#1 of 4 Fantastic Four: Rise of the Silver Surfer (2007)
2007 · Action, Adventure
$301.9M worldwide · 89% of the chart's total
Fantastic Four: Rise of the Silver Surfer (2007) is the highest-grossing thriller movie released in week 24 of 2007 (Jun 10–16), with $301.9M worldwide, ahead of Nancy Drew (2007) at $30.7M and Kidnap (2007) at $7.6M. 4 thriller films released that week report a worldwide gross, $340.2M in all, 46% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 2% on Week 23, 2007, whose releases took $348.6M.
#1 of 4 Fantastic Four: Rise of the Silver Surfer (2007)
2007 · Action, Adventure
$301.9M worldwide · 89% of the chart's total
Fantastic Four: Rise of the Silver Surfer (2007) leads with $301.9M, 89% of the total. The top 4 together took $340.2M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 24 of 2007 (Jun 10–16).
Jun 15, 2007 US and Canada: $25.7M Rest of the world: $5.1M Worldwide: $30.7M
Jun 14, 2007 US and Canada: – Rest of the world: – Worldwide: $7.6M
Jun 15, 2007 US and Canada: $9.6K Rest of the world: $4.3K Worldwide: $13.9K Of the top 4, Nancy Drew (2007) earned the biggest share at home (84% in the US & Canada), while Fantastic Four: Rise of the Silver Surfer (2007) made 56% of its gross abroad. Across all 4 films, $157.6M (46%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.
Week 24 releases took $340.2M. The biggest of these 9 weeks is week 18 (Apr 29–May 5) with $891.9M, led by Spider-Man 3 (2007).
Of these 10 years, Week 24, 2005 earned the most: $487.3M from 1 film, led by Mr. & Mrs. Smith (2005). Week 24, 2007 took $340.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 24, 1998 Jun 7–13 No films | 0 | – | – | – |
| Week 24, 1999 Jun 6–12 No films | 0 | – | – | – |
| Week 24, 2000 Jun 4–10 1 film | 1 | $237.2M | – | Gone in Sixty Seconds (2000) $237.2M |
| Week 24, 2001 Jun 10–16 No films | 0 | – | – | – |
| Week 24, 2002 Jun 9–15 2 films | 2 | $215.6M | – | The Bourne Identity (2002) $214M |
| Week 24, 2003 Jun 8–14 2 films · −75% | 2 | $53.2M | −75% | Hollywood Homicide (2003) $51.1M |
| Week 24, 2004 Jun 6–12 4 films · +316% | 4 | $221.3M | +316% | The Chronicles of Riddick (2004) $115.9M |
| Week 24, 2005 Jun 5–11 1 film · +120% | 1 | $487.3M | +120% | Mr. & Mrs. Smith (2005) $487.3M |
| Week 24, 2006 Jun 11–17 1 film · −67% | 1 | $159M | −67% | The Fast and the Furious: Tokyo Drift (2006) $159M |
| Week 24, 2007 Jun 10–16 4 films · +114% | 4 | $340.2M | +114% | Fantastic Four: Rise of the Silver Surfer (2007) $301.9M |
52 weeks of 2007 with reported grosses; the biggest is week 18 (Apr 29–May 5) with $891.9M, led by Spider-Man 3 (2007).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
Fantastic Four: Rise of the Silver Surfer (2007) leads with $301.9M worldwide, $131.9M of it in the US & Canada. Next come Nancy Drew (2007) at $30.7M and Kidnap (2007) at $7.6M.
4 thriller films released in week 24 of 2007 (Jun 10–16) report a worldwide gross, $340.2M in all, or $85.1M per film on average. Week 23, 2007 releases took $348.6M.
None. 1 film crossed $100 million, led by Fantastic Four: Rise of the Silver Surfer (2007) with $301.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 24 of 2007 (Jun 10–16). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.