 Jan 12–18 27 films · +130% | 27 | $580.8M | +130% | Ride Along (2014) $154.5M |
Comedy took $318.5M across 12 films, 55% of the total, ahead of Action ($300.9M) and Drama ($182.1M). A film counts once for each of its genres. English-language films took $449M across 9 films, 77% of the total, ahead of Chinese-language films ($60.1M) and Japanese-language films ($42.4M).
53 weeks of 2014 with reported grosses; the biggest is week 51 (Dec 14–20) with $1.7B, led by The Hobbit: The Battle of the Five Armies (2014).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 27 films as the chart.
Ride Along (2014) leads with $154.5M worldwide, $134.9M of it in the US & Canada. Next come Jack Ryan: Shadow Recruit (2014) at $135.5M and The Nut Job (2014) at $120.9M.
27 films released in week 3 of 2014 (Jan 12–18) report a worldwide gross, $580.8M in all, or $21.5M per film on average. Week 2, 2014 releases took $161.1M.
None. 3 films crossed $100 million, led by Ride Along (2014) with $154.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 3 of 2014 (Jan 12–18). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.