#1 of 34 2019 · Adventure, Drama
$80.7M worldwide · 45% of the chart's total
A Dog's Way Home (2019) is the highest-grossing movie released in week 2 of 2019 (Jan 6–12), with $80.7M worldwide, ahead of Uri: The Surgical Strike (2019) at $39.3M and Fate/stay night: Heaven’s Feel II. Lost Butterfly (2019) at $17.3M. 34 films released that week report a worldwide gross, $178.9M in all, 29% of it from the US & Canada. That is down 8% on Week 1, 2019, whose releases took $193.8M. By genre, Drama leads with $158.8M across 20 releases.
#1 of 34 2019 · Adventure, Drama
$80.7M worldwide · 45% of the chart's total
A Dog's Way Home (2019) leads with $80.7M, 45% of the total. The top 5 together took $161.3M, 90% of what all 34 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 2 of 2019 (Jan 6–12).
Jan 11, 2019 US and Canada: $42M Rest of the world: $38.7M Worldwide: $80.7M
Jan 11, 2019 US and Canada: $4.2M Rest of the world: $35.2M Worldwide: $39.3M
Jan 9, 2019 US and Canada: – Rest of the world: – Worldwide: $14.7M
Jan 11, 2019 US and Canada: $4M Rest of the world: $5.3M Worldwide: $9.3M
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $3.3M
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $2.3M
Jan 10, 2019 US and Canada: – Rest of the world: – Worldwide: $2M
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $1.6M
Jan 9, 2019 US and Canada: – Rest of the world: – Worldwide: $1.5M
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $1.1M
Jan 10, 2019 US and Canada: – Rest of the world: – Worldwide: $918.7K
Jan 11, 2019 US and Canada: $685.4K Rest of the world: $199.3K Worldwide: $884.7K
Jan 10, 2019 US and Canada: – Rest of the world: – Worldwide: $607.1K
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $530.5K
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $424.7K
Jan 12, 2019 US and Canada: – Rest of the world: – Worldwide: $209.8K
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $141.1K
Jan 8, 2019 US and Canada: – Rest of the world: – Worldwide: $124.7K
Jan 8, 2019 US and Canada: – Rest of the world: – Worldwide: $78.5K
Jan 11, 2019 US and Canada: $13.8K Rest of the world: $61.7K Worldwide: $75.5K
Jan 11, 2019 US and Canada: $48.8K Rest of the world: Worldwide: $48.8K
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $42.8K
Jan 11, 2019 US and Canada: $9.3K Rest of the world: $15.3K Worldwide: $24.6K
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $15.5K
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $10.1K
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $5.5K
Jan 11, 2019 US and Canada: $4.4K Rest of the world: Worldwide: $4.4K
Jan 10, 2019 US and Canada: – Rest of the world: – Worldwide: $4.2K
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $3.3K
Jan 11, 2019 US and Canada: $790 Rest of the world: Worldwide: $790
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $522 Of the top 10, A Dog's Way Home (2019) earned the biggest share at home (52% in the US & Canada), while Fate/stay night: Heaven’s Feel II. Lost Butterfly (2019) made 98% of its gross abroad. Across all 34 films, $51.6M (29%) came from the US & Canada. 6 films of the top 10 report no US & Canada figure.
None of the 34 films reached $100M. 30 films, 88% of the list, earned under $10M. Each band shows its films and its share of the $178.9M total.
Week 2 releases took $178.9M. The biggest of these 9 weeks is week 51, 2018 (Dec 16–22) with $2.3B, led by Aquaman (2018).
Of these 10 years, Week 2, 2015 earned the most: $539.2M from 14 films, led by Taken 3 (2015). Week 2, 2019 took $178.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 2, 2010 Jan 3–9 21 films | 21 | $98.5M | – | Daybreakers (2010) $51.4M |
| Week 2, 2011 Jan 2–8 8 films · +15% | 8 | $112.8M | +15% | Season of the Witch (2011) $91.6M |
| Week 2, 2012 Jan 8–14 19 films · +74% | 19 | $195.9M | +74% | Contraband (2012) $96.3M |
| Week 2, 2013 Jan 6–12 17 films · +9% | 17 | $214.4M | +9% | Gangster Squad (2013) $105.2M |
| Week 2, 2014 Jan 5–11 28 films · −25% | 28 | $161.1M | −25% | The Legend of Hercules (2014) $61.3M |
| Week 2, 2015 Jan 4–10 14 films · +235% | 14 | $539.2M | +235% | Taken 3 (2015) $326.5M |
| Week 2, 2016 Jan 3–9 18 films · −81% | 18 | $103.2M | −81% | The Forest (2016) $39.7M |
| Week 2, 2017 Jan 8–14 27 films · +141% | 27 | $248.3M | +141% | One Piece Film: Gold (2017) $66.2M |
| Week 2, 2018 Jan 7–13 32 films · +93% | 32 | $478.6M | +93% | Paddington 2 (2018) $290.1M |
| Week 2, 2019 Jan 6–12 34 films · −63% | 34 | $178.9M | −63% | A Dog's Way Home (2019) $80.7M |
Drama took $158.8M across 20 films, 89% of the total, ahead of Adventure ($83.8M) and Family ($83M). A film counts once for each of its genres. English-language films took $96.9M across 16 films, 54% of the total, ahead of Hindi-language films ($42.7M) and Japanese-language films ($19M).
53 weeks of 2019 with reported grosses; the biggest is week 17 (Apr 21–27) with $2.8B, led by Avengers: Endgame (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 34 films as the chart.
A Dog's Way Home (2019) leads with $80.7M worldwide, $42M of it in the US & Canada. Next come Uri: The Surgical Strike (2019) at $39.3M and Fate/stay night: Heaven’s Feel II. Lost Butterfly (2019) at $17.3M.
34 films released in week 2 of 2019 (Jan 6–12) report a worldwide gross, $178.9M in all, or $5.3M per film on average. Week 1, 2019 releases took $193.8M.
None. The biggest, A Dog's Way Home (2019), earned $80.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 2 of 2019 (Jan 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.