#1 of 32 2017 · Adventure, Mystery
$814.6M worldwide · 76% of the chart's total
Coco (2017) is the highest-grossing movie released in week 47 of 2017 (Nov 19–25), with $814.6M worldwide, ahead of Darkest Hour (2017) at $150.8M and Call Me by Your Name (2017) at $67.5M. 32 films released that week report a worldwide gross, $1.1B in all, 27% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is level with Week 46, 2017, whose releases took $1.1B. By genre, Drama leads with $242.7M across 9 releases.
#1 of 32 2017 · Adventure, Mystery
$814.6M worldwide · 76% of the chart's total
Coco (2017) leads with $814.6M, 76% of the total. The top 5 together took $1.1B, 98% of what all 32 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 47 of 2017 (Nov 19–25).
Nov 22, 2017 US and Canada: $210.5M Rest of the world: $604.2M Worldwide: $814.6M
Nov 22, 2017 US and Canada: $56.5M Rest of the world: $94.4M Worldwide: $150.8M
Nov 24, 2017 US and Canada: $18.1M Rest of the world: $49.4M Worldwide: $67.5M
Nov 22, 2017 US and Canada: – Rest of the world: – Worldwide: $14.4M
Nov 22, 2017 US and Canada: $5.7M Rest of the world: $2.5M Worldwide: $8.1M
Nov 24, 2017 US and Canada: $122.7K Rest of the world: $7.6M Worldwide: $7.7M
Nov 23, 2017 US and Canada: – Rest of the world: – Worldwide: $2.5M
Nov 23, 2017 US and Canada: – Rest of the world: – Worldwide: $2M
Nov 23, 2017 US and Canada: – Rest of the world: – Worldwide: $1.9M
Nov 24, 2017 US and Canada: – Rest of the world: – Worldwide: $1.6M
Nov 24, 2017 US and Canada: $820.3K Rest of the world: $272.6K Worldwide: $1.1M
Nov 24, 2017 US and Canada: – Rest of the world: – Worldwide: $856.6K
Nov 24, 2017 US and Canada: – Rest of the world: – Worldwide: $459.1K
Nov 25, 2017 US and Canada: – Rest of the world: – Worldwide: $232.9K
Nov 24, 2017 US and Canada: – Rest of the world: – Worldwide: $215.1K
Nov 21, 2017 US and Canada: – Rest of the world: – Worldwide: $122.4K
Nov 23, 2017 US and Canada: – Rest of the world: – Worldwide: $95K
Nov 24, 2017 US and Canada: – Rest of the world: – Worldwide: $51.2K
Nov 24, 2017 US and Canada: – Rest of the world: – Worldwide: $15.1K
Nov 22, 2017 US and Canada: – Rest of the world: – Worldwide: $15K
Nov 20, 2017 US and Canada: – Rest of the world: – Worldwide: $12.4K
Nov 24, 2017 US and Canada: – Rest of the world: – Worldwide: $7.3K
Nov 24, 2017 US and Canada: – Rest of the world: – Worldwide: $5K
Nov 24, 2017 US and Canada: – Rest of the world: – Worldwide: $4.7K
Nov 23, 2017 US and Canada: – Rest of the world: – Worldwide: $4.4K
Nov 21, 2017 US and Canada: – Rest of the world: – Worldwide: $4.1K
Nov 24, 2017 US and Canada: – Rest of the world: – Worldwide: $3.4K
Nov 24, 2017 US and Canada: – Rest of the world: – Worldwide: $1K
Nov 24, 2017 US and Canada: – Rest of the world: – Worldwide: $701
Nov 19, 2017 US and Canada: – Rest of the world: – Worldwide: $225 Of the top 10, The Man Who Invented Christmas (2017) earned the biggest share at home (70% in the US & Canada), while Explosion (2017) made 98% of its gross abroad. Across all 32 films, $291.6M (27%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
2 of 32 films crossed $100M and took $965.5M between them, 90% of the total. 28 films, 88% of the list, earned under $10M.
Week 47 releases took $1.1B. The biggest of these 9 weeks is week 44 (Oct 29–Nov 4) with $1.1B, led by Thor: Ragnarok (2017).
Of these 10 years, Week 47, 2009 earned the most: $1.3B from 26 films, led by The Twilight Saga: New Moon (2009). Week 47, 2017 took $1.1B.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 47, 2008 Nov 16–22 21 films | 21 | $756.9M | – | Twilight (2008) $408.5M |
| Week 47, 2009 Nov 15–21 26 films · +75% | 26 | $1.3B | +75% | The Twilight Saga: New Moon (2009) $711M |
| Week 47, 2010 Nov 14–20 20 films · −14% | 20 | $1.1B | −14% | Harry Potter and the Deathly Hallows: Part I (2010) $1B |
| Week 47, 2011 Nov 13–19 22 films · −7% | 22 | $1.1B | −7% | The Twilight Saga: Breaking Dawn - Part 1 (2011) $712.2M |
| Week 47, 2012 Nov 18–24 22 films · −1% | 22 | $1.1B | −1% | Life of Pi (2012) $609M |
| Week 47, 2013 Nov 17–23 27 films · +2% | 27 | $1.1B | +2% | The Hunger Games: Catching Fire (2013) $865M |
| Week 47, 2014 Nov 16–22 23 films · −28% | 23 | $772.2M | −28% | The Hunger Games: Mockingjay - Part 1 (2014) $759.2M |
| Week 47, 2015 Nov 15–21 27 films · +18% | 27 | $913.3M | +18% | The Hunger Games: Mockingjay - Part 2 (2015) $661.5M |
| Week 47, 2016 Nov 13–19 42 films · +17% | 42 | $1.1B | +17% | Fantastic Beasts and Where to Find Them (2016) $816M |
| Week 47, 2017 Nov 19–25 32 films · +1% | 32 | $1.1B | +1% | Coco (2017) $814.6M |
Drama took $242.7M across 9 films, 23% of the total, ahead of Biography ($160.1M) and History ($153.9M). A film counts once for each of its genres. English-language films took $229M across 11 films, 21% of the total, ahead of Dzongkha-language films ($14.4M) and Chinese-language films ($9.3M).
53 weeks of 2017 with reported grosses; the biggest is week 51 (Dec 17–23) with $2.2B, led by Jumanji: Welcome to the Jungle (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 32 films as the chart.
Coco (2017) leads with $814.6M worldwide, $210.5M of it in the US & Canada. Next come Darkest Hour (2017) at $150.8M and Call Me by Your Name (2017) at $67.5M.
32 films released in week 47 of 2017 (Nov 19–25) report a worldwide gross, $1.1B in all, or $33.7M per film on average. Week 46, 2017 releases took $1.1B.
None. 2 films crossed $100 million, led by Coco (2017) with $814.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 47 of 2017 (Nov 19–25). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.