#1 of 6 2014 · Action, Drama
$22.1M worldwide · 59% of the chart's total
Sabotage (2014) is the highest-grossing thriller movie released in week 13 of 2014 (Mar 23–29), with $22.1M worldwide, ahead of The Snow White Murder Case (2014) at $8.7M and The Raid 2 (2014) at $6.6M. 6 thriller films released that week report a worldwide gross, $37.5M in all, 35% of it from the US & Canada. That is 13.7 times the total of Week 12, 2014, whose releases took $2.7M. By language, English leads with $22.2M across 3 thriller releases.
#1 of 6 2014 · Action, Drama
$22.1M worldwide · 59% of the chart's total
Sabotage (2014) leads with $22.1M, 59% of the total. The top 5 together took $37.5M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 2014 (Mar 23–29).
Mar 28, 2014 US and Canada: $10.5M Rest of the world: $11.6M Worldwide: $22.1M
Mar 28, 2014 US and Canada: $2.6M Rest of the world: $3.9M Worldwide: $6.6M
Mar 28, 2014 US and Canada: – Rest of the world: – Worldwide: $62.1K
Mar 28, 2014 US and Canada: $11.3K Rest of the world: Worldwide: $11.3K
Mar 28, 2014 US and Canada: $3.5K Rest of the world: Worldwide: $3.5K Of the top 6, Dishkiyaoon (2014) earned the biggest share at home (100% in the US & Canada), while The Raid 2 (2014) made 60% of its gross abroad. Across all 6 films, $13.2M (35%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 13 releases took $37.5M. The biggest of these 9 weeks is week 14 (Mar 30–Apr 5) with $733.5M, led by Captain America: The Winter Soldier (2014).
Of these 10 years, Week 13, 2013 earned the most: $443M from 3 films, led by G.I. Joe: Retaliation (2013). Week 13, 2014 took $37.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 13, 2005 Mar 20–26 No films | 0 | – | – | – |
| Week 13, 2006 Mar 26–Apr 1 2 films | 2 | $40.4M | – | Basic Instinct 2 (2006) $38.6M |
| Week 13, 2007 Mar 25–31 5 films · −83% | 5 | $6.9M | −83% | The Lookout (2007) $5.4M |
| Week 13, 2008 Mar 23–29 4 films · +1041% | 4 | $79.3M | +1041% | Superhero Movie (2008) $71.6M |
| Week 13, 2009 Mar 22–28 5 films · +23% | 5 | $97.6M | +23% | The Haunting in Connecticut (2009) $77.6M |
| Week 13, 2010 Mar 21–27 5 films · −63% | 5 | $36.1M | −63% | 22 Bullets (2010) $21.7M |
| Week 13, 2011 Mar 20–26 3 films · +155% | 3 | $92M | +155% | Sucker Punch (2011) $89.8M |
| Week 13, 2012 Mar 25–31 2 films · −93% | 2 | $6.7M | −93% | Intruders (2012) $5.5M |
| Week 13, 2013 Mar 24–30 3 films · +6558% | 3 | $443M | +6558% | G.I. Joe: Retaliation (2013) $375.7M |
| Week 13, 2014 Mar 23–29 6 films · −92% | 6 | $37.5M | −92% | Sabotage (2014) $22.1M |
53 weeks of 2014 with reported grosses; the biggest is week 47 (Nov 16–22) with $760.5M, led by The Hunger Games: Mockingjay - Part 1 (2014).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Sabotage (2014) leads with $22.1M worldwide, $10.5M of it in the US & Canada. Next come The Snow White Murder Case (2014) at $8.7M and The Raid 2 (2014) at $6.6M.
6 thriller films released in week 13 of 2014 (Mar 23–29) report a worldwide gross, $37.5M in all, or $6.2M per film on average. Week 12, 2014 releases took $2.7M.
None. The biggest, Sabotage (2014), earned $22.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 2014 (Mar 23–29). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.