#1 of 5 2014 · Action, Mystery
$222.8M worldwide · 99% of the chart's total
Non-Stop (2014) is the highest-grossing thriller movie released in week 9 of 2014 (Feb 23–Mar 1), with $222.8M worldwide, ahead of Repentance (2014) at $1.2M and Odd Thomas (2014) at $1.1M. 5 thriller films released that week report a worldwide gross, $225.6M in all, 41% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 4.1 times the total of Week 8, 2014, whose releases took $55.7M. By language, English leads with $225.6M across 5 thriller releases.
#1 of 5 2014 · Action, Mystery
$222.8M worldwide · 99% of the chart's total
Non-Stop (2014) leads with $222.8M, 99% of the total. The top 5 together took $225.6M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 9 of 2014 (Feb 23–Mar 1).
Feb 28, 2014 US and Canada: $92.2M Rest of the world: $130.6M Worldwide: $222.8M
Feb 28, 2014 US and Canada: $1.2M Rest of the world: $5.3K Worldwide: $1.2M
Feb 28, 2014 US and Canada: – Rest of the world: – Worldwide: $1.1M
Feb 28, 2014 US and Canada: $56.6K Rest of the world: $405.2K Worldwide: $461.8K
Feb 25, 2014 US and Canada: – Rest of the world: – Worldwide: $23.7K Of the top 5, Repentance (2014) earned the biggest share at home (100% in the US & Canada), while The Bag Man (2014) made 88% of its gross abroad. Across all 5 films, $93.4M (41%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 9 releases took $225.6M. The biggest of these 9 weeks is week 7 (Feb 9–15) with $274.9M, led by RoboCop (2014).
Of these 10 years, Week 9, 2014 earned the most: $225.6M from 5 films, led by Non-Stop (2014).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 9, 2005 Feb 20–26 2 films | 2 | $29.7M | – | Cursed (2005) $29.6M |
| Week 9, 2006 Feb 26–Mar 4 3 films · +121% | 3 | $65.7M | +121% | 16 Blocks (2006) $65.7M |
| Week 9, 2007 Feb 25–Mar 3 1 film · +29% | 1 | $84.8M | +29% | Zodiac (2007) $84.8M |
| Week 9, 2008 Feb 24–Mar 1 2 films · −96% | 2 | $3.1M | −96% | Playboy Cops (2008) $2.1M |
| Week 9, 2009 Feb 22–28 3 films · +386% | 3 | $15M | +386% | Street Fighter: The Legend of Chun-Li (2009) $12.8M |
| Week 9, 2010 Feb 21–27 4 films · +292% | 4 | $58.8M | +292% | The Crazies (2010) $54.8M |
| Week 9, 2011 Feb 20–26 2 films · −29% | 2 | $41.5M | −29% | Drive Angry 3D (2011) $40.9M |
| Week 9, 2012 Feb 26–Mar 3 4 films · −91% | 4 | $3.6M | −91% | Nobel’s Last Will (2012) $1.7M |
| Week 9, 2013 Feb 24–Mar 2 5 films · +1038% | 5 | $41.3M | +1038% | The Last Exorcism Part II (2013) $25.1M |
| Week 9, 2014 Feb 23–Mar 1 5 films · +447% | 5 | $225.6M | +447% | Non-Stop (2014) $222.8M |
53 weeks of 2014 with reported grosses; the biggest is week 47 (Nov 16–22) with $760.5M, led by The Hunger Games: Mockingjay - Part 1 (2014).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Non-Stop (2014) leads with $222.8M worldwide, $92.2M of it in the US & Canada. Next come Repentance (2014) at $1.2M and Odd Thomas (2014) at $1.1M.
5 thriller films released in week 9 of 2014 (Feb 23–Mar 1) report a worldwide gross, $225.6M in all, or $45.1M per film on average. Week 8, 2014 releases took $55.7M.
None. 1 film crossed $100 million, led by Non-Stop (2014) with $222.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 9 of 2014 (Feb 23–Mar 1). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.