#1 of 5 2014 · Thriller, Sci-Fi
$381.1M worldwide · 98% of the chart's total
Age of Tomorrow (2014) is the highest-grossing thriller movie released in week 24 of 2014 (Jun 8–14), with $381.1M worldwide, ahead of For the Emperor (2014) at $4.6M and The Signal (2014) at $2.6M. 5 thriller films released that week report a worldwide gross, $390.4M in all, 26% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 102.8 times the total of Week 23, 2014, whose releases took $3.8M. By language, English leads with $383.7M across 3 thriller releases.
#1 of 5 2014 · Thriller, Sci-Fi
$381.1M worldwide · 98% of the chart's total
Age of Tomorrow (2014) leads with $381.1M, 98% of the total. The top 5 together took $390.4M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 24 of 2014 (Jun 8–14).
Jun 10, 2014 US and Canada: $100.2M Rest of the world: $280.8M Worldwide: $381.1M
Jun 11, 2014 US and Canada: – Rest of the world: – Worldwide: $4.6M
Jun 13, 2014 US and Canada: $600.9K Rest of the world: $2M Worldwide: $2.6M
Jun 13, 2014 US and Canada: – Rest of the world: – Worldwide: $2.1M
Jun 13, 2014 US and Canada: $55.7K Rest of the world: Worldwide: $55.7K Of the top 5, Hellion (2014) earned the biggest share at home (100% in the US & Canada), while The Signal (2014) made 77% of its gross abroad. Across all 5 films, $100.9M (26%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 24 releases took $390.4M. The biggest of these 9 weeks is week 21 (May 18–24) with $748.1M, led by X-Men: Days of Future Past (2014).
Of these 10 years, Week 24, 2005 earned the most: $487.3M from 1 film, led by Mr. & Mrs. Smith (2005). Week 24, 2014 took $390.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 24, 2005 Jun 5–11 1 film | 1 | $487.3M | – | Mr. & Mrs. Smith (2005) $487.3M |
| Week 24, 2006 Jun 11–17 1 film · −67% | 1 | $159M | −67% | The Fast and the Furious: Tokyo Drift (2006) $159M |
| Week 24, 2007 Jun 10–16 4 films · +114% | 4 | $340.2M | +114% | Fantastic Four: Rise of the Silver Surfer (2007) $301.9M |
| Week 24, 2008 Jun 8–14 6 films · +26% | 6 | $428.6M | +26% | The Incredible Hulk (2008) $264.8M |
| Week 24, 2009 Jun 7–13 3 films · −59% | 3 | $176.8M | −59% | The Taking of Pelham 1 2 3 (2009) $150.2M |
| Week 24, 2010 Jun 6–12 3 films · +8% | 3 | $191M | +8% | The A-Team (2010) $177.2M |
| Week 24, 2011 Jun 5–11 1 film · −97% | 1 | $5.3M | −97% | Trollhunter (2011) $5.3M |
| Week 24, 2012 Jun 10–16 2 films · −80% | 2 | $1.1M | −80% | The Woman in the Fifth (2012) $662.9K |
| Week 24, 2013 Jun 9–15 4 films · +81% | 4 | $2M | +81% | Vehicle 19 (2013) $1.5M |
| Week 24, 2014 Jun 8–14 5 films · +19620% | 5 | $390.4M | +19620% | Age of Tomorrow (2014) $381.1M |
53 weeks of 2014 with reported grosses; the biggest is week 47 (Nov 16–22) with $760.5M, led by The Hunger Games: Mockingjay - Part 1 (2014).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Age of Tomorrow (2014) leads with $381.1M worldwide, $100.2M of it in the US & Canada. Next come For the Emperor (2014) at $4.6M and The Signal (2014) at $2.6M.
5 thriller films released in week 24 of 2014 (Jun 8–14) report a worldwide gross, $390.4M in all, or $78.1M per film on average. Week 23, 2014 releases took $3.8M.
None. 1 film crossed $100 million, led by Age of Tomorrow (2014) with $381.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 24 of 2014 (Jun 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.