In this sidesplitting comedy, mischievous Guy Trilby (Jason Bateman) seizes control of The Golden Quill national spelling bee, exploiting a loophole and crushing the aspirations of 8th graders and their anxious parents. As he forms an unlikely bond with plucky 10-year-old Chaitanya (Rohan Chand), a reporter's attempts to uncover his motives are foiled by Guy's unapologetic swagger.
Does Bad Words have end credit scenes?
No!
Bad Words does not have end credit scenes. You can leave when the credits roll.
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57
Metascore
6.4
User Score
65%
TOMATOMETER
61%
User Score
6.6 /10
IMDb Rating
64
%
User Score
3.67/5
From 15 fan ratings
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What competition does Guy Trilby participate in?
Read the complete plot summary of Bad Words, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
The 15th Annual Regional Spelling Bee is buzzing with excitement as parents and children bustle around an auditorium in Columbus, Ohio. An oversized trophy, featuring a bumble bee triumphantly holding a torch, dwarfs the scene. As kids practice their spelling and parents polish their kids’ outfits, Guy Trilby (Jason Bateman), a disheveled adult, observes from the complimentary food table where he listens to classical music.
When a puzzled parent approaches him to ask which child he supports, Guy responds bluntly, saying he is not there for anyone in particular. Instead, he declares he is the Winner and boldly steps onto the stage alongside the competitors, igniting confusion as he nonchalantly remarks about a heavyset child’s chair crying for help. His crass humor continues when, prior to the competition’s start, the elderly host informs him that the seats are meant only for competitors.
Outside, the Principal informs Guy of his disqualification from the Spelling Bee, but Guy cunningly argues that the rules state participants cannot have graduated the 8th grade by the day of the event—something he hasn’t done. Questions arise about sponsorship, but Jenny Widgeon (Kathryn Hahn), a journalist for an online platform, comes to his aid. She threatens legal action if Guy is barred from entering, prompting the Principal to reluctantly allow him to participate despite his dubious intentions.
As an adult, single proofreader, Guy’s journey takes him to the National Spelling Bee, where he comically relays that his decision to compete stems from a hurt feeling. This leads him on a chaotic chase, escaping a vengeful crowd of parents with the trophy in hand, only to slide across the hood of Jenny’s car as they speed off. En route to the competition, Jenny lays down the ground rules for their partnership; for each round Guy advances, he must answer questions about his motives, leading to fiery exchanges about his controversial choice to enter a children’s competition.
On the flight, a curious little Indian boy, Chaitainya (Rohan Chand), interrupts Guy’s attempts to ignore everyone around him. Chai, cheerful and innocent, quickly befriends Guy, holding his own as a participant in the same competition. Despite Guy’s dismissive attitude, Chai’s enthusiasm shines through, illustrating the stark contrast between their motivations for the Bee.
Upon arrival, the director of the event, Bernice Deagan (Allison Janney), confronts Guy about his antics, deeming him a disgrace to the competition. However, the charm and defiance that characterize Guy resonate, as he retorts with irreverent remarks. As the events unfold, it’s evident that Guy’s intentions are far more convoluted than mere competition; instead, he seems to be grappling with unresolved issues from his past.
Chaos ensues during the competition as Guy interacts with children and their families inappropriately, an obvious attempt to seek validation through shock rather than genuine achievement. He battles against Chai’s optimistic resolve and even his father’s disapproving glare. In equal parts touching and outrageous, the diabolical journey evolves from a comedic farce to an awkward friendship between Guy and Chai, who continues to look up to him despite the latter’s questionable behavior.
As the contest progresses, humiliating secrets unravel, revealing deeper layers to Guy’s character. His manipulations and crude humor disrupt the serious nature of the Spelling Bee, leading to an ultimate confrontation as he learns about friendship, vulnerability, and the weight of his choices through Chai’s unwavering optimism.
In a final showdown, as the last competitors approach the podium, it becomes evident that this match is more than a game; it reflects a battle of self-discovery and the painful scars of childhood. Guy’s choice to sabotage rather than win becomes a pivotal point in his arc, stirring a poignant yet humorous commentary on adulthood, competition, and the relative innocence of childhood dreams. The distinct humor and heart embedded in their journey culminate in a conclusion where camaraderie and personal growth take center stage, ultimately leading to an unexpected alliance, even as the competition itself rages on.
The journey of Guy Trilby ultimately leads to poignant realizations about identity, belonging, and personal redemption, wrapped in the absurdity of a spelling competition that contemplates what it truly means to win. As Guy drives off alongside Chai, the car becomes a vessel for their shared adventure, highlighting that sometimes the most important victories are found in unexpected friendships, even forged through chaos and mischief.
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