#1 of 21 #1 drama movie of Week 11, 2016
2016 · Action, Sci-Fi
$110.2M worldwide · 55% of the chart's total
$72.1M US & Canada · 65% $38.1M elsewhere · 35%
Drama box office · Week 11 · Mar 6–12, 2016
Drama Box Office, Week 11 of 2016: Drama Releases of Mar 6–12
10 Cloverfield Lane (2016) is the highest-grossing drama movie released in week 11 of 2016 (Mar 6–12), with $110.2M worldwide, ahead of Eye in the Sky (2016) at $35.3M and Hello, My Name Is Doris (2016) at $14.7M. 21 drama films released that week report a worldwide gross, $200.2M in all, 57% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 15% on Week 10, 2016, whose releases took $236.1M. By language, English leads with $171.9M across 11 drama releases.
- week 11 releases with a gross
- 21
- combined worldwide
- $200.2M
- film crossed $100M
- 1
- vs Week 10, 2016
- −15%
#1 of 21 Top 5
What Were the Biggest Drama Hits of Week 11 of 2016?
10 Cloverfield Lane (2016) leads with $110.2M, 55% of the total. The top 5 together took $178.8M, 89% of what all 21 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Drama Release of Week 11 of 2016, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2016 (Mar 6–12).
- 1 Mar 11, 2016 US and Canada: $72.1M Rest of the world: $38.1M Worldwide: $110.2M
- 2 Mar 11, 2016 US and Canada: $18.7M Rest of the world: $16.6M Worldwide: $35.3M
- 3 Mar 11, 2016 US and Canada: $14.4M Rest of the world: $214.4K Worldwide: $14.7M
- 4 Everest: The Summit of the Gods (2016)Mar 12, 2016 US and Canada: – Rest of the world: – Worldwide: $9.9M
Mar 12, 2016 · Japanese · Drama, Mystery, Adventure $9.9M worldwide - 5 Mar 11, 2016 US and Canada: $506.7K Rest of the world: $8.2M Worldwide: $8.8M
- 6
Mar 11, 2016 US and Canada: $6.5M Rest of the world: $839.9K Worldwide: $7.3M - 7
Mar 11, 2016 US and Canada: – Rest of the world: – Worldwide: $6.4M - 8
Mar 11, 2016 US and Canada: $1.2M Rest of the world: $3.1M Worldwide: $4.2M - 9
Mar 6, 2016 US and Canada: – Rest of the world: – Worldwide: $2.1M - 10
Mar 11, 2016 US and Canada: – Rest of the world: – Worldwide: $504K - 11
Mar 10, 2016 US and Canada: – Rest of the world: – Worldwide: $287.9K - 12
Mar 6, 2016 US and Canada: – Rest of the world: – Worldwide: $158.6K - 13
Mar 10, 2016 US and Canada: – Rest of the world: – Worldwide: $148.7K - 14
Mar 11, 2016 US and Canada: $1.4K Rest of the world: $86.3K Worldwide: $87.8K - 15
Mar 11, 2016 US and Canada: $63K Rest of the world: Worldwide: $63K - 16
Mar 10, 2016 US and Canada: – Rest of the world: – Worldwide: $27.2K - 17
Mar 11, 2016 US and Canada: – Rest of the world: – Worldwide: $17.3K - 18
Mar 11, 2016 US and Canada: – Rest of the world: – Worldwide: $17.2K - 19
Mar 12, 2016 US and Canada: – Rest of the world: – Worldwide: $14K - 20
Mar 12, 2016 US and Canada: $8.1K Rest of the world: Worldwide: $8.1K - 21
Mar 11, 2016 US and Canada: $4.6K Rest of the world: Worldwide: $4.6K
US & Canada vs the world
Where Did the Money Come From in Week 11 of 2016?
Of the top 10, Hello, My Name Is Doris (2016) earned the biggest share at home (99% in the US & Canada), while Marguerite (2016) made 94% of its gross abroad. Across all 21 films, $113.5M (57%) came from the US & Canada. 4 films of the top 10 report no US & Canada figure.
- 1 10 Cloverfield Lane (2016) $110.2M $72.1M US & Canada · 65% $38.1M elsewhere · 35%
- 2 Eye in the Sky (2016) $35.3M $18.7M US & Canada · 53% $16.6M elsewhere · 47%
- 3 Hello, My Name Is Doris (2016) $14.7M $14.4M US & Canada · 99% $214.4K elsewhere · 1%
- 4 Everest: The Summit of the Gods (2016) $9.9M No US & Canada figure reported
- 5 Marguerite (2016) $8.8M $506.7K US & Canada · 6% $8.2M elsewhere · 94%
- 6 The Young Messiah (2016) $7.3M $6.5M US & Canada · 89% $839.9K elsewhere · 11%
- 7 Admiral (2016) $6.4M No US & Canada figure reported
- 8 Remember (2016) $4.2M $1.2M US & Canada · 28% $3.1M elsewhere · 72%
- 9 The Olive Tree (2016) $2.1M No US & Canada figure reported
- 10 Ardaas (2016) $504K No US & Canada figure reported
Gross bands
How Many Week 11 of 2016 Releases Crossed $100 Million?
1 of 21 films crossed $100M and took $110.2M between them, 55% of the total. 18 films, 86% of the list, earned under $10M.
55% 25% 20%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 1 film, 5% of the list $110.2M · 55% of the gross
- $10M to $100M 2 films, 10% of the list $49.9M · 25% of the gross
- Under $10M 18 films, 86% of the list $40M · 20% of the gross
Weeks around it
How Does Week 11 Compare With the Weeks Around It?
Week 11 releases took $200.2M. The biggest of these 9 weeks is week 10 (Feb 28–Mar 5) with $236.1M, led by London Has Fallen (2016).
- Week 5 Wk 5 Jan 24–30 The Finest Hours (2016) $66.5M The Finest Hours (2016)
- Week 6 Wk 6 Jan 31–Feb 6 Hail, Caesar! (2016) $125.1M Hail, Caesar! (2016)
- Week 7 Wk 7 Feb 7–13 Mountains May Depart (2016) $13.8M Mountains May Depart (2016)
- Week 8 Wk 8 Feb 14–20 Risen (2016) $109.7M Risen (2016)
- Week 9 Wk 9 Feb 21–27 Eddie the Eagle (2016) $140.5M Eddie the Eagle (2016)
- Week 10 Wk 10 Feb 28–Mar 5 London Has Fallen (2016) $236.1M London Has Fallen (2016)
- Week 11 Wk 11 Mar 6–12 10 Cloverfield Lane (2016) $200.2M 10 Cloverfield Lane (2016)
- Week 12 Wk 12 Mar 13–19 Miracles from Heaven (2016) $155.5M Miracles from Heaven (2016)
- Week 13 Wk 13 Mar 20–26 I Saw the Light (2016) $5.6M I Saw the Light (2016)
Earlier years
How Does Week 11 of 2016 Compare With Earlier Years?
Of these 10 years, Week 11, 2014 earned the most: $248.5M from 12 films, led by Need For Speed (2014). Week 11, 2016 took $200.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 2007 Mar 11–17 10 films | 10 | $125.4M | – | Premonition (2007) $84.3M |
| Week 11, 2008 Mar 9–15 16 films · −31% | 16 | $87M | −31% | Never Back Down (2008) $41.6M |
| Week 11, 2009 Mar 8–14 15 films · +21% | 15 | $105.2M | +21% | The Last House on the Left (2009) $46M |
| Week 11, 2010 Mar 7–13 16 films · +111% | 16 | $221.9M | +111% | Green Zone (2010) $113.4M |
| Week 11, 2011 Mar 6–12 11 films · −20% | 11 | $177.1M | −20% | Red Riding Hood (2011) $90.3M |
| Week 11, 2012 Mar 11–17 12 films · −49% | 12 | $90.1M | −49% | We Were There: First Love (2012) $49.7M |
| Week 11, 2013 Mar 10–16 16 films · +32% | 16 | $118.9M | +32% | Spring Breakers (2013) $32M |
| Week 11, 2014 Mar 9–15 12 films · +109% | 12 | $248.5M | +109% | Need For Speed (2014) $203.3M |
| Week 11, 2015 Mar 8–14 16 films · −61% | 16 | $97M | −61% | Run All Night (2015) $71.7M |
| Week 11, 2016 Mar 6–12 21 films · +106% | 21 | $200.2M | +106% | 10 Cloverfield Lane (2016) $110.2M |
By language
Which Languages Do the Biggest Drama Movies Speak in Week 11 of 2016?
English-language drama films took $171.9M across 11 films, 86% of the total, ahead of Japanese-language drama films ($9.9M) and French-language drama films ($8.8M).
Week 11 of 2016 Drama Box Office by Language
-
English $171.9M11 films · #1 10 Cloverfield Lane (2016) - Japanese $9.9M1 film · #1 Everest: The Summit of the Gods (2016)
-
French $8.8M1 film · #1 Marguerite (2016) -
Dutch $6.4M1 film · #1 Admiral (2016) -
Spanish $2.2M2 films · #1 The Olive Tree (2016) -
Punjabi $504K1 film · #1 Ardaas (2016) -
Chinese $287.9K1 film · #1 The Kid from the Big Apple (2016) -
Korean $148.7K1 film · #1 Hiya (2016) - Tamil $27.2K1 film · #1 Kadhalum Kadanthu Pogum (2016)
-
Icelandic $17.3K1 film · #1 Reykjavík (2016)
Archive
Drama Box Office in 2016, Week by Week
53 weeks of 2016 with reported grosses; the biggest is week 52 (Dec 18–24) with $1.7B, led by Sing (2016).
- Week 1 $40.1M
- Week 2 $55.4M
- Week 3 $21M
- Week 4 $177.5M
- Week 5 $66.5M
- Week 6 $125.1M
- Week 7 $13.8M
- Week 8 $109.7M
- Week 9 $140.5M
- Week 10 $236.1M
- Week 11 $200.2M
- Week 12 $155.5M
- Week 13 $5.6M
- Week 14 $61.5M
- Week 15 $11.7M
- Week 16 $1.1B
- Week 17 $214.4M
- Week 18 $120.6M
- Week 19 $17.6M
- Week 20 $183.6M
- Week 21 $33.1M
- Week 22 $3.9M
- Week 23 $217.2M
- Week 24 $14.2M
- Week 25 $16.3M
- Week 26 $202.2M
- Week 27 $413.3M
- Week 28 $251.6M
- Week 29 $67.5M
- Week 30 $15.1M
- Week 31 $11.8M
- Week 32 $137.3M
- Week 33 $229.2M
- Week 34 $205.8M
- Week 35 $80.1M
- Week 36 $47.8M
- Week 37 $320.3M
- Week 38 $100M
- Week 39 $109.3M
- Week 40 $549M
- Week 41 $267.4M
- Week 42 $264M
- Week 43 $362.1M
- Week 44 $76.8M
- Week 45 $259M
- Week 46 $339.8M
- Week 47 $170.6M
- Week 48 $333.1M
- Week 49 $42M
- Week 50 $592.5M
- Week 51 $249.2M
- Week 52 $1.7B
- Week 53 $296.4M
FAQ
Drama Box Office Week 11 of 2016: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 21 films as the chart.
What is the highest-grossing drama movie in week 11 of 2016 (Mar 6–12)?
10 Cloverfield Lane (2016) leads with $110.2M worldwide, $72.1M of it in the US & Canada. Next come Eye in the Sky (2016) at $35.3M and Hello, My Name Is Doris (2016) at $14.7M.
How much did drama movies released in week 11 of 2016 (Mar 6–12) earn?
21 drama films released in week 11 of 2016 (Mar 6–12) report a worldwide gross, $200.2M in all, or $9.5M per film on average. Week 10, 2016 releases took $236.1M.
How many drama movies released in week 11 of 2016 (Mar 6–12) made $1 billion?
None. 1 film crossed $100 million, led by 10 Cloverfield Lane (2016) with $110.2M.
How is the week 11, 2016 drama box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2016 (Mar 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 11, 2016 drama box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.