#1 of 36 #1 movie of Week 13, 2018
2018 · Action, Adventure
$607.9M worldwide · 77% of the chart's total
$137.7M US & Canada · 23% $470.2M elsewhere · 77%
Box office · Week 13 · Mar 25–31, 2018
Box Office Week 13, 2018: Highest-Grossing Releases of Mar 25–31
Ready Player One (2018) is the highest-grossing movie released in week 13 of 2018 (Mar 25–31), with $607.9M worldwide, ahead of Acrimony (2018) at $46.4M and Nothing to Lose (2018) at $36.1M. 36 films released that week report a worldwide gross, $794.6M in all, 24% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 19% on Week 12, 2018, whose releases took $670.3M. By genre, Thriller leads with $691.3M across 9 releases.
- week 13 releases with a gross
- 36
- combined worldwide
- $794.6M
- film crossed $100M
- 1
- vs Week 12, 2018
- +19%
#1 of 36 Top 5
What Were the Biggest Hits of Week 13 of 2018?
Ready Player One (2018) leads with $607.9M, 77% of the total. The top 5 together took $740.3M, 93% of what all 36 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Release of Week 13 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 2018 (Mar 25–31).
- 1 Mar 29, 2018 US and Canada: $137.7M Rest of the world: $470.2M Worldwide: $607.9M
- 2 Mar 30, 2018 US and Canada: $43.5M Rest of the world: $2.9M Worldwide: $46.4M
- 3 Mar 29, 2018 US and Canada: $1M Rest of the world: $35.1M Worldwide: $36.1M
- 4 Mar 30, 2018 US and Canada: $1.3M Rest of the world: $31.8M Worldwide: $33.1M
- 5 Mar 28, 2018 US and Canada: $115.3K Rest of the world: $16.7M Worldwide: $16.8M
- 6
Mar 30, 2018 US and Canada: $1.4M Rest of the world: $14.4M Worldwide: $15.8M - 7
Jim Button and Luke the Engine Driver (2018)Mar 29, 2018 US and Canada: – Rest of the world: – Worldwide: $12.8M
Mar 29, 2018 · German · Fantasy, Family $12.8M worldwide - 8
Mar 26, 2018 US and Canada: – Rest of the world: – Worldwide: $8.9M - 9
Mar 30, 2018 US and Canada: $5.7M Rest of the world: $1.7M Worldwide: $7.4M - 10
Mar 30, 2018 US and Canada: – Rest of the world: – Worldwide: $2.6M - 11
Mar 28, 2018 US and Canada: – Rest of the world: – Worldwide: $2.6M - 12
Mar 29, 2018 US and Canada: – Rest of the world: – Worldwide: $947.3K - 13
Mar 29, 2018 US and Canada: – Rest of the world: – Worldwide: $656.5K - 14
Mar 29, 2018 US and Canada: – Rest of the world: – Worldwide: $551.8K - 15
Mar 30, 2018 US and Canada: $4.8K Rest of the world: $411.4K Worldwide: $416.2K - 16
Mar 29, 2018 US and Canada: – Rest of the world: – Worldwide: $326.4K - 17
Mar 30, 2018 US and Canada: – Rest of the world: – Worldwide: $197.7K - 18
Mar 28, 2018 US and Canada: – Rest of the world: – Worldwide: $189.1K - 19
Mar 30, 2018 US and Canada: $121.1K Rest of the world: $7.5K Worldwide: $128.6K - 20
Mar 29, 2018 US and Canada: – Rest of the world: – Worldwide: $127.8K - 21
Mar 31, 2018 US and Canada: – Rest of the world: – Worldwide: $115.6K - 22
The Swan Princess: A Royal Myztery (2018)Mar 27, 2018 US and Canada: – Rest of the world: – Worldwide: $107.7K
Mar 27, 2018 · English · Animation, Family $107.7K worldwide - 23
Mar 28, 2018 US and Canada: – Rest of the world: – Worldwide: $100.7K - 24
Mar 30, 2018 US and Canada: $68.5K Rest of the world: Worldwide: $68.5K - 25
Mar 30, 2018 US and Canada: – Rest of the world: – Worldwide: $62K - 26
Mar 31, 2018 US and Canada: – Rest of the world: – Worldwide: $60.5K - 27
Mar 28, 2018 US and Canada: – Rest of the world: – Worldwide: $60.4K - 28
Mar 30, 2018 US and Canada: $48.7K Rest of the world: Worldwide: $48.7K - 29
Mar 30, 2018 US and Canada: $14.4K Rest of the world: Worldwide: $14.4K - 30
Mar 29, 2018 US and Canada: – Rest of the world: – Worldwide: $13.7K - 31
Mar 28, 2018 US and Canada: – Rest of the world: – Worldwide: $13.4K - 32
Mar 25, 2018 US and Canada: – Rest of the world: – Worldwide: $13.2K - 33
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Mar 25, 2018 US and Canada: – Rest of the world: – Worldwide: $8.5K - 34
Mar 26, 2018 US and Canada: – Rest of the world: – Worldwide: $7.4K - 35
Mar 28, 2018 US and Canada: – Rest of the world: – Worldwide: $5.2K - 36
Mar 30, 2018 US and Canada: $3.6K Rest of the world: Worldwide: $3.6K
US & Canada vs the world
Where Did the Money Come From in Week 13 of 2018?
Of the top 10, Acrimony (2018) earned the biggest share at home (94% in the US & Canada), while Gonjiam: Haunted Asylum (2018) made 99% of its gross abroad. Across all 36 films, $191.1M (24%) came from the US & Canada. 3 films of the top 10 report no US & Canada figure.
- 1 Ready Player One (2018) $607.9M $137.7M US & Canada · 23% $470.2M elsewhere · 77%
- 2 Acrimony (2018) $46.4M $43.5M US & Canada · 94% $2.9M elsewhere · 6%
- 3 Nothing to Lose (2018) $36.1M $1M US & Canada · 3% $35.1M elsewhere · 97%
- 4 Baaghi 2 (2018) $33.1M $1.3M US & Canada · 4% $31.8M elsewhere · 96%
- 5 Gonjiam: Haunted Asylum (2018) $16.8M $115.3K US & Canada · <1% $16.7M elsewhere · 99%
- 6 Finding Your Feet (2018) $15.8M $1.4M US & Canada · 9% $14.4M elsewhere · 91%
- 7 Jim Button and Luke the Engine Driver (2018) $12.8M No US & Canada figure reported
- 8 Charming (2018) $8.9M No US & Canada figure reported
- 9 God's Not Dead: A Light in Darkness (2018) $7.4M $5.7M US & Canada · 77% $1.7M elsewhere · 23%
- 10 The Titan (2018) $2.6M No US & Canada figure reported
Gross bands
How Many Week 13 of 2018 Releases Crossed $100 Million?
1 of 36 films crossed $100M and took $607.9M between them, 77% of the total. 29 films, 81% of the list, earned under $10M.
77% 20%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 1 film, 3% of the list $607.9M · 77% of the gross
- $100M to $500M 0 films, 0% of the list No films
- $10M to $100M 6 films, 17% of the list $161M · 20% of the gross
- Under $10M 29 films, 81% of the list $25.8M · 3% of the gross
Weeks around it
How Does Week 13 Compare With the Weeks Around It?
Week 13 releases took $794.6M. The biggest of these 9 weeks is week 7 (Feb 11–17) with $2.6B, led by Black Panther (2018).
- Week 7 Wk 7 Feb 11–17 Black Panther (2018) $2.6B Black Panther (2018)
- Week 8 Wk 8 Feb 18–24 Operation Red Sea (2018) $819.9M Operation Red Sea (2018)
- Week 9 Wk 9 Feb 25–Mar 3 Red Sparrow (2018) $239.2M Red Sparrow (2018)
- Week 10 Wk 10 Mar 4–10 A Wrinkle in Time (2018) $310.8M A Wrinkle in Time (2018)
- Week 11 Wk 11 Mar 11–17 Tomb Raider (2018) $704.5M Tomb Raider (2018)
- Week 12 Wk 12 Mar 18–24 Pacific Rim: Uprising (2018) $670.3M Pacific Rim: Uprising (2018)
- Week 13 Wk 13 Mar 25–31 Ready Player One (2018) $794.6M Ready Player One (2018)
- Week 14 Wk 14 Apr 1–7 A Quiet Place (2018) $568.1M A Quiet Place (2018)
- Week 15 Wk 15 Apr 8–14 Rampage (2018) $636.2M Rampage (2018)
Earlier years
How Does Week 13 of 2018 Compare With Earlier Years?
Of these 10 years, Week 13, 2016 earned the most: $1B from 24 films, led by Batman v Superman: Dawn of Justice (2016). Week 13, 2018 took $794.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 13, 2009 Mar 22–28 21 films | 21 | $500M | – | Monsters vs Aliens (2009) $381.5M |
| Week 13, 2010 Mar 21–27 24 films · −74% | 24 | $131.7M | −74% | Hot Tub Time Machine (2010) $64.8M |
| Week 13, 2011 Mar 20–26 25 films · +73% | 25 | $227.3M | +73% | Sucker Punch (2011) $89.8M |
| Week 13, 2012 Mar 25–31 24 films · +137% | 24 | $538.5M | +137% | Wrath of the Titans (2012) $302M |
| Week 13, 2013 Mar 24–30 22 films · +19% | 22 | $639.8M | +19% | G.I. Joe: Retaliation (2013) $375.7M |
| Week 13, 2014 Mar 23–29 26 films · −33% | 26 | $426.9M | −33% | Noah (2014) $359.2M |
| Week 13, 2015 Mar 22–28 22 films · +34% | 22 | $573.4M | +34% | Home (2015) $386M |
| Week 13, 2016 Mar 20–26 24 films · +76% | 24 | $1B | +76% | Batman v Superman: Dawn of Justice (2016) $874.4M |
| Week 13, 2017 Mar 26–Apr 1 33 films · −15% | 33 | $859.6M | −15% | The Boss Baby (2017) $528M |
| Week 13, 2018 Mar 25–31 36 films · −8% | 36 | $794.6M | −8% | Ready Player One (2018) $607.9M |
Genres & languages
Which Genres and Languages Earned the Most in Week 13 of 2018?
Thriller took $691.3M across 9 films, 87% of the total, ahead of Action ($641.7M) and Adventure ($620.8M). A film counts once for each of its genres. English-language films took $690.8M across 15 films, 87% of the total, ahead of Portuguese-language films ($36.1M) and Hindi-language films ($33.1M).
Week 13 of 2018 Box Office by Genre
-
Thriller $691.3M9 films · #1 Ready Player One (2018) -
Action $641.7M4 films · #1 Ready Player One (2018) -
Adventure $620.8M3 films · #1 Ready Player One (2018) -
Animation $616.9M3 films · #1 Ready Player One (2018) -
Sci-Fi $610.5M2 films · #1 Ready Player One (2018) -
Drama $109.8M17 films · #1 Acrimony (2018) -
History $36.1M1 film · #1 Nothing to Lose (2018) -
Comedy $26.7M13 films · #1 Finding Your Feet (2018) -
Romance $24.7M3 films · #1 Finding Your Feet (2018) -
Fantasy $22.1M3 films · #1 Jim Button and Luke the Engine Driver (2018)
Week 13 of 2018 Box Office by Language
- English $690.8M15 films · #1 Ready Player One (2018)
-
Portuguese $36.1M2 films · #1 Nothing to Lose (2018) -
Hindi $33.1M1 film · #1 Baaghi 2 (2018) -
Korean $16.8M1 film · #1 Gonjiam: Haunted Asylum (2018) - German $13.4M2 films · #1 Jim Button and Luke the Engine Driver (2018)
-
French $2.8M2 films · #1 The Red Collar (2018) - Telugu $551.8K1 film · #1 Rangasthalam (2018)
-
Afrikaans $326.4K1 film · #1 Susters (2018) - Malayalam $257.2K3 films · #1 Kuttanadan Marpappa (2018)
-
Chinese $128.6K1 film · #1 Love After Love (2018)
Archive
Box Office in 2018, Week by Week
53 weeks of 2018 with reported grosses; the biggest is week 7 (Feb 11–17) with $2.6B, led by Black Panther (2018).
- Week 1 $288.4M
- Week 2 $478.6M
- Week 3 $357.5M
- Week 4 $446.8M
- Week 5 $128.1M
- Week 6 $826.2M
- Week 7 $2.6B
- Week 8 $819.9M
- Week 9 $239.2M
- Week 10 $310.8M
- Week 11 $704.5M
- Week 12 $670.3M
- Week 13 $794.6M
- Week 14 $568.1M
- Week 15 $636.2M
- Week 16 $170.5M
- Week 17 $2.2B
- Week 18 $256.7M
- Week 19 $199.4M
- Week 20 $967.4M
- Week 21 $427.1M
- Week 22 $129.7M
- Week 23 $471.9M
- Week 24 $1.5B
- Week 25 $1.4B
- Week 26 $277.1M
- Week 27 $890M
- Week 28 $976.6M
- Week 29 $679.7M
- Week 30 $1.4B
- Week 31 $491.3M
- Week 32 $999.8M
- Week 33 $585.7M
- Week 34 $263.7M
- Week 35 $129.5M
- Week 36 $479.6M
- Week 37 $361.7M
- Week 38 $383M
- Week 39 $704M
- Week 40 $1.6B
- Week 41 $435.3M
- Week 42 $353.6M
- Week 43 $245.2M
- Week 44 $1.2B
- Week 45 $718.2M
- Week 46 $1.3B
- Week 47 $1.1B
- Week 48 $192.8M
- Week 49 $115.4M
- Week 50 $782.9M
- Week 51 $2.3B
- Week 52 $437.4M
- Week 53 $8.1M
FAQ
Box Office Week 13 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 36 films as the chart.
What is the highest-grossing movie in week 13 of 2018 (Mar 25–31)?
Ready Player One (2018) leads with $607.9M worldwide, $137.7M of it in the US & Canada. Next come Acrimony (2018) at $46.4M and Nothing to Lose (2018) at $36.1M.
How much did movies released in week 13 of 2018 (Mar 25–31) earn?
36 films released in week 13 of 2018 (Mar 25–31) report a worldwide gross, $794.6M in all, or $22.1M per film on average. Week 12, 2018 releases took $670.3M.
How many movies released in week 13 of 2018 (Mar 25–31) made $1 billion?
None. 1 film crossed $100 million, led by Ready Player One (2018) with $607.9M.
How is the week 13, 2018 box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 2018 (Mar 25–31). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 13, 2018 box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.