#1 of 26 2018 · Action, Adventure
$622.7M worldwide · 70% of the chart's total
Ant-Man and the Wasp (2018) is the highest-grossing movie released in week 27 of 2018 (Jul 1–7), with $622.7M worldwide, ahead of The First Purge (2018) at $137.1M and Bleeding Steel (2018) at $48.8M. 26 films released that week report a worldwide gross, $890M in all, 35% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is 3.2 times the total of Week 26, 2018, whose releases took $277.1M. By genre, Sci-Fi leads with $852.4M across 5 releases.
#1 of 26 2018 · Action, Adventure
$622.7M worldwide · 70% of the chart's total
Ant-Man and the Wasp (2018) leads with $622.7M, 70% of the total. The top 5 together took $852.4M, 96% of what all 26 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 27 of 2018 (Jul 1–7).
Jul 6, 2018 US and Canada: $216.6M Rest of the world: $406M Worldwide: $622.7M
Jul 4, 2018 US and Canada: $69.5M Rest of the world: $67.6M Worldwide: $137.1M
Jul 6, 2018 US and Canada: – Rest of the world: – Worldwide: $48.8M
Jul 3, 2018 US and Canada: $525.3K Rest of the world: $25.1M Worldwide: $25.7M
Jul 6, 2018 US and Canada: $17.5M Rest of the world: $677.6K Worldwide: $18.2M
Jul 3, 2018 US and Canada: – Rest of the world: – Worldwide: $15.1M
Jul 6, 2018 US and Canada: – Rest of the world: – Worldwide: $7.9M
Jul 6, 2018 US and Canada: $3M Rest of the world: $1.6M Worldwide: $4.6M
Jul 6, 2018 US and Canada: – Rest of the world: – Worldwide: $4.3M
Jul 5, 2018 US and Canada: – Rest of the world: – Worldwide: $1.6M
Jul 1, 2018 US and Canada: – Rest of the world: – Worldwide: $1.3M
Jul 6, 2018 US and Canada: $117.5K Rest of the world: $867.3K Worldwide: $984.8K
Jul 6, 2018 US and Canada: $67.6K Rest of the world: $877.4K Worldwide: $945K
Jul 5, 2018 US and Canada: – Rest of the world: – Worldwide: $321.6K
Jul 3, 2018 US and Canada: – Rest of the world: – Worldwide: $271.1K
Jul 1, 2018 US and Canada: – Rest of the world: – Worldwide: $63.6K
Jul 6, 2018 US and Canada: – Rest of the world: – Worldwide: $52.4K
Jul 6, 2018 US and Canada: – Rest of the world: – Worldwide: $22.2K
Jul 6, 2018 US and Canada: – Rest of the world: – Worldwide: $22.2K
Jul 4, 2018 US and Canada: – Rest of the world: – Worldwide: $18.7K
Jul 1, 2018 US and Canada: – Rest of the world: – Worldwide: $14.1K
Jul 1, 2018 US and Canada: – Rest of the world: – Worldwide: $7.5K
Jul 3, 2018 US and Canada: – Rest of the world: – Worldwide: $5.9K
Jul 6, 2018 US and Canada: – Rest of the world: – Worldwide: $4.1K
Jul 2, 2018 US and Canada: – Rest of the world: – Worldwide: $1.8K
Jul 1, 2018 US and Canada: – Rest of the world: – Worldwide: $935 Of the top 10, Sorry to Bother You (2018) earned the biggest share at home (96% in the US & Canada), while Fireworks (2018) made 98% of its gross abroad. Across all 26 films, $307.4M (35%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
2 of 26 films crossed $100M and took $759.7M between them, 85% of the total. 20 films, 77% of the list, earned under $10M.
Week 27 releases took $890M. The biggest of these 9 weeks is week 24 (Jun 10–16) with $1.5B, led by Incredibles 2 (2018).
Of these 10 years, Week 27, 2013 earned the most: $1.4B from 23 films, led by Despicable Me 2 (2013). Week 27, 2018 took $890M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 27, 2009 Jun 28–Jul 4 13 films | 13 | $1.1B | – | Ice Age: Dawn of the Dinosaurs (2009) $886.7M |
| Week 27, 2010 Jun 27–Jul 3 16 films · +6% | 16 | $1.2B | +6% | The Twilight Saga: Eclipse (2010) $698.5M |
| Week 27, 2011 Jun 26–Jul 2 24 films · +9% | 24 | $1.3B | +9% | Transformers: Dark of the Moon (2011) $1.1B |
| Week 27, 2012 Jul 1–7 19 films · −30% | 19 | $913.8M | −30% | The Amazing Spider-Man (2012) $758.7M |
| Week 27, 2013 Jun 30–Jul 6 23 films · +49% | 23 | $1.4B | +49% | Despicable Me 2 (2013) $970.8M |
| Week 27, 2014 Jun 29–Jul 5 28 films · −80% | 28 | $269.6M | −80% | Tammy (2014) $100.4M |
| Week 27, 2015 Jun 28–Jul 4 26 films · +160% | 26 | $701M | +160% | Terminator Genisys (2015) $440.6M |
| Week 27, 2016 Jun 26–Jul 2 30 films · +6% | 30 | $744.4M | +6% | The Legend of Tarzan (2016) $357.2M |
| Week 27, 2017 Jul 2–8 28 films · +29% | 28 | $961.7M | +29% | Spider-Man: Homecoming (2017) $881M |
| Week 27, 2018 Jul 1–7 26 films · −7% | 26 | $890M | −7% | Ant-Man and the Wasp (2018) $622.7M |
Sci-Fi took $852.4M across 5 films, 96% of the total, ahead of Action ($808.6M) and Adventure ($630.5M). A film counts once for each of its genres. English-language films took $848.3M across 8 films, 95% of the total, ahead of Japanese-language films ($31M) and French-language films ($7.9M).
53 weeks of 2018 with reported grosses; the biggest is week 7 (Feb 11–17) with $2.6B, led by Black Panther (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 26 films as the chart.
Ant-Man and the Wasp (2018) leads with $622.7M worldwide, $216.6M of it in the US & Canada. Next come The First Purge (2018) at $137.1M and Bleeding Steel (2018) at $48.8M.
26 films released in week 27 of 2018 (Jul 1–7) report a worldwide gross, $890M in all, or $34.2M per film on average. Week 26, 2018 releases took $277.1M.
None. 2 films crossed $100 million, led by Ant-Man and the Wasp (2018) with $622.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 27 of 2018 (Jul 1–7). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.