#1 of 28 2018 · Comedy, Drama
$94.9M worldwide · 22% of the chart's total
Kill Mobile (2018) is the highest-grossing movie released in week 52 of 2018 (Dec 23–29), with $94.9M worldwide, ahead of Vice (2018) at $76.1M and Simmba (2018) at $51.3M. 28 films released that week report a worldwide gross, $437.4M in all, 26% of it from the US & Canada. That is down 81% on Week 51, 2018, whose releases took $2.3B. By genre, Comedy leads with $332.2M across 15 releases.
#1 of 28 2018 · Comedy, Drama
$94.9M worldwide · 22% of the chart's total
Kill Mobile (2018) leads with $94.9M, 22% of the total. The top 5 together took $301.5M, 69% of what all 28 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 52 of 2018 (Dec 23–29).
Dec 28, 2018 US and Canada: – Rest of the world: – Worldwide: $94.9M
Dec 25, 2018 US and Canada: $47.8M Rest of the world: $28.2M Worldwide: $76.1M
Dec 28, 2018 US and Canada: $5.1M Rest of the world: $46.2M Worldwide: $51.3M
Dec 25, 2018 US and Canada: $30.6M Rest of the world: $9.9M Worldwide: $40.5M
Dec 25, 2018 US and Canada: $24.7M Rest of the world: $14.1M Worldwide: $38.8M
Dec 27, 2018 US and Canada: – Rest of the world: – Worldwide: $28.1M
Dec 28, 2018 US and Canada: $5.5M Rest of the world: $19M Worldwide: $24.4M
Dec 27, 2018 US and Canada: – Rest of the world: – Worldwide: $21.1M
Dec 26, 2018 US and Canada: $112.4K Rest of the world: $12.8M Worldwide: $12.9M
Dec 27, 2018 US and Canada: – Rest of the world: – Worldwide: $8.8M
Dec 28, 2018 US and Canada: – Rest of the world: – Worldwide: $8.7M
Dec 27, 2018 US and Canada: – Rest of the world: – Worldwide: $7.3M
Dec 25, 2018 US and Canada: $1.5M Rest of the world: $4M Worldwide: $5.6M
Dec 25, 2018 US and Canada: – Rest of the world: – Worldwide: $2.2M
Dec 25, 2018 US and Canada: – Rest of the world: – Worldwide: $2.1M
Dec 25, 2018 US and Canada: – Rest of the world: – Worldwide: $1.3M
Dec 28, 2018 US and Canada: – Rest of the world: – Worldwide: $825.4K
Dec 23, 2018 US and Canada: $303K Rest of the world: $318.1K Worldwide: $621.1K
Dec 27, 2018 US and Canada: – Rest of the world: – Worldwide: $264.5K
Dec 25, 2018 US and Canada: – Rest of the world: – Worldwide: $189K
Dec 23, 2018 US and Canada: – Rest of the world: – Worldwide: $77.5K
Dec 23, 2018 US and Canada: – Rest of the world: – Worldwide: $70.1K
Dec 25, 2018 US and Canada: – Rest of the world: – Worldwide: $32K
Dec 25, 2018 US and Canada: – Rest of the world: – Worldwide: $15K
Dec 25, 2018 US and Canada: – Rest of the world: – Worldwide: $6K
Dec 25, 2018 US and Canada: – Rest of the world: – Worldwide: $3.6K Of the top 10, Holmes & Watson (2018) earned the biggest share at home (76% in the US & Canada), while Take Point (2018) made 99% of its gross abroad. Across all 28 films, $115.6M (26%) came from the US & Canada. 4 films of the top 10 report no US & Canada figure.
None of the 28 films reached $100M. 19 films, 68% of the list, earned under $10M. Each band shows its films and its share of the $437.4M total.
Week 52 releases took $437.4M. The biggest of these 9 weeks is week 51 (Dec 16–22) with $2.3B, led by Aquaman (2018).
Of these 10 years, Week 52, 2016 earned the most: $2B from 26 films, led by Sing (2016). Week 52, 2018 took $437.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 52, 2009 Dec 20–26 16 films | 16 | $1.3B | – | Sherlock Holmes (2009) $524M |
| Week 52, 2010 Dec 19–25 18 films · −17% | 18 | $1.1B | −17% | Little Fockers (2010) $310.7M |
| Week 52, 2011 Dec 18–24 22 films · −41% | 22 | $623.7M | −41% | The Adventures of Tintin (2011) $374M |
| Week 52, 2012 Dec 23–29 21 films · +80% | 21 | $1.1B | +80% | Les Miserables (2012) $442.8M |
| Week 52, 2013 Dec 22–28 15 films · −3% | 15 | $1.1B | −3% | The Wolf of Wall Street (2013) $407M |
| Week 52, 2014 Dec 21–27 24 films · +7% | 24 | $1.2B | +7% | American Sniper (2014) $547.7M |
| Week 52, 2015 Dec 20–26 23 films · +21% | 23 | $1.4B | +21% | The Revenant (2015) $533M |
| Week 52, 2016 Dec 18–24 26 films · +44% | 26 | $2B | +44% | Sing (2016) $634.3M |
| Week 52, 2017 Dec 24–30 24 films · −78% | 24 | $438M | −78% | Three Seconds (2017) $108.6M |
| Week 52, 2018 Dec 23–29 28 films · ±0% | 28 | $437.4M | ±0% | Kill Mobile (2018) $94.9M |
Comedy took $332.2M across 15 films, 76% of the total, ahead of Drama ($329.1M) and Biography ($140.1M). A film counts once for each of its genres. English-language films took $186.2M across 8 films, 43% of the total, ahead of Chinese-language films ($102.2M) and Hindi-language films ($51.3M).
53 weeks of 2018 with reported grosses; the biggest is week 7 (Feb 11–17) with $2.6B, led by Black Panther (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 28 films as the chart.
Kill Mobile (2018) leads with $94.9M worldwide. Next come Vice (2018) at $76.1M and Simmba (2018) at $51.3M.
28 films released in week 52 of 2018 (Dec 23–29) report a worldwide gross, $437.4M in all, or $15.6M per film on average. Week 51, 2018 releases took $2.3B.
None. The biggest, Kill Mobile (2018), earned $94.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 52 of 2018 (Dec 23–29). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.