#1 of 6 AVPR: Aliens vs Predator - Requiem (2007)
2007 · Action, Sci-Fi
$130.3M worldwide · 45% of the chart's total
AVPR: Aliens vs Predator - Requiem (2007) is the highest-grossing thriller movie released in week 52 of 2007 (Dec 23–29), with $130.3M worldwide, ahead of The Orphanage (2007) at $78.6M and There Will Be Blood (2007) at $76.4M. 6 thriller films released that week report a worldwide gross, $289.4M in all, 31% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 54% on Week 51, 2007, whose releases took $623.2M. By language, English leads with $206.7M across 2 thriller releases.
#1 of 6 AVPR: Aliens vs Predator - Requiem (2007)
2007 · Action, Sci-Fi
$130.3M worldwide · 45% of the chart's total
AVPR: Aliens vs Predator - Requiem (2007) leads with $130.3M, 45% of the total. The top 5 together took $289.2M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 52 of 2007 (Dec 23–29).
Dec 28, 2007 US and Canada: $7.2M Rest of the world: $71.5M Worldwide: $78.6M
Dec 26, 2007 US and Canada: $40.2M Rest of the world: $36.2M Worldwide: $76.4M
Dec 27, 2007 US and Canada: – Rest of the world: – Worldwide: $2.3M
Dec 27, 2007 US and Canada: – Rest of the world: – Worldwide: $1.6M
Dec 26, 2007 US and Canada: – Rest of the world: – Worldwide: $157.4K Of the top 6, There Will Be Blood (2007) earned the biggest share at home (53% in the US & Canada), while The Orphanage (2007) made 91% of its gross abroad. Across all 6 films, $89.2M (31%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Week 52 releases took $289.4M. The biggest of these 9 weeks is week 51 (Dec 16–22) with $623.2M, led by National Treasure: Book of Secrets (2007).
Of these 10 years, Week 52, 2006 earned the most: $311.9M from 5 films, led by Perfume: The Story of a Murderer (2006). Week 52, 2007 took $289.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 52, 1998 Dec 20–26 3 films | 3 | $90.9M | – | Mighty Joe Young (1998) $50.6M |
| Week 52, 1999 Dec 19–25 3 films · +80% | 3 | $163.3M | +80% | The Talented Mr. Ripley (1999) $138M |
| Week 52, 2000 Dec 17–23 2 films · −73% | 2 | $44.7M | −73% | The Gift (2000) $44.6M |
| Week 52, 2001 Dec 23–29 1 film · −88% | 1 | $5.3M | −88% | Charlotte Gray (2001) $5.3M |
| Week 52, 2002 Dec 22–28 1 film · −92% | 1 | $438.2K | −92% | H (2002) $438.2K |
| Week 52, 2003 Dec 21–27 1 film · +26655% | 1 | $117.2M | +26655% | Paycheck (2003) $117.2M |
| Week 52, 2004 Dec 19–25 1 film · −71% | 1 | $33.9M | −71% | Hotel Rwanda (2004) $33.9M |
| Week 52, 2005 Dec 18–24 3 films · +386% | 3 | $164.5M | +386% | Munich (2005) $131M |
| Week 52, 2006 Dec 24–30 5 films · +90% | 5 | $311.9M | +90% | Perfume: The Story of a Murderer (2006) $135M |
| Week 52, 2007 Dec 23–29 6 films · −7% | 6 | $289.4M | −7% | AVPR: Aliens vs Predator - Requiem (2007) $130.3M |
52 weeks of 2007 with reported grosses; the biggest is week 18 (Apr 29–May 5) with $891.9M, led by Spider-Man 3 (2007).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
AVPR: Aliens vs Predator - Requiem (2007) leads with $130.3M worldwide, $41.8M of it in the US & Canada. Next come The Orphanage (2007) at $78.6M and There Will Be Blood (2007) at $76.4M.
6 thriller films released in week 52 of 2007 (Dec 23–29) report a worldwide gross, $289.4M in all, or $48.2M per film on average. Week 51, 2007 releases took $623.2M.
None. 1 film crossed $100 million, led by AVPR: Aliens vs Predator - Requiem (2007) with $130.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 52 of 2007 (Dec 23–29). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.